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Roland Sound Canvas
The lineup is a series of General MIDI (GM) based pulse-code modulation (PCM) sound modules and sound cards, primarily intended for computer music usage, created by Japanese manufacturer Roland Corporation. Some models include a Serial communication, serial or USB connection to a personal computer. Products Sound Canvas The first Sound Canvas units (SC-55 and SB-55) were sold in the winter of 1991, in some cases also sold as "Edirol" rather than "Roland" as the brand name, mainly with the SC-88VL. Sound Canvas Personal Computer Products Computer Music Products Sound Canvas and Keyboard The following combine a sound canvas module with a built in MIDI keyboard Studio Canvas Studio Canvas was a series of PCM sound modules with built in audio interfaces (some models only) sold under both Edirol and Roland branding. The samples contained in the ROMs of these units do not in all cases mirror the original SC-7 / SC-55 GM/GS samples. GM2 is downward compatible with GM. Vi ...
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General MIDI
General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The official specification is available in English from the MMA, bound together with the MIDI 1.0 specification, and in Japanese from the Association of Musical Electronic Industry (AMEI). GM imposes several requirements beyond the more abstract MIDI 1.0 specification. While MIDI 1.0 by itself provides a communication protocol which ensures that different instruments can interoperate at a fundamental level – for example, that pressing keys on a MIDI keyboard will cause an attached MIDI sound module to play musical notes – GM goes further in two ways. First, GM requires that all compliant MIDI instruments meet a certain minimal set of features, such as being able to play at least 24 notes simult ...
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Industry Standard Architecture
Industry Standard Architecture (ISA) is the 16-bit internal bus (computing), bus of IBM PC/AT and similar computers based on the Intel 80286 and its immediate successors during the 1980s. The bus was (largely) backward compatible with the 8-bit bus of the 8088-based IBM PC, including the IBM PC/XT as well as IBM PC compatibles. Originally referred to as the PC bus (8-bit) or AT bus (16-bit), it was also termed ''I/O Channel'' by IBM. The ISA term was coined as a retronym by IBM PC clone manufacturers in the late 1980s or early 1990s as a reaction to IBM attempts to replace the AT bus with its new and incompatible Micro Channel architecture. The 16-bit ISA bus was also used with 32-bit processors for several years. An attempt to extend it to 32 bits, called Extended Industry Standard Architecture (EISA), was not very successful, however. Later buses such as VESA Local Bus and Peripheral Component Interconnect, PCI were used instead, often along with ISA slots on the same mainbo ...
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Hyper Canvas And TTS-1
Hyper may refer to: Arts and entertainment * ''Hyper'' (2016 film), 2016 Indian Telugu film * ''Hyper'' (2018 film), 2018 Indian Kannada film * ''Hyper'' (magazine), an Australian video game magazine * Hyper (TV channel), a Filipino sports channel * Hyper+, a former Polish programming block on Teletoon+ * '' Eedo Rakam Aado Rakam'', 2016 Indian Telugu film, titled ''Hyper'' in Hindi Mathematics * Hypercube, the n-dimensional analogue of a square and a cube * Hyperoperation, an arithmetic operation beyond exponentiation * Hyperplane, a subspace whose dimension is one less than that of its ambient space * Hypersphere, the set of points at a constant distance from a given point called its centre * Hypersurface, a generalization of the concepts of hyperplane, plane curve, and surface * Hyperstructure, an algebraic structure equipped with at least one multivalued operation * Hyperbolic functions, analogues of trigonometric functions defined using the hyperbola rather than the c ...
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Audio Stream Input/Output
Audio Stream Input/Output (ASIO) is a computer audio interface driver protocol for digital audio specified by Steinberg, providing high data throughput, synchronization, and low latency between a software application and a computer's audio interface or sound card. ASIO was initially released in 1997 in order to enable streaming of one or more audio streams from an (multi-input/output) audio interface to a software and vice versa with minimal latency and sample accurate synchronization of the audio streams. It allows the audio streams to use any sample rate and supports bit resolutions of 16, 24, 32 bit integer and 32 or 64 bit floating point. The release of ASIO 2.0 in 1999 brought further enhancements such as ASIO Direct Monitoring, where an audio signal is monitored directly from the audio interface with basically zero latency, and ASIO Positioning Protocol, used to sample accurately synchronize a computer to other digital machines such as ADAT recorder or also othe ...
