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Reencontro Com Sambalanço Trio
''Reencontro com Sambalanço Trio'' is the fourth album recorded by Sambalanço Trio. It was released on an LP in 1965 and presents a fusion of samba and jazz. In 2006 this album was reissued on CD as part of the Som Livre Masters series organized by Charles Gavin. Track listing The seventh track, "Pout-pourri", is composed by pieces of other seven songs listed below the track. Personnel *Cesar Camargo Mariano - piano *Humberto Clayber - double bass, bass *Airto Moreira - drum kit, drums References

1965 albums Sambalanço Trio albums {{2000s-jazz-album-stub ...
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Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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Som Maior
Som, SOM or Søm may refer to: Computing * System Object Model (file format), of the HP-UX operating system * Simulation Object Model, in computer high-level architecture (simulation) * System on module, in computer embedded systems * Self-organizing map, neural network in machine learning * IBM System Object Model, a programming tool Organizations * SOM Biotech * SOM Foundation * SOM Institute * SOM (architectural firm) * Yale SOM, the Yale School of Management Places * Som, Somogy, Hungary * Som, Uttar Pradesh, India * Søm, Kristiansand, Norway * Somalia, ISO 3166 three-letter code * IOC Olympic country code for Somalia * Somerset, county in England, Chapman code Transport * SOM (missile), of the Turkish Air Force * ''Som''-class submarine, Russia * Somerset Railroad (New York), reporting mark * South Milford railway station, North Yorkshire, England (National Rail station code SOM) * SOM Center Road, name of a portion of Ohio State Route 91 Other uses * Sou ...
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Improviso Negro
''Improviso Negro'' is an album by Brazilian samba-jazz group Sambalanço Trio released in 1965. Reception Writing for Allmusic, John Bush states that the album "showed them expanding their dynamic range over their early LPs, ranging from tender balladry to clattering bossa nova workouts." Track listing #"Nana" ( Mario Telles) – 2:41 #"Reza" ( Edú Lobo) – 5:05 #"Estamos Aí" ( Durval Ferreira) – 2:29 #"Deus Brasileiro" (Marcos Valle) – 1:13 #"Preciso Aprender a Ser Só" (Marcos Valle) – 3:26 #"Cangaceiro" ( Antonio Arruda) – 2:35 #"Improviso Negro" (Humberto Clayber) – 2:43 #"Roda de Samba" ( Lúcio Alves) – 2:27 #"Voce" ( Ronaldo Bôscoli, Roberto Menescal) – 3:31 #"Cançao Que Veio de Dentro Do Azul" – 4:44 #"Samba de Verao" (Marcos Valle) – 2:44 Personnel * Cesar Camargo Mariano – piano *Humberto Clayber – bass *Airto Moreira – drums The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hor ...
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Sambalanço Trio
Sambalanço Trio was a Brazilian samba-jazz group formed by Cesar Camargo Mariano (piano), Humberto Clayber (bass) and Airto Moreira (drums). The band started to play in 1964 and lasted for about two years. Their albums are considered some of the most important works of that period and influenced many other groups of samba and jazz. History The group was created in 1964, in São Paulo, Brazil. They played in the opening show of João Sebastião Bar, one of the foremost bossa nova nightclubs in the city, where they became the favourite attraction. In this nightclub, the group met the American dancer Lennie Dale, a future collaborator. The Sambalanço Trio offered a fusion of bossa nova and jazz, which became a cornerstone of Brazilian popular music of the period. In the same year the band was formed, it released two albums: the first was ''Sambalanço Trio''; the second, ''Samblues''. In 1965, they joined musician Raul de Souza and recorded ''À vontade mesmo''. Also in 1965, ...
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Samba
Samba () is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilians, Afro Brazilian communities of Bahia in the late 19th century and early 20th century, It is a name or prefix used for several rhythmic variants, such as samba urbano carioca (''urban Carioca samba''), samba de roda (sometimes also called ''rural samba''), among many other forms of samba, mostly originated in the Rio de Janeiro (state), Rio de Janeiro and Bahia states. Having its roots in Brazilian mythology, Brazilian folk traditions, especially those linked to the primitive rural samba of the Colonial Brazil, colonial and Empire of Brazil, imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "B ...
