Robert Dieudonné
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Robert Dieudonné
Robert Dieudonné (23 June 1879 – 30 September 1940) was a French playwright and journalist of the first half of the 20th century. Works He authored letters, lyrics, libretti and caricatures * July 1904: he created the characters of countess Riguidi and her daughter Emma in the newspaper ''L'Œuvre (journal), L'Œuvre'' by Gustave Téry, a column that he continued in ''Le Canard enchaîné''. * 1918: ''Le cochon qui sommeille ou le coq d'Inde'', operetta by Georges Gabriel Thenon, Rip, (revision) by Robert Dieudonné, music by Claude Terrasse, directed by Georgé, Concert Mayol. * January 1920: ''Gigoletto'', operetta in 2 acts, libretto by Rip and Robert Dieudonné, music by Albert Chantrier, La Cigale. * May 1923: ' operetta in 3 acts after Georges Courteline adapted by Robert Dieudonné and Carpentier, Théâtre des Nouveautés. * September 1924: ''La Guitare et le jazz-band'' by Henri Duvernois and Robert Dieudonné, Théâtre des Nouveautés, 22 September. * January 1 ...
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L'Œuvre (journal)
''(The Masterpiece)' is the fourteenth novel in the '' Rougon-Macquart'' series by Émile Zola. It was first serialized in the periodical ''Gil Blas'' beginning in December 1885 before being published in novel form by Charpentier in 1886. The title, translated literally as "The Work" (as in work of art), is often rendered in English as ''The Masterpiece'' or ''His Masterpiece''. It refers to the struggles of the protagonist Claude Lantier to paint a great work reflecting his talent and genius. is a fictional account of Zola's friendship with Paul Cézanne and a fairly accurate portrayal of the Parisian art world in the mid 19th century. Zola and Cézanne grew up together in Aix-en-Provence, the model for Zola's Plassans, where Claude Lantier was born and received his education. Like Cézanne, Claude Lantier is a revolutionary artist whose work is misunderstood by an art-going public hidebound by traditional subjects, techniques and representations. Many of the characteristics ...
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