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Rampant
In heraldry, the term attitude describes the ''position'' in which a figure (animal or human) is emblazoned as a Charge (heraldry), charge, a Supporter (heraldry), supporter, or as a Crest (heraldry), crest. The attitude of a heraldic figure always precedes any reference to the Tincture (heraldry), tincture of the figure and its parts. Some attitudes apply only to predatory beasts, exemplified by the beast most usual to heraldry – the Lion (heraldry), heraldic lion; other terms apply to docile animals, such as the doe, usually emblazoned as a "hind". Other heraldic attitudes, such as ''volant'' (flying), describe the positions of birds, exemplified by the bird most usual to heraldry – the Eagle (heraldry), heraldic eagle; moreover, birds also are described by the positions of their wings. The term ''naiant'' (swimming) applies to fish, swans, ducks, and geese. The term ''segreant'' is applied to the griffin, as an approximation of ''rampant'', and is applied to the dragon. Ani ...
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Lion (heraldry)
The lion is a common Charge (heraldry), charge in heraldry. It traditionally symbolises courage, nobility, Royal family, royalty, strength, stateliness and Courage, valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the Emblem of Jerusalem, coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden. History The animals of the "barbarian" (Eurasian nomads, Eurasian) predecessors of heraldic designs are likely to have been used as totemism, clan symbols. Confronted animals, Symmetrically paired animals in particular find continuation from Migration Period art via Insular art to Romanesque art and heraldry. Adopted in Germanic art, Germanic tradition around the Germanic Iron Age, 5th century, they w ...
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Charge (heraldry)
In heraldry, a charge is any emblem or device occupying the field (heraldry), field of an ''Escutcheon (heraldry), escutcheon'' (shield). That may be a geometric design (sometimes called an ''ordinary (heraldry), ordinary'') or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called ''pièces'', and other charges are called ''meubles'' ("[the] mobile [ones]"). The term ''charge'' can also be used as a verb; for example, if an escutcheon depicts three lion (heraldry), lions, it is said to be ''charged with three lions''; similarly, a crest or even a charge itself may be "charged", such as a pair of eagle wings ''charged with trefoils'' (as on the coat of arms of Brandenburg). It is important to distinguish between the ordinaries and divisions of the field, as they typically follow similar patterns, such as a shield ''divided'' "per chevron", as distinct from being ''charged with'' a chevron (insignia), ch ...
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Augmentation Of Honour
In heraldry, an augmentation (often termed augmentation of honour or sometimes augmentation of arms) is a modification or addition to a coat of arms, typically given by a monarch as either a mere mark of favour, or a reward or recognition for some meritorious act. The grants of entire new coats by monarchs as a reward are not augmentations, but rather grants of arms, and (in theory) an augmentation mistakenly given to someone who did not have a right to a coat would be nugatory. Augmentations could be of any kind: an ordinary, a charge, or a partition of the field. Most often it involves a chief or a canton, which contains a part or the entirety of the arms of the sovereign, which he concedes to a loyal vassal. Not all modifications to a coat of arms are augmentations of honour. Brisures, for example, are for the cadet lines of the dynasty, which are made by adding a label, bend, bordure, etc. A common case of augmentations of honour are French cities having in their a ...
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Heraldry
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, Imperial, royal and noble ranks, rank and genealogy, pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the Achievement (heraldry), heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a escutcheon (heraldry), shield, helmet (heraldry), helmet and Crest (heraldry), crest, together with any accompanying devices, such as supporters, Heraldic badge, badges, Heraldic flag, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to Ancient history, antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It i ...
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Supporter (heraldry)
In heraldry, supporters, sometimes referred to as ''attendants'', are figures or objects usually placed on either side of the Escutcheon (heraldry), shield and depicted holding it up. Historically, supporters were left to an individual's free choice and were assumed and changed at will, not always having any meaning whatsoever. In more modern times, restrictions have been put in place in certain countries and nowhere more prevalent than in the United Kingdom. Early forms of supporters are found in medieval seals. However, unlike the coronet or helmet (heraldry), helmet and crest (heraldry), crest, supporters were not part of early medieval heraldry. As part of the heraldic achievement (heraldry), achievement, they first become fashionable towards the end of the 15th century, but even in the 17th century were not necessarily part of the full heraldic achievement (being absent, for example, in ''Siebmachers Wappenbuch'' of 1605). The figures used as supporters may be based on ...
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Griffin
The griffin, griffon, or gryphon (; Classical Latin: ''gryps'' or ''grypus''; Late and Medieval Latin: ''gryphes'', ''grypho'' etc.; Old French: ''griffon'') is a -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ...: ''griffon'') is a legendary creature with the body, tail, and Hindlimb">back legs of a lion, and the head and wings of an eagle">lion.html" ;"title="Hindlimb">back legs of a lion">Hindlimb">back legs of a lion, and the head and wings of an eagle with its talons on the front legs. Overview Because the lion was traditionally considered the king of the beasts and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. ...
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Blazon
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct an accurate image. The verb ''to blazon'' means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon (though in modern usage flags are often additionally and more precisely defined using geometrical specifications). ''Blazon'' is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. ''Blazonry'' is the art, craft or practice of creating a blazon. The language employed in ''blazonry'' has its own vocabulary and syntax, which becomes essential for comprehension when blazoning a complex coat of arms. Other armorial ob ...
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Tincture (heraldry)
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, ''Or (heraldry), or'' (gold or yellow) and ''argent'' (silver or white); the colours ''gules'' (red), ''Azure (heraldry), azure'' (blue), ''Vert (heraldry), vert'' (green), ''Sable (heraldry), sable'' (black), and ''purpure'' (purple); and the furs ''Ermine (heraldry), ermine'', which represents the winter fur of a stoat, and ''vair'', which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and Heraldry#National styles, heraldic tradition in question. Where the tinctures are not depicted in full colour, they may be represented using one of several systems of Hatching (heraldry), hatching, in which each tincture is assigned a distinct pattern, or tricking, in which each tincture is designated by a letter or abbreviation. Historically, particularly between the fifteenth and seventeenth centuries, the tinctures were sometimes ...
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European Dragon
The European dragon is a legendary creature in folklore and mythology among the overlapping culture of Europe, cultures of Europe. The Roman poet Virgil in his poem Appendix Vergiliana#Culex ("The Gnat"), ''Culex'' lines 163–201, describing a shepherd battling a big constriction, constricting snake, calls it "wikt:serpent, serpens" and also "wikt:draco, draco", showing that in his time the two words probably could mean the same thing. In and after the early Middle Ages, the European dragon is typically depicted as a large, fire-breathing, scaly, horned, lizard-like creature; the creature also has leathery, bat-like wings, four legs, and a long, muscular prehensile tail. Some depictions show dragons with one or more of: feathered wings, crests, ear frills, fiery manes, ivory spikes running down its spine, and various exotic decorations. In folktales, dragon's blood often contains unique powers, keeping them alive for longer or giving them poisonous or acidic properