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Rinpung Dzong
Rinpung Dzong, sometimes referred to as Paro Dzong, is a large dzong - Buddhist monastery and fortress - of the Drukpa Lineage of the Kagyu school in Paro District, Bhutan. It houses the district Monastic Body as well as government administrative offices of Paro Dzongkhag. It is listed as a tentative site in Bhutan's Tentative List for UNESCO inclusion. History According to the history of Paro Dzong, the rock face below the dzong was named 'Ringpung' by Guru Rinpoche in the eighth century, hence when the dzong was later built here, it came to be known as 'Ringpung Dzong'. In the 15th century local people offered the crag of Hungrel at Paro to Lama Drung Drung Gyal, a descendant of Pajo Drugom Zhigpo. Drung Drung Gyal built a small temple there and later a five storied Dzong or fortress which was known aHungrel Dzong By the 17th century, his descendants, the lords of Hungrel, offered this fortress to the Drukpa hierarch, Ngawang Namgyal, the Zhabdrung Rinpoche, in recognitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paro, Bhutan
Paro () is a town and seat of Paro District, in the Paro Valley of Bhutan. It is an historic town with many sacred sites and historical buildings scattered throughout the area. It is also home to Paro International Airport, Bhutan's sole international airport. Paro Airport is served by Bhutan Airlines and Drukair. Architecture The main street has many examples of traditionally decorated buildings. The Dungtse Lhakhang (a 15th-century temple) and the Ugyen Perli Palace are near the new bridge. Members of royal family lodge in the palace when in Paro. Nearby is the old bridge and the Rinpung Dzong. Notable hotels include the Olathang Hotel built in an ornate style. About outside Paro is the famous Paro Taktsang (Tiger's Nest) Buddhist monastery and hermitage. Some Bhutanese believe that Padmasambhava (Guru Rinpoche) flew on the back of a tigress to this location from Tibet. The trek to Tiger's Nest monastery takes about three hours one way. A scenic view of the town of Paro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
In Buddhism, a stupa (, ) is a domed hemispherical structure containing several types of sacred relics, including images, statues, metals, and '' śarīra''—the remains of Buddhist monks or nuns. It is used as a place of pilgrimage and meditation. Walking around a stupa in a clockwise direction, known as '' pradakhshina'', has been an important ritual and devotional practice in Buddhism since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate, or drum, with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas, there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have, or had, ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzongs In Bhutan
Dzong architecture is used for dzongs, a distinctive type of fortified monastery (, , ) architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation. Characteristics Distinctive features include: * High inward sloping walls of brick and stone painted white with few or no windows in the lower sections of the wall * Use of a surrounding red ochre stripe near the top of the walls, sometimes punctuated by large gold circles * Use of unique style flared roofs atop interior temples * Massive entry doors made of wood and iron * Interior courtyards and temples brightly colored in Buddhist-themed art motifs such as the ashtamangala or swastika Regional differences Bhutan Dzongs serve as the religious, military, administrative, and social centers of their district. They are often the site of an annual '' tsechu'' or religious festival. Typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmasambhava
Padmasambhava ('Born from a Lotus'), also known as Guru Rinpoche ('Precious Guru'), was a legendary tantric Buddhist Vajracharya, Vajra master from Oddiyana. who fully revealed the Vajrayana in Tibet, circa 8th – 9th centuries... He is considered an emanation or Nirmāṇakāya of Gautama Buddha, Shakyamuni Buddha as foretold by the Buddha himself. According to early Tibetan sources including the ''Testament of Ba'', he came to Tibet in the 8th century and designed Samye Monastery, the first Buddhist monastery in Tibet during the reign of King Trisong Detsen. He, the king, and Khenpo Shantarakshita are also responsible for creating the Tibetan canon, Tibetan Canon through translating all of the Buddha's teachings and their commentaries into the Tibetan language. According to Lewis Doney, while his historical authenticity was questioned by earlier Tibetology, Tibetologists, it is now "cautiously accepted.” Padmasambhava himself was recorded as saying he was an historical per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thongdrel
A thongdrel (མཐོང་གྲོལ།) or throngdrel is a large appliqué (གོས་དྲུབ།) religious image normally only unveiled during '' tsechus(ཚེ་བཅུ།)'', the main religious festivals in Bhutan. They are the largest form of '' thangka(ཐང་ཀ།)'' paintings in the tradition of Tibetan Buddhism. Thongdrels typically depict a seated Guru Rinpoche surrounded by holy beings in a composition that, unlike most smaller thangkas, is in a "landscape" format, somewhat wider than it is tall. Thongdrels are composed of several layers, mostly of silk. These begin with a backing, then the image itself, made up of appliqué pieces sewn to a background. Finally there is a yellow drape that covers and protects it when not on display. Thongdrels are stored rolled up. Thongdrels are displayed once a year as the highlight of the tsechu festival of a district or ''dzongkhag'' (although not every district has a thongdrel). Typically they are displayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It went into effect in October 1582 