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Charles Gavin
Charles de Souza Gavin (born 9 July 1960) is a Brazilian drummer and music producer, perhaps best known for his 25-year tenure with rock band Titãs. Before Titãs, he had brief stints at Ira! and RPM. Early life and first works At age 8, his friends invited him to participate on 7 September ( Brazil's Independence Day) festival. The problem was the absence of decent percussion instruments. So, the school decided to improvise these with kitchen utensils. But there was still an instrument remaining, which would be quite difficult for a not so skillful drummer to play. Gavin, who was already used to beat the table at school, was chosen for the job. The band, commanded by Gavin, won the originality prize. In 1975, at the year of 15, living in Jabaquara, Gavin joined ten neighbors, and during the weeks that preceded the Carnaval, they promoted noisy beats around the streets. However, his ears were focused on the discs of Led Zeppelin, Black Sabbath and Emerson, Lake & Palmer. On ...
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O Morro Não Tem Vez
"O Morro Não Tem Vez" (loosely translated as "The Slums aren't Given a Chance"), also known as "Favela", "O Morro", and "Somewhere in the Hills", is a bossa nova jazz standard composed by Antônio Carlos Jobim with lyrics written by Vinicius de Moraes. The English lyrics were written by Ray Gilbert. The song was first released in 1962 by Pedrinho Rodrigues as an A-side and B-side, a-side to "O Amor e a Canção". In 1963, it was popularized by Jair Rodrigues. The most famous versions are by Astrud Gilberto, Antônio Carlos Jobim, and Stan Getz. Context In 1964, not shortly after the song was released, the Brazilian government suffered a 1964 Brazilian coup d'état, coup and was replaced by a Military dictatorship in Brazil, military dictatorship. During this time, many musicians and composers, including songwriters Jobim and de Moraes, were arrested and interrogated by the police or had their telephones and mail Telephone tapping, tapped for creating "subversive" music. While ...
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Cesar Camargo Mariano
Cesar or César may refer to: Arts and entertainment * ''César'' (film), a 1936 French romantic drama * ''César'' (play), a play by Marcel Pagnolt Places * Cesar, Portugal * Cesar Department, Colombia * Cesar River, in Colombia * Cesar River, Chile * César (restaurant), a restaurant in New York City People * César (name), including a list of people with the given name and surname * César (footballer, born 1956) (1956–2024), Brazilian football forward * César (footballer, born 1974), Brazilian football midfielder and defender * César (footballer, born May 1979), Brazilian football defender and coach * César (footballer, born July 1979), Brazilian football winger * César (footballer, born 1992), Brazilian football goalkeeper * César (footballer, born 1995), Brazilian football goalkeeper * César (sculptor), César Baldaccini (1921–1998), French sculptor Other uses * César (grape), an ancient red wine grape from northern Burgundy * César Awards, the na ...
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Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ...
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Humberto Clayber
Humberto Clayber de Souza is a Brazilian composer and musician. He was considered one of the best Bossa Nova bass players in 1960s and actually is acclaimed as one of the best harmonica players of the world. He played with many famous artists along his career, such as Cesar Camargo Mariano, Airto Moreira, Hermeto Pascoal and Manfredo Fest. Biography Humberto Clayber, or Clayber de Souza, started his musical career when he was 8 years old. At that period, he played for Radio Cultura band and, as a member of this group, he made his first shows. In 1956, he played for Hering Harmonicas. With Zezinho Lima and Raymundo Paiva, he played in São Paulo and other near cities, as endorser. He is responsible for popularizing the harmonica around Brazil, specially São Paulo. In the 1960s, he joined some samba-jazz groups. First, in 1963, he played with Manfredo Fest trio, as bassist, and recorded the debut album by the blind pianist: '' Bossa nova, nova bossa''. One year later, he join ...
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Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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