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Roland GS
Roland GS, or just GS, sometimes expanded as General Standard or General Sound, is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc. In addition to the simpler General MIDI standard, GS defines 98 additional tone instruments, 15 more percussion instruments, 8 more drum kits, 3 effects (reverb/chorus/variation) and some other features. The Roland SC-55 was the first synthesizer to support the GS standard. History The GS extensions were first introduced and implemented on Roland Sound Canvas series modules, starting with the Roland SC-55 in 1991. The first model supported 317 instruments, 16 simultaneous melodic voices, 8 percussion voices and a compatibility mode for Roland MT-32 (although it only emulated it and lacked programmability of original MT-32) and gained explosive popularity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Drumming
Jazz drumming is the art of playing percussion (predominantly the drum kit, which includes a variety of drums and cymbals) in jazz styles ranging from 1910s-style Dixieland jazz to 1970s-era jazz fusion and 1980s-era Latin jazz. The techniques and instrumentation of this type of performance have evolved over several periods, influenced by jazz at large and the individual drummers within it. Stylistically, this aspect of performance was shaped by its starting place, New Orleans, Gioia, T. (1997). ''The History of Jazz''. Oxford University Press: New York. as well as numerous other regions of the world, including other parts of the United States, the Caribbean, and Africa.Brown, T, D. (1976). ''A History and Analysis of Jazz Drumming to 1942''. University Microfilms: Ann Arbor, Michigan. Jazz required a method of playing percussion different from traditional European styles, one that was easily adaptable to the different rhythms of the new genre, fostering the creation of jazz drum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (: ''portamenti''; from old , meaning 'carriage' or 'carrying'), also known by its French name glissade, is a pitch sliding from one Musical note, note to another. The term originated from the Italian language, Italian expression ('carriage of the voice'), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with Nonchord tone#Anticipation, anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of Pedal steel guitar, steel guitars and synthesizers. Vocal portamento In the first example, Rodolfo's first aria in ''La sonnambula'' (1831), the portamento is indicated by the Slur (music), slur between the third and fourth notes. The second example, Judit's first line in ''Bluebeard's Castle'' (1912) by composer Béla Bartók, employs an inclining, wavy line b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/ Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro, Deixa Falar. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep. Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanet
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the '' crotalum''. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: ''castaño''), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaker (percussion)
Shaker or Shakers may refer to: Religious groups * Shakers, a historically significant Christian sect * Indian Shakers, a smaller Christian denomination Objects and instruments * Shaker (musical instrument), an indirect struck idiophone * Cocktail shaker, a device used to mix beverages (usually alcoholic) by shaking * Shaker (salt and pepper), condiment dispensers designed to allow diners to distribute grains of edible salt and ground peppercorns * Shaker (laboratory), a device used to stir liquids in chemistry and biology * Shaker (testing device), a vibration device used in endurance testing or modal testing * Shaker scoop, an auto component * Shale shakers, a type of solids control equipment Music * Shaker (musical instrument), an indirect struck idiophone * Shaker (Lil Shaker), a Ghanaian recording artist, songwriter, producer and performer * The Shakers (band) a pseudonym for the band Kingsize Taylor and the Dominoes * Los Shakers, a Uruguayan band * ''Shaker'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome
A metronome () is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light. Musicians—and others including dancers, athletes, and health professionals—often practise with a metronome to improve their timing, especially the ability to maintain a steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians preparing for a performance. A type of metronome was among the inventions of Andalusian polymath Abbas ibn Firnas (810–887). In 1815, German inventor Johann Maelzel patented a mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slapping (music)
Slapping and popping are ways to produce percussive sounds on a stringed instrument. They are primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately. History On the double bass, the technique was developed by jazz bands in New Orleans in the early 1900s, and later spread to other genres, including western swing, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-707
The Roland TR-707 Rhythm Composer is a drum machine released by Roland Corporation in 1985. Features The TR-707 has 15 digitally sampled sound and 10-voice polyphony. The alternate bass drum, snare, and hi-hat sounds cannot be triggered simultaneously. The instruments are labeled as Bass Drum, Snare Drum, Low Tom, Mid Tom, Hi Tom, Rimshot, Cowbell, Hand Clap, Tambourine, Hi-Hat (Closed or Open), Cymbal (Crash or Ride), as well as an additional function labeled accent, which serves to rhythmically modify the volume of the other instruments. The instruments on the TR-707 are samples of recordings of actual acoustic instruments and are not synthesized individually like the instruments on the TR-808. The TR-707 provides four levels of shuffle that operate globally on the rhythm, as well as flam that can be applied to any step. The device offers 64 programmable patterns, which are editable via step-write or tap-write, that can be sequenced together into any of four different trac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland CR-78
The Roland CompuRhythm CR-78 is a drum machine manufactured by Roland Corporation that was released in 1978. Although primitive by later standards, the CR-78 represented an important advance in drum machine technology at the time, in particular by allowing users to program and store their own drum patterns. The wood effect cabinet and preset rhythms of the CR-78 such as ''Waltz'', ''Bossa Nova'' and ''Rhumba'' suggest that it was seen by its designers as primarily an accompaniment for an electric organ, but the CR-78 became a popular instrument with new wave musicians in the late 1970s and early 1980s. Operation The CR-78 uses analog drum voices that sound very little like real percussion instruments. The unit also incorporates an NEC UPD8048C-015 microcontroller CPU (NEC) uPD8048C-015 8-bits (a clone of the Intel 8048) to provide digital control of its functions. Previous Roland drum machines had offered only a selection of preset rhythms. The CR-78's key new featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-909
The Roland TR-909 Rhythm Composer, commonly known as the 909, is a drum machine introduced by Roland Corporation in 1983, succeeding the TR-808. It was the first Roland drum machine to use samples for some sounds, and the first with MIDI functionality, allowing it to synchronize with other devices. Though the 909 was a commercial failure, it influenced the development of electronic dance music genres such as techno, house and acid house. Development The TR-909 was designed by Tadao Kikumoto, who had also led development on Roland's previous drum machine, the TR-808, and designed the Roland TB-303 synthesizer. Makoto Muroi was also a chief engineer, the software was developed by Atsushi Hoshiai, and the voice circuits were developed by Yoshiro Oue. The 909 was the first Roland drum machine to use samples, for its crash, ride and hi-hat sounds. Hoshiai sampled his own drum kit for the cymbals, using a mismatched pair of Paiste and Zildjian hi-hat cymbals. He sampled them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash Cymbal
Clash cymbals (also called concert cymbals, orchestral cymbals, or crash cymbals) are cymbals played in matched pairs by holding one cymbal in each hand and striking the two together. To differentiate this type of cymbal from a suspended cymbal, they are also called hand cymbals. Terminology In musical scores, clash cymbals are normally indicated as ''cymbals'' or sometimes simply ''C.C.'' If another type of cymbal, for example, a suspended cymbal, is required in an orchestral score, then for historical reasons this is often also indicated ''cymbals''. Some composers and arrangers use the plural ''cymbals'' or ''crash cymbals'' to indicate clash cymbals, with the singular ''cymbal'' to indicate a suspended cymbal. Composers will often condense the clash cymbals and a suspended cymbal into the same part. There are a number of techniques used to indicate which is desired. Whenever ''with stick'' or ''with mallet'' is written, a suspended cymbal is used. A return to clash cymbals ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