following the papal bull issued by Pope Gregory XIII, which introduced it as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years slightly differently to make the average calendar year 365.2425 days long rather than the Julian calendar's 365.25 days, thus more closely approximating the 365.2422-day tropical year, "tropical" or "solar" year that is determined by the Earth's revolution around the Sun. The rule for leap years is that every year divisible by four is a leap year, except for years that are divisible by 100, except in turn for years also divisible by 400. For example 1800 and 1900 were not leap years, but 2000 was. There were two reasons to establish the Gregorian calendar. First, the Julian calendar was based on the estimate that the average solar year is exactly 365.25 days long, an overestimate of a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tshechu
A tshechu (, literally "tenth day") is any of the annual religious Bhutanese festivals held in each district or dzongkhag of Bhutan on the tenth day of a month of the lunar Tibetan calendar. The month depends on the place. Tshechus are religious festivals of the Drukpa Lineage of the Kagyu school of Tibetan Buddhism. Tshechus are large social gatherings, which perform the function of social bonding among people of remote and spread-out villages. Large markets also congregate at the fair locations, leading to brisk commerce.Dancing on the demon's back: the dramnyen dance and song of Bhutan by Elaine Dobson, John Blacking Symposium: Music Culture and Society, Callaway Centre, University of Western Australia, July 2003 The |
Cantilever Bridge
A cantilever bridge is a bridge built using structures that project horizontally into space, supported on only one end (called cantilevers). For small footbridges, the cantilevers may be simple beam (structure), beams; however, large cantilever bridges designed to handle road or rail traffic use trusses built from structural steel, or box girders built from prestressed concrete. The steel truss cantilever bridge was a major engineering breakthrough when first put into practice, as it can span distances of over , and can be more easily constructed at difficult crossings by virtue of using little or no falsework. Origins Civil engineer, Engineers in the 19th century understood that a bridge continuous across multiple supports would distribute the loads among them. This would result in lower stresses in the girder or truss and meant that longer spans could be built. Several 19th-century engineers patented continuous bridges with hinge points mid-span. The use of a hinge in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Bhutan
National Museum of Bhutan is a cultural museum in the town of Paro in western Bhutan. History Established in 1968, in the renovated ancient Ta Dzong building, above Rinpung Dzong under the command of His Majesty, the King Jigme Dorji Wangchuck, the third hereditary Monarch of Bhutan. The necessary infrastructure was created to house some of the finest specimens of Bhutanese art, including masterpieces of bronze statues and paintings. Suitable galleries were constructed to house the extensive collections. Works of art were elegantly displayed on scientific lines. Today, the National Museum has in its possession over 3,000 works of Bhutanese art, covering more than 1,500 years of Bhutan's cultural heritage. Its rich holdings of various creative traditions and disciplines, represent a remarkable blend of the past with the present and is a major attraction for local and foreign visitors. The genesis of the museum movement in Bhutan can be traced back to the establishment of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akshobhya
Akshobhya (, ''Akṣobhya'', "Immovable One"; ) is one of the Five Wisdom Buddhas, a product of the Adibuddha, who represents consciousness as an aspect of reality. By convention he is located in the east of the Diamond Realm and is the lord of the Eastern Pure Land Abhirati ('The Joyous'). His consort is Lochanā and he is normally accompanied by two elephants. His color is blue-black and his attributes include a bell, three robes, and staff, as well as a jewel, lotus, prayer wheel, and sword. He has several emanations. Textual history and doctrine Akshobhya appears in the Akṣobhyatathāgatasyavyūha Sūtra ( zh, t=阿閦佛國經, p=Āchùfó Guó Jīng, links=no), which was translated during the second century CE and is among the oldest known Mahayana or Pure Land texts. According to the scripture, a monk wished to practice the Dharma in the eastern world of delight and made a vow not to harbor anger or malice towards any being until he achieved enlightenment. He d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalokiteśvara
In Buddhism, Avalokiteśvara (meaning "the lord who looks down", International Phonetic Alphabet, IPA: ), also known as Lokeśvara ("Lord of the World") and Chenrezig (in Tibetan), is a Bodhisattva#Bhūmis (stages), tenth-level bodhisattva associated with great compassion (''Karuṇā, mahakaruṇā''). He is often associated with infinite light Amitabha Buddha. Avalokiteśvara has numerous Great 108 manifestations and is depicted in various forms and styles. In some texts, he is even considered to be the source and divine creator of all Hindu deities (such as Vishnu, Shiva, Brahma, Saraswati, Bhumi (goddess), Bhudevi, Varuna,..etc). While Avalokiteśvara was depicted as male in India, in East Asian Buddhism, Avalokiteśvara is most often depicted as a female figure known as Guanyin (in Chinese). In Japan, Korea, and Vietnam, he is known as Kannon, Gwaneum, and Quan Âm, respectively. Guanyin is also an important figure in other East Asian religions, particularly Chinese folk rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
