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Roland MC-4
The Roland MC-4 MicroComposer was an early microprocessor-based music sequencer released by Roland Corporation. It could be programmed using the ten key numeric keyboard or a synthesizer keyboard using the keyboard's control voltage and gate outputs. It was released in 1981 with a list price of (¥430,000 Japanese yen, JPY) and was the successor to the Roland MC-8 Microcomposer, MC-8, which in 1977 was the first microprocessor-based digital sequencer. Like its predecessor, the MC-4 is a Polyphony and monophony in instruments, polyphonic CV/Gate sequencer.Chris Carter (British musician), Chris CarterROLAND MC8 MICROCOMPOSER ''Sound on Sound'', Vol.12, No.5, March 1997 Information This sequencer was released before the advent of MIDI, and viewed by some composers to have more accurate timing (music), timing. The MC-4 has an output patchbay to the right of the control panel, allowing you to patch the MC-4 to a synthesizer using 3.5mm patch cords. There are four channels of outputs c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delete Key
The delete key (often abbreviated del) is a button on most computer keyboards which is typically used to delete either (in text mode) the character ahead of or beneath the cursor, or (in GUI mode) the currently-selected object. The key is sometimes referred to as the "forward delete" key. This is because the backspace key also deletes characters, but to the left of the cursor. On many keyboards, such as most Apple keyboards, the key with the backspace function is also labelled "delete". Position and labeling on keyboards The key appears on English-language IBM-compatible PC keyboards labeled as or , sometimes accompanied by a crossed-out right-arrow symbol. A dedicated symbol for "delete" exists as U+2326 ⌦ but its use as a keyboard label is not universal. However, sometimes the key labelled performs the Backspace function instead, for example on some Apple keyboards. In other cases, the Delete key is in its original IBM notebook position of above and to the right of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland OP-8
The Roland OP-8 interface was designed to control Roland polyphonic synthesizers that were equipped with a DCB (Digital Control Bus) interface via the Roland MC-4 Microcomposer.Roland OP-8 Operation Manual The OP-8 and synthesizer were connected together using a DCB cable. The OP-8 and MC-4 Microcomposer were then patched together using patchcords via each of their patchbays. The transpose control on the OP-8 was able to transpose the synthesizer up or down by one octave. DCB Equipped Synthesizers * Roland Jupiter 8 The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3,300 units have ... The Jupiter 8 needed minor changes in its circuit for setting up with the OP-8. This work was carried out by Roland. * Roland Juno 60 When using the OP-8 with a Roland Juno 60 the connection and operation were extremel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Cassette
The Compact Cassette, also commonly called a cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips, the Compact Cassette was released in August 1963. Compact Cassettes come in two forms, either containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed—for example the Microcassette—the generic term ''cassette tape'' is normally used to refer to the Compact Cassette because of its ubiquity. From 1983 to 1991 the cassette tape was the most popular audio format for new music sales in the United States. Compact Cassettes contain two miniature spools, between which the magnetically coated, polyester-type plastic film (magnetic tape) is passed and wound—essentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland MTR-100
The Roland MC-4 MicroComposer was an early microprocessor-based music sequencer released by Roland Corporation. It could be programmed using the ten key numeric keyboard or a synthesizer keyboard using the keyboard's control voltage and gate outputs. It was released in 1981 with a list price of (¥430,000 JPY) and was the successor to the MC-8, which in 1977 was the first microprocessor-based digital sequencer. Like its predecessor, the MC-4 is a polyphonic CV/Gate sequencer. Chris CarterROLAND MC8 MICROCOMPOSER ''Sound on Sound'', Vol.12, No.5, March 1997 Information This sequencer was released before the advent of MIDI, and viewed by some composers to have more accurate timing. The MC-4 has an output patchbay to the right of the control panel, allowing you to patch the MC-4 to a synthesizer using 3.5mm patch cords. There are four channels of outputs containing CV-1, CV-2, Gate and MPX (multiplex) to control four separate synthesizers.page 1, Roland Microcomposer MC-4 Operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIN Sync
DIN sync, also called Sync24, is a synchronization interface for electronic musical instruments. It was introduced in 1980 by Roland Corporation and has been superseded by MIDI. Definition and history DIN sync was introduced in 1980 by Roland Corporation with the release of the TR-808 drum machine. The intended use was the synchronization of music sequencers, drum machines, arpeggiators and similar devices. It was superseded by MIDI in the mid-to-late 1980s. DIN sync consists of two signals, clock (tempo) and run/stop. Both signals are TTL compatible, meaning the low state is 0 V and the high state is about +5 V. The clock signal is a low-frequency pulse wave suggesting the tempo. Instead of measuring the waveform's frequency, the machine receiving the signal merely has to count the number of pulses to work out when to increment its position in the music. Roland equipment uses 24 pulses per quarter note, known as Sync24. Therefore, a Roland-compatible dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI Clock
MIDI beat clock, or simply MIDI clock, is a clock signal that is broadcast via MIDI to ensure that several MIDI-enabled devices such as a synthesizer or music sequencer stay in synchronization. Clock events are sent at a rate of 24 pulses per quarter note. Those pulses are used to maintain a synchronized tempo for synthesizers that have beats-per-minute-dependent voices and also for arpeggiator synchronization. The clock is presented as a stream of single-byte MIDI messages. Playback at the tempo presented by the beat clock can be started, stopped and resumed with other single-byte MIDI messages. Location information can be specified using Song Position Pointer messages. MIDI beat clock differs from MIDI timecode in that MIDI beat clock is tempo-dependent. Messages MIDI beat clock defines the following real-time messages: * clock (decimal 248, hex 0xF8) * start (decimal 250, hex 0xFA) * continue (decimal 251, hex 0xFB) * stop (decimal 252, hex 0xFC) MIDI also specifies a Syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DIN Connector
The DIN connector is an electrical signal connector that was standardized by the (DIN), the German Institute for Standards, in the mid 1950s, initially with three pins for mono, but when stereo connections and gear appeared in the late 1950s, versions with five pins or more were made. The male DIN connectors (plugs) feature a 13.2 mm diameter metal shield with a notch that sets the orientation in which plug and socket can mate. The range of DIN connectors, different only in the configuration of the pins, has been standardized as DIN 41524 / IEC/DIN EN 60130-9 (3-pin at 90° and 5-pin at 45°); DIN 45322 (5-pin and 6-pin at 60°); DIN 45329 / IEC/DIN EN 60130–9 (7-pin at 45°); and DIN 45326 / IEC/DIN EN 60130-9 (8-pin at 45°). In consumer electronics, the cylindrical connectors were adopted for analog audio signals. Some DIN connectors have been used in analog video applications, for power connections, and for digital interfaces, such as the MIDI (DIN 41524), the IBM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccato
Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legato
In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly, such that the transition from note to note is made with no intervening silence. Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid articulating the notes with a very slight interruption. Standard notation indicates legato either with the word ''legato'', or by a slur (a curved line) under notes that form one legato group. The latter notation is differentiated from a tie in that the notes have different pitches. Legato, like staccato, is a kind of articulation. There is an intermediate articulation called either ''mezzo staccato'' or ''non-legato'' (sometimes referred to as '' portato''). Classical string instruments In music for Classical string instruments, legato is an articulation that often refers to notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perception, perceptual property that allows sounds to be ordered on a frequency-related scale (music), scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melody, melodies. Pitch is a major auditory system, auditory attribute of musical tones, along with duration (music), duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective Psychoacoustics, psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their percep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Note
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This musical analysis#Discretization, discretization facilitates performance, comprehension, and musical analysis, analysis. Notes may be visually communicated by writing them in musical notation. Notes can distinguish the general pitch class or the specific Pitch (music), pitch played by a pitched Musical instrument, instrument. Although this article focuses on pitch, notes for unpitched percussion instruments distinguish between different percussion instruments (and/or different manners to sound them) instead of pitch. Note value expresses the relative Duration (music), duration of the note in time. Dynamics (music), Dynamics for a note indicate how Loudness, loud to play them. Articulation (music), Articulations may further indicate how performers should shape the Envelope (music), attack and decay of the note and express fluctuations in a note's timbre and Pit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
