|
Rodrigue Et Chimène
''Rodrigue et Chimène'' (English: ''Rodrigo and Ximena'') is an unfinished opera in three acts by Claude Debussy. The French libretto, by Catulle Mendès,Langham Smith, Richard. Rodrigue et Chimène. In: ''New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. is based on the plays ''Las Mocedades del Cid'' by Guillén de Castro y Bellvís and Corneille's '' Le Cid'' which deal with the legend of El Cid (Rodrigue in the opera). It was first staged in a version completed by Edison Denisov in Lyon on 14 May 1993. Composition Mendès had begun work on his libretto in 1878, hoping to offer it to "one of the leading lights of the French school f opera. Massenet's '' Le Cid'' (1885, Paris Opera) may have put Mendès off in his search for a composer. It was only in April, 1890 that Mendès handed it to the young Debussy. Mendès had predicted that Debussy would become "one of the great composers of the future" and had helped to promote his music. Although he was uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works, largely due to its usage in the 1940 Disney film '' Fantasia''. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C and Piano Sonata in E-flat minor, the '' Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, '' La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Fouchécourt
2015 Jean-Paul Fouchécourt is a French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Burgundy region. He is best known for singing French Baroque music, especially the parts called in French ''haute-contre'', written for a very high tenor voice with no falsetto singing. Life and career Specialist in French Baroque repertory, Jean-Paul Fouchécourt gained his reputation with his portrayal of the title role ''Platée'' by Rameau, Arnalta in '' l’Incoronazione di Poppea'' by Monteverdi, the four servants in the ''Tales of Hoffmann'' by Offenbach and le Mari in the ''Mamelles de Tirésias'' by Poulenc. After studying the classical saxophone and conducting, Jean-Paul Fouchécourt decided to become a singer after a workshop with Cathy Berberian in 1982. He began his career with Les Arts Florissants directed by William Christie in 1986, having concerts in Europe, US, Soviet Union, South America, Australia and Japan. Jean-Paul Fouchécourt then wen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Brown (soprano)
Donna Brown (born 15 February 1955) is a Canadian soprano opera singer. Donna Brown's voice has been described as “pure, shimmering soprano” and “expressive nuanced singing, coupled with pure gleaming tone”. She has performed on opera and concert stages in Europe, Asia, North America, and South America. Her repertoire covers opera, oratorio, recital, and chamber music, as well as contemporary collaborations. Studies Brown studied voice, piano, and composition in Ottawa and voice performance at McGill University in Montreal. She moved to Paris to continue her studies with Noémie Pérugia on the interpretation of French Art Song. Brown studied vocal technique and opera with Daniel Ferro at the Fondation Royaumont in France, and German Lied at the Franz Schubert Institute in Baden bei Wien, Austria. Further studies included oratorio and opera in Salzburg with Edith Mathis, and belcanto technique in Venice with Randolf Mickelson. Opera Brown's opera career began as Michael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimena Díaz
Doña Jimena Díaz, also spelled Ximena (; ; before July 1046 – ), reigned as Princess of Valencia from 1099 to 1102. She was the wife and successor of El Cid, whom she married between July 1074 and 12 May 1076. The Principality of Valencia was an independent state founded by Jimena's husband. Biography Jimena was the daughter of Diego Fernández, Count of Oviedo, the son of count Fernando Flaínez. Her mother was his wife Cristina. She was a sister of Fernando Díaz, Count of Asturias. Upon marrying Rodrigo Díaz, Jimena Díaz accompanied her husband although it has remained unclear if she lived with him in the Taifa of Zaragoza during his first exile (from 1080 to 1086) as leader of the Andalusian army in service of Ahmah al-Muqtadir, Yusuf al-Mu'taman ibn Hud Abu Amir Yusuf ibn Ahmad ibn Hud (; died ), more commonly known as al-Mu'taman, was a mathematician, and also one of the kings of the Taifa of Zaragoza. The name al-Mu'taman is itself a shortening of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurence Dale
Laurence Dale (born 1957) is an English tenor, artistic director and conductor. Biography Laurence Dale studied singing at London's Guildhall School of Music and Drama with Rudolf Piernay and the Mozarteum in Salzburg. Early leading roles included that of Hilarion in the Gilbert and Sullivan opera ''Princess Ida'' with the London Symphony Orchestra and the Ambrosian Opera Chorus in 1982, and Ramiro in Rossini's opera ''La Cenerentola'' with the Glyndebourne Festival Opera in 1983. In 1984 he appeared in the Channel 4 series Top C's and Tiaras. Amongst many Mozartian rôles, as well as baroque and romantic, his portrayal of Tamino, with which he opened Mozart year in Salzburg in 1991 was described by the press as legendary. He performed this rôle regularly in Vienna's Staatsoper and Berlin's Deutsche Oper, then in Paris Opera Bastille and throughout the world. In 1992, he created the Rodrigue in ''Rodrigue et Chimène'' to open the new opera in Lyon, recorded for Erato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Nagano
Kent George Nagano (born November 22, 1951) is an American conductor and opera administrator. Since 2015, he has been ''Generalmusikdirektor'' (GMD) of the Hamburg State Opera (until 2025). Early life and education Nagano was born in Berkeley, California, while his parents were in graduate school at the University of California, Berkeley. He is a '' sansei'' (third-generation) Japanese-American. He grew up in Morro Bay, a city on the Central Coast of California in San Luis Obispo County. He studied sociology and music at the University of California, Santa Cruz. After graduation, he moved to San Francisco State University to study music, taking composition courses from Grosvenor Cooper and Roger Nixon. He also studied at the École Normale de Musique de Paris. Career Nagano's first conducting job was with the Opera Company of Boston, where he was assistant conductor to Sarah Caldwell. In 1978, he became the conductor of the Berkeley Symphony, his first music directorshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Lyon
The Opéra de Lyon (also known as Opéra Nouvel, formerly Grand Théâtre) in Lyon, France, is the home of the Opéra National de Lyon. The original opera house was re-designed by the distinguished French architect, Jean Nouvel between 1985 and 1993 in association with the agency of scenography Ducks scéno, dUCKS scéno and the acoustician Peutz. Serge Dorny was appointed general director in 2003. History In 1756, one of the first opera houses created inside an existing freestanding building was opened in Lyon. It was designed by Jacques-Germain Soufflot, the architect of the Panthéon in Paris, and known as the Grand Théâtre. By early in the following century it was found to be too small, and Antoine-Marie Chenavard and Jean-Marie Pollet erected the new Opéra de Lyon which opened on July 1, 1831. It was considered rather undistinguished, but served its purpose. It was not until 1985 that the City decided to once again re-build the opera house, but this time it was to be wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