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Windows Driver Model
In computing, the Windows Driver Model (WDM) also known at one point as the Win32 Driver Model is a framework for device drivers that was introduced with Windows 98 and Windows 2000 to replace VxD, which was used on older versions of Windows such as Windows 95 and Windows 3.1, as well as the Windows NT Driver Model. Overview WDM drivers are layered in a stack and communicate with each other via I/O request packets (IRPs). The Microsoft Windows Driver Model unified driver models for the Windows 9x and Windows NT product lines by standardizing requirements and reducing the amount of code that needed to be written. WDM drivers will not run on operating systems earlier than Windows 98 or Windows 2000, such as Windows 95 (before the OSR2 update that sideloads the WDM model), Windows NT 4.0 and Windows 3.1. By conforming to WDM, drivers can be binary compatible and source-compatible across Windows 98, Windows 98 Second Edition, Windows Me, Windows 2000, Windows XP and Windows Se ...
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Yamaha XG
Yamaha XG (Extended General MIDI) is an extension to the General MIDI standard, created by Yamaha Corporation, Yamaha. It is similar in purpose to the Roland GS standard. Features Relative to General MIDI, XG gained popularity by increasing the number of available instruments from 128 to 480 with an additional 11 drum kits and introduced a large set of standard controllers and parameters that composers could employ to achieve greater subtlety and realism in their compositions. The XG also has a synthesizer that provides a 32/64 note polyphonic feature which is shared through the supported 16 MIDI channels. XG has a wide range of sounds to form such complex chords and produces a wide variety of lower synthesizer sounds to choose from. A subset known as "XGlite" is featured in most of Yamaha's lower-end electronic keyboard products such as the List of Yamaha products, PSR/PortaTone line. It features a reduced set of 361 instruments (381 in some models) and greatly simplified ...
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General MIDI 2
General MIDI Level 2 or GM2 is a specification for synthesizers which defines several requirements beyond the more abstract MIDI standard and is based on General MIDI, GS extensions, and XG extensions. It was adopted in 1999 by the MIDI Manufacturers Association (MMA). General requirements * Number of Notes: 32 simultaneous notes * MIDI Channels: 16 * Simultaneous Melodic Instruments – up to 16 (all Channels) * Simultaneous Percussion Kits – up to 2 (Channel 10/11) Parameters Program and bank change events General MIDI 2 compatible synthesizers access all of the 256 instruments by setting cc#0 (Bank Select MSB) to 121 and using cc#32 (Bank Select LSB) to select the variation bank before a Program Change. Variation bank 0 contains the full GM — that is, General MIDI 1 — sound set. Variations using other bank numbers are new to General MIDI 2, and correspond to variation sounds introduced in Roland GS and Yamaha XG. Melodic sounds = Piano = = Chromatic Percussion = = ...
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Rough Condition Edirol Studio Canvas SD-80
Rough may refer to: * Roughness (other) * Rough (golf), the area outside the fairway on a golf course Geography * Rough (facility), former gas field now gas storage facility, off the Yorkshire coast of England People * Alan Rough (born 1951), Scottish football goalkeeper * Katie Rough (2009–2017), British girl killed by a 15 year old girl * Peter Rough (born 1983), senior fellow of the conservative US think tank Hudson Institute * Remi Rough, English street artist * William Rough (c. 1772 – 1838), English lawyer, judge and poet Entertainment * Rough (manga) is a manga series by Mitsuru Adachi. It was published by Shogakukan in ''Weekly Shōnen Sunday'' from 1987 to 1989, and collected in 12 tankōbon volumes. The series was adapted into a live action film in 2006, released in Japan by Toho. Pl ... * ''Rough'' (film), a 2013 film * ''Rough'' (album), released by Tina Turner in 1978 * Rough (song), 2016 Korean song by GFriend * Rough (creative group), ...
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Roland MT-32
The Roland MT-32 Multi-Timbre Sound Module is a MIDI synthesizer module first released in 1987 by Roland Corporation. It was originally marketed to amateur musicians as a budget external synthesizer with an original list price of $695. However, it became more famous along with its compatible modules as an early ''de facto'' standard in computer music. Since it was made prior to the release of the General MIDI standard, it uses its own proprietary format for MIDI file playback. Within Roland's family of linear arithmetic (LA) synthesizers, the multitimbral MT-32 series constitutes the budget prosumer line for computer music at home, the multitimbral D-5, D-10, D-20 and D-110 models constitute the professional line for general studio use, and the high-end bitimbral D-50 and D-550 models are for sophisticated multi-track studio work. It was the first product in Roland's line of Desktop Music System (DTM) packages in Japan. Features Like the Roland D-50 Linear Synthesi ...
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PCMCIA
The Personal Computer Memory Card International Association (PCMCIA) was an industry consortium of computer hardware manufacturers from 1989 to 2009. Starting with the PCMCIA card in 1990 (the name later simplified to ''PC Card''), it created various standards for peripheral interfaces designed for laptop computers. History PCMCIA was based on the original initiative of the British mathematician and computer scientist Ian H. S. Cullimore, one of the founders of the Sunnyvale-based Poqet Computer Corporation, who was seeking to integrate some kind of memory card technology as storage medium into their early DOS-based palmtop PCs, when traditional floppy drives and harddisks were found to be too power-hungry and large to fit into their battery-powered handheld devices. When in July 1989, Poqet contacted Fujitsu for their existing but still non-standardized SRAM memory cards, and Intel for their flash technology, the necessity and potential of establishing a worldwide mem ...
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MPU-401
The MPU-401, where ''MPU'' stands for MIDI Processing Unit, is an important but now obsolete interface for connecting MIDI-equipped electronic music hardware to personal computers. It was designed by Roland Corporation, which also co-authored the MIDI standard. Design Released around 1984, the original MPU-401 was an external breakout box providing MIDI IN/MIDI OUT/MIDI THRU/TAPE IN/TAPE OUT/MIDI SYNC connectors, for use with a separately-sold interface card/cartridge ("MPU-401 interface kit") inserted into a computer system. For this setup, the following "interface kits" were made: * MIF-APL: For the Apple II * MIF-C64: For the Commodore 64 * MIF-FM7: For the Fujitsu FM-7 * MIF-IPC: For the IBM Personal Computer, IBM PC/IBM Personal Computer XT, IBM XT. It turned out not to work reliably with 286 and faster processors. Early versions of the actual PCB had IF-MIDI/IBM as a silk screen. * MIF-IPC-A: For the IBM Personal Computer AT, IBM AT, works with PC and XT as well. * Xanadu ...
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Creative Wave Blaster
The Wave Blaster was an add-on MIDI-synthesizer for Creative Sound Blaster 16 and Sound Blaster AWE32 family of PC soundcards. It was a sample-based synthesis General MIDI compliant synthesizer. For General MIDI scores, the Wave Blaster's wavetable-engine produced more realistic instrumental music than the SB16's onboard Yamaha-OPL3. The Wave Blaster attached to a SB16 through a 26-pin expansion-header, eliminating the need for extra cabling between the SB16 and the Wave Blaster. The SB16 emulated an MPU-401 UART, giving existing MIDI-software the option to send MIDI-sequences directly to the attached Wave Blaster, instead of driving an external MIDI-device. The Wave Blaster's analog stereo-output fed into a dedicated line-in on the SB16, where the onboard-mixer allowed equalization, mixing, and volume adjustment. The Wave Blaster port was adopted by other sound card manufacturers who produced both daughterboards and soundcards with the expansion-header: Diamond, Ensoniq ...
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