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Remember Shakti – Saturday Night In Bombay
''Remember Shakti – Saturday Night in Bombay'' is a live album by the world music, world fusion band Remember Shakti released in November 2001 on the Verve Records, Verve label. This concert features John McLaughlin (musician), John McLaughlin on guitar, U. Srinivas on electric mandolin, V. Selvaganesh, Vikku Selvaganesh on ghatam, kanjira and mridangam, Zakir Hussain (musician), Zakir Hussain on tabla and a number of guest musicians, including vocalist Shankar Mahadeven, slide guitarist Debashish Bhattacharya and drummer Sivamani (percussionist), Sivamani. Track listing # "Luki" (John McLaughlin) – 5:39 # "Shringar" (Shivkumar Sharma) – 26:38 # "Giriraj Sudha" (U. Srinivas) – 10:45 # "Bell'alla" (Zakir Hussain) – 18:48 Personnel * U. Srinivas – electric mandolin * Zakir Hussain (musician), Zakir Hussain – tabla * John McLaughlin (musician), John McLaughlin – guitar * V. Selvaganesh, Vikku Selvaganesh – kanjira, ghatam, mridangam, percussions Guest musicians * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remember Shakti
Remember Shakti is a quintet which combines elements of traditional Music of India, Indian music with elements of jazz. The band consists of England, English guitarist John McLaughlin (musician), John McLaughlin, and Zakir Hussain (musician), Zakir Hussain (tabla), U. Srinivas (deceased) (mandolin), Shankar Mahadevan (vocals), and V. Selvaganesh (kanjira, ghatam, mridangam), who are of Indian descent. The band's name is derived from John Mclaughlin's acoustic Indian jazz fusion, fusion band Shakti (band), Shakti which was active in the 1970s. McLaughlin and Hussain were also members of that band, along with violinist L. Shankar and percussionists Thetakudi Harihara Vinayakram, T.H. "Vikku" Vinayakram and R. Raghavan. The word Shakti translates in Sanskrit to "power" or "goddess of power". Biography After disbanding in the late 1970s, Shakti (band), Shakti enjoyed a twenty-year hiatus before McLaughlin and Hussain decided to reform the band. In addition to John and Zakir, T.H. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A ''tabla'' is a pair of hand drums from the Indian subcontinent. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the bhakti devotional traditions of Hinduism and Sikhism, such as during ''bhajan'' and ''kirtan'' singing. It is one of the main qawwali instruments used by Sufi musicians. The instrument is also featured in dance performances such as Kathak. Tabla is a rhythmic instrument. The word ''tabla'' likely comes from ''tabl'', the Arabic word for drum. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Live Albums
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tavil
A ''thavil'' (Tamil:தவில்) or ''tavil'' is a barrel-shaped percussion instrument from Tamil Nadu. It is also widely used in other South Indian states (Andhra Pradesh, Karnataka, Kerala, Telangana) as well as in the North and East of Sri Lanka (in the Tamil majority area called Tamil Eelam). It is used in temple, folk and Carnatic music, often accompanying the ''nadaswaram''. The ''thavil'' and the ''nadaswaram'' are essential components of traditional festivals and ceremonies in South India. In folk music contexts, a pair of wider, slimmer sticks are sometimes used. In Tamil Filmi songs, thavils are mostly used. Notable movies: " Thillaanaa Mohanambal", " Paruthiveeran", " Karagattakaran", "Sarvam Thaala Mayam". History Thavil is a traditional musical instrument of the ancient city of Thanjavur in Tamil Nadu. It is an integral part of the Carnatic music in Thanjavur. It is mostly made in Thanjavur and Valayapatti. Physical components The ''thavil'' consists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santoor
The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut wood and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir, and dates back to ancient times. It was called ''Shatha Tantri Veena'' in ancient Sanskrit texts. Development In ancient Sanskrit texts,it has been referred to as ''shatatantri vina'' (100-stringed vina). In Kashmir the santoor was used to accompany folk music. It is played in a style of music known as the ''Sufiana Mausiqi''. Some researchers slot it as an improvised version of a primitive instrument played in the Mesopotamian times (1600–900 B.C.) Sufi mystics used it as an accompaniment to their hymns. In Indian santoor playing, the specially-shaped mallets (''mezrab'') are lightweight and are held between the index and middle fingers. A typical santoor has two sets of bridges, provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shivkumar Sharma
Shivkumar Sharma (13 January 1938 – 10 May 2022) was an Indian classical musician and santoor player who is credited with adapting the santoor for Indian classical music. As a music composer, he collaborated with Indian flautist Hariprasad Chaurasia under the collaborative name Shiv–Hari and composed music for such hit Indian films as '' Faasle'' (1985), '' Chandni'' (1989), and '' Lamhe'' (1991). Sharma was awarded the Sangeet Natak Akademi Award in 1986 and the Padma Shri and Padma Vibhushan (India's fourth and second highest civilian awards) in 1991 and 2001. Early life Sharma was born to a Dogra family on 13 January 1938, in Jammu in the princely state of Jammu and Kashmir in British India. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in ''qawwali'', ''kirtan'', ''bhajan'', ''Bhangra (music), bhangra'', ''Chutney music, chutney'', ''Baithak Gana, baithak gana'', ''Hindi film music'', ''lokgeet'' and various classical styles such as ''Hindustani classical music, Hindustani'', ''Carnatic music, Carnatic'' and ''trinidadian local classical / guyanese taan, Trinidadian local classical / Guyanese taan''. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavani Shankar
Bhavani Shankar (1956 – 30 December 2023) was an Indian pakhawaj drum player. Bhavani Shankar was born into a musical family, beginning his study of pakhawaj and tabla at the age of eight. His father Babulalji was a renowned Kathak performer, a style of Indian classical dance. He played with many Indian artists including bansuri player Hariprasad Chaurasia Hariprasad Chaurasia (born 1 July 1938) is an Indian music director and classical flautist, who plays the bansuri, in the Hindustani classical tradition. Early life Chaurasia was born in Allahabad (1938) (present day Prayagraj) in the Indian ..., santoor player Shiv Kumar Sharma and tabla players Zakir Hussain and Anindo Chatterjee. In later years he made his mark as a composer for films and experimental fusion projects. Shankar died from a cardiac arrest on 30 December 2023. References External linksItunes.apple.com [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ''ghaṭam'' (Sanskrit: घटm ''ghaṭ''; Kannada: ಘಟ ''ghaṭa''; Tamil: கடம் ''ghatam''; Telugu: ఘటం ''ghataṃ''; Malayalam: ഘടം ''ghataṃ'') is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India . Its variant is played in Punjab Punjab (; ; also romanised as Panjāb or Panj-Āb) is a geopolitical, cultural, and historical region in South Asia. It is located in the northwestern part of the Indian subcontinent, comprising areas of modern-day eastern Pakistan and no ... and known as '' gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments in Pakistan and India. It is a clay pot with a narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanjira
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used in the Indian subcontinent for many centuries. The Kanjira's emergence in South Indian Carnatic music, as well as the development of the modern form of the instrument, is credited to Manpoondia Pillai. In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the ''mridangam''. Construction Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Mandolin
The electric mandolin is an instrument tuned and played as the mandolin and amplified in similar fashion to an electric guitar. As with electric guitars, electric mandolins take many forms. Most common is a carved-top eight-string instrument fitted with an electric Pickup (music technology), pickup in similar fashion to many archtop guitar, archtop semi-acoustic guitars. Solid body mandolins are common in 4-, 5-, and 8-string forms. Acoustic electric mandolins also exist in many forms. History Electric mandolins were built in the United States as early as the late 1920s. Among the first companies to produce them were Stromberg-Voisinet, Electro (which later became Rickenbacker), Vivi-Tone, and National String Instrument Corporation, National. Gibson (guitar company), Gibson and Vega Company, Vega introduced their electric mandolins in 1936. In the United States, luthier/inventor Paul Bigsby began building solid-body electric mandolins (technically, they consisted of a solid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
