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Renga
''Renga'' (, ''linked poem'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 morae (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres '' haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology '' Tsukubashū'' () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kin'yō Wakashū
The , sometimes abbreviated as ''Kin'yōshū'', is the fifth Japanese imperial anthology of waka whose two drafts were finished in 1124 and 1127. It was compiled at the behest of the Retired Emperor Shirakawa, by Minamoto no Shunrai (~1055–1129; sometimes called ''Toshiyori'') It consists of ten volumes containing 716 poems. Shunrai introduced three distinct versions of his collection, each yielding different outcomes. The first version, known as "shodobon (初度本)," predominantly featured poets from the earliest three imperial anthologies— Kokinshu, Gosenshu, and Shuishu—reflecting a conservative approach. However, it failed to gain attention from the court. The second version, "Nidobon (二度本)," encompassed poets from the contemporary period of compilation. Despite facing rejection from Shirawaka, it emerged as the most widely disseminated edition. The third version (Sansōbon 三奏本) struck a balance between the conservatism of the first version and the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renku
, or , is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ''ushin'' renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially ''haikai no renga'' distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term ''renku'' gained currency after 1904, when Kyoshi Takahama started to use it. Development The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the '' Tsukubashū'' (1356–57).Shirane, Haruo (2012). ''Traditional Japanese Literature: An Anthology, Beginnings to 1600''. Columbia University Press. p. 522. Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in respons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 Mora (linguistics), morae (called ''On (Japanese prosody), on'' in Japanese) in a 5, 7, 5 pattern; that include a ''kireji'', or "cutting word"; and a ''kigo'', or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-''on'' pattern and sometimes do not contain a ''kireji''. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and Haiku in languages other than Japanese, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nijō Yoshimoto
, son of regent Nijō Michihira, was a Japanese '' kugyō'' (court noble), waka poet, and renga master of the early Nanboku-chō period (1336–1392). Yoshimoto's wife gave birth to Nijō Moroyoshi. With another woman, he had sons Nijō Morotsugu and Ichijō Tsunetsugu. Career as government official Yoshimoto held the regent position of kampaku three times (from 1346 to 1347, from 1363 to 1367, and in 1388), and that of sesshō twice (from 1382 to 1388, and in 1388). * 1381 ('' Eitoku 1, 7th month''): Yoshimoto is made '' Daijō Daijin.'' * 1387 ('' Kakei 1, 1st month''): Yoshimoto is deprived of his position as ''daijō daijin.''Titsingh, p. 318. * 1388 (''Kakei 2, 6th month''): Yoshitomo dies at age 69; and his son Nijō Morotsugu succeeds him with the title of '' kampaku.'' Scholar-poet Yoshimoto learned waka from Ton'a and renga from Gusai and Kyūsei. He regarded himself primarily as a waka poet; he authored several treatises on the subject. It is for ''renga'' th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukubashū
was the first imperial anthology of ''renga''. The collection was compiled by Nijō Yoshimoto. Provincial lord Sasaki Takauji played an active role in its production with 81 of his poems appearing in the final version. In addition to courtly renga, the anthology contains, in Book 19, the earliest known collection of '' haikai no renga''.Horton, H. Mack. 'Early Haikai Linked Verse', in ''Journal of Renga & Renku'', Issue 2, 2012. p79 Title The title of the work refers to Tsukuba, a location in the east Japan at which, according to the ''Kojiki The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperia ...'', Yamato Takeru and an elderly interlocutor composed a two-part poem together, this story being where practitioners of ''renga'' traced their tradition's origins. References {{DEFA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsuo Bashō
; born , later known as was the most famous Japanese poet of the Edo period. During his lifetime, Bashō was recognized for his works in the collaborative '' haikai no renga'' form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku). He is also well known for his travel essays beginning with '' Records of a Weather-Exposed Skeleton'' (1684), written after his journey west to Kyoto and Nara. Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can. Where I show who I really am is in linking haikai verses." Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo (modern Tokyo) he quickl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Japanese Poetry Anthologies
This is a list of significant Japanese poetry Anthology, anthologies. Waka (poetry), Waka Starting with the ''Kokin Wakashū'', there were 21 official anthologies, known collectively as the . Nara period (710 to 794) *''Man'yōshū'': the oldest anthology in Japanese, c.785 in poetry, 785, 20 manuscript scrolls, 4,516 poems (when the tanka envoys to the various chōka are numbered as separate poems), Ōtomo no Yakamochi was probably the last to edit the ''Man'yōshū''. It is not organized in any particular way (most metadata is supplied by headnotes), and the poems are written in a Japanese version of the Chinese monosyllabic pronunciation for the Chinese characters. Heian period (794 to 1185) *Imperial waka anthologies: anthologies as a national project. Each anthology reflected the taste of time and with loyal dignity became canons for contemporaries and those who followed. The earliest three anthologies are often called ''Sandaishū'', Three Major Anthologies, and earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sedōka
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and the word ''tanka' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa (Japan), Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a tanka, 5-7-5-7-7 metre. Up to and during the compilation of the in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the ''Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shin Kokin Wakashū
The , also known in abbreviated form as the or even conversationally as the Shin Kokin, is the eighth imperial anthology of waka poetry compiled by the Japanese court, beginning with the '' Kokin Wakashū'' circa 905 and ending with the '' Shinshokukokin Wakashū'' circa 1439. The name can be literally translated as "New Collection of Ancient and Modern Poems" and bears an intentional resemblance to that of the first anthology. Together with the ''Man'yōshū'' and the '' Kokinshū'', the ''Shin Kokinshū'' is widely considered to be one of the three most influential poetic anthologies in Japanese literary history. It was commissioned in 1201 by the retired emperor Go-Toba (r. 1183–1198), who established a new Bureau of Poetry at his Nijō palace with eleven Fellows,Brower 8 headed by Fujiwara no Yoshitsune, for the purpose of conducting poetry contests and compiling the anthology. Despite its emphasis on contemporary poets, the ''Shin Kokinshū'' covered a broader range of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
