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Revolution Now
''Revolution Now'' is the third solo album by Captain Sensible. It was released on CD and double LP in July 1989 on his own Deltic Records. It was Sensible's first album release in six years since 1983's '' The Power of Love''. The album features contributions from Eddy Grant and former the Damned members Rat Scabies, Paul Gray and Henry Badowski, among others. The album was reissued in 2013 by Easy Action Records in a redesigned gatefold card sleeve. Background After leaving his previous record label A&M following the release of his "Revolution Now" single in 1987, Sensible formed his own label, Deltic Records. His first release on the label was the single "Toys Take Over" in June 1988, followed by "I Get So Excited" in October. All three singles were included on ''Revolution Now'', which was recorded in a number of different studios. Sensible wrote in the album's liner notes: "Why so many? Possibly due to the fact that being a bit of a perfectionist I spent a fair a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Captain Sensible
Raymond Ian Burns (born 24 April 1954), known by the stage name Captain Sensible, is an English singer, songwriter and guitarist. Captain Sensible co-founded the punk rock band the Damned, originally playing bass before switching to guitar. He embarked on a solo career during the 1980s, following a UK number one hit with his cover of "Happy Talk". Captain Sensible's distinctive appearance includes a red beret and sunglasses, typically with white frames. He was also a founder of the Blah! Party. Early life Captain Sensible was born in Balham, London, on 24 April 1954. He went to Stanley Technical School for Boys in South Norwood, Croydon. The first musical instrument he played was a Bontempi organ. Growing up, he listened to Brian Auger, Syd Barrett, Small Faces, Egg, Stray, Soft Machine and the Groundhogs. The Damned Originally a member of the Johnny Moped band, Captain Sensible joined the Damned in 1976 on the suggestion of his colleague Rat Scabies, the band's drummer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gray (English Musician)
Paul Murray Granville Gray (born 1 August 1958) is an English rock musician notable for playing with the bands Eddie and the Hot Rods and The Damned. Biography Paul Gray was born in Leigh-on-Sea. Inspired by a Hawkwind gig he attended, Gray started learning bass guitar at the age of 13, his playing influenced by bassists such as Steve Currie, Lemmy, John Entwistle, Felix Pappalardi and Roger Glover. He joined Eddie and the Hot Rods as bassist after answering an advert in the '' Southend Evening Echo''. The band had several hit singles and albums in the late 1970s, including " Do Anything You Wanna Do". While working with Eddie and the Hot Rods, he also recorded bass for Larry Wallis, Rob Tyner and Johnny Thunders, as well as filling in as temporary bassist for The Members. In early 1980, following the departure of Graeme Douglas, Gray left Eddie and the Hot Rods and, on the insistence of Captain Sensible and Rat Scabies, joined the punk rock band The Damned, replacing fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolly Mixture (band)
Dolly Mixture were an English band, formed in 1978 by the bassist and vocalist Debsey Wykes (born 21 December 1960, Hammersmith, London, England), guitarist and vocalist Rachel Bor (born 16 May 1962, Wales), and drummer Hester Smith (born 28 October 1960, West Africa). They had a taste of top 40 success performing backing vocals for the Captain Sensible hit "Wot", a top 10 hit with Sensible on "Glad It's All Over", and a UK No. 1 hit backing Sensible on his 1982 cover of "Happy Talk". Rachel Bor also featured on the Animus/Loose Records single "Wot NO Meat?" also by Captain Sensible in 1985. Bor and Wykes performed together on 24 April 2013 at the Islington Assembly Hall in London. Career Early years The group was formed in Cambridge, England, by Bor, Smith, and Wykes, three school friends who shared a fondness for the Shangri-Las and the Undertones. Dolly Mixture supported the Undertones on one of their first UK tours. The band also played venues with the Fall and the Trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Newell (musician)
Martin Newell (born 4 March 1953) is an English singer-songwriter, poet, columnist and author who leads the Cleaners from Venus, a guitar pop band with jangly, upbeat arrangements. He is also regarded as a significant figure in the history of cassette culture and DIY music. Musical career 1973–1979 In the summer of 1973, a 20-year-old Newell joined Colchester glam rock cover band Plod as their lead singer, replacing founder member Steve Greenfield. Plod was signed to London-based indie label Banjul Records in early 1975, and quickly began recording tracks for an album. However, contractual irregularities and financial problems at the label prevented the album from being finished or released, and the band broke up within a few months of being signed. In 2003, one track from the sessions ("Neo City") was released on a 70s glam-rock compilation CD titled ''Velvet Tinmine''. This track was credited to ''The'' Plod, and remains the only officially issued work by the band. Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue-eyed Soul
Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly-black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul." 1960s Georgie Woods, a Philadelphia radio DJ, is thought to have coined the term "blue-eyed soul" in 1964, initially to describe The Righteous Brothers, then white artists in general who received airplay on rhythm and blues radio stations. The Righteous Brothers in turn named their 1964 LP ''Some Blue-Eyed Soul''. According to Bill Medley of the Righteous Brothers, R&B radio stations who played their songs were surprised to find them to be white when they turned up for interviews, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-rock
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album ''Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche Mode, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richie Unterberger
Richie Unterberger (born January 19, 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger attended the University of Pennsylvania, where he wrote for the university newspaper '' The Daily Pennsylvanian'' and in the early 1980s was a deejay on the Penn radio station, WXPN-FM. Just prior to graduating in late 1982, he started reviewing records for '' Op'' magazine, which marked the start of his career as a freelance writer. From 1985 to 1991, Unterberger was an editor for ''Option''. Since 1993, he has been a prolific contributor to AllMusic, the on-line database of music biographies and album reviews, for which he has written thousands of entries, and many of his on-line contributions have been printed in the AllMusic guide series. Unterberger contributes to various local and national publications, including '' Mojo'', ''Record Collector'', ''Rolling Stone'', '' Oxford American'', and '' No Depression''. He has w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Opera
A rock opera is a collection of rock music songs with lyrics that relate to a common story. Rock operas are typically released as concept albums and are not scripted for acting, which distinguishes them from operas, although several have been adapted as rock musicals. The use of various character roles within the song lyrics is a common storytelling device. The success of the rock opera genre has inspired similar works in other musical styles, such as rap opera. History A number of rock artists became interested in the idea of creating a rock opera in the 1960s. In an early use of the term, the July 4, 1966, edition of '' RPM Magazine'' (published in Toronto) reported that " Bruce Cockburn and Mr illiamHawkins are working on a Rock Opera, operating on the premise that to write you need only 'something to say'." Mark Wirtz explored the idea in a project ''A Teenage Opera'', from which an early song " Excerpt from A Teenage Opera (Grocer Jack)" recorded by Keith West was relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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