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René Massis
René Massis is a French contemporary baritone. Biography Born in Lyon, Massis studied singing and lyrical art at the Conservatoire national supérieur musique et danse de Lyon, in addition to his university studies (modern letters) at the Faculty of Lyon and won his prizes in 1968. He then travelled to Italy to Milan where he spent seven years perfecting his technique and studying the Italian repertoire. Over the course of his career, he has performed an extensive repertoire, invited by the following theatres and concert companies : Opéra de Marseille, Opéra de Nice, Opéra national de Paris, Opéra-Comique de Paris, Théâtre des Champs-Élysées de Paris, Radio-France, Opéra de Lyon, Opéra du Rhin (Strasbourg), Opéra de Nancy, Opéra de Lille, Opéra de Nantes, Théâtre des Arts de Rouen, Opéra de Metz, Grand Théâtre de Bordeaux, Théâtre du Capitole Toulouse, Opéra de Montpellier, Festival de Radio-France and Montpellier, Opéra d’Avignon, Grand Théâtre de Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriana Lecouvreur
''Adriana Lecouvreur'' () is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play '' Adrienne Lecouvreur'' by Eugène Scribe and Ernest Legouvé. It was first performed on 6 November 1902 at the Teatro Lirico in Milan. Background The same play by Scribe and Legouvé which served as a basis for Cilea's librettist was also used by at least three different librettists for operas carrying exactly the same name, ''Adriana Lecouvreur'', and created by three different composers. The first was an opera in three acts by Tomaso Benvenuti (premiered in Milan in 1857). The next two were lyric dramas in 4 acts by Edoardo Vera (to a libretto by Achille de Lauzières) which premiered in Lisbon in 1858, and by Ettore Perosio (to a libretto by his father), premiered in Genoa in 1889. After Cilea created his own ''Adriana'', however, none of those by others were performed anymore and they remain largely unknown today. The opera is based ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberic Magnard
Alberic (; ; , ) is a learned form of the name Aubrey. Notable people with the name include: People with the mononym * Alberic of Cîteaux (died 1109), one of the founders of the Cistercian Order * Alberic I, Count of Dammartin (died after 1162) * Alberic II, Count of Dammartin (died 1183) * Alberic III, Count of Dammartin (died 1200) * Alberic, Count of Hainaut (died 694) * Alberic of Humbert, archbishop of Reims 1207–1218 * Alberic of London, a possible Third Vatican Mythographer * Alberic of Monte Cassino (died 1088), Cardinal in the Roman Catholic Church * Alberic of Ostia (1080–1148), Benedictine monk and Cardinal Bishop of Ostia * Alberic I of Spoleto (died c. 925), Duke of Spoleto * Alberic II of Spoleto (912–954), ruler of Rome 932–954 * Alberic of Trois-Fontaines (died c. 1252), monk and Cistercian chronicler * Alberic III, Count of Tusculum (died 1044) * Albericus de Rosate (c. 1290–1354 or 1360), an Italian jurist * Alberic sde Ver or Aubrey de Vere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's '' Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iphigénie En Aulide
''Iphigénie en Aulide'' (''Iphigeneia in Aulis (ancient Greece), Aulis'') is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy ''Iphigénie'', itself based on the play ''Iphigenia in Aulis'' by Euripides. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year. A German version was made in 1847 by Richard Wagner, with significant alterations. Performance history At first, ''Iphigénie'' was not popular, except for its overture which was applauded generously.Pitou, p. 288 After the premiere, it was billed for three days in April 1774, but its first run was interrupted by the theatre's six-week closure due to the dying of Louis XV of France, Louis XV. ''Iphigénie en Aulide'' returned to the theatre on 10 January 1775, and was revi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Chenier
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is part of the Italian male names ending in ''a'', some others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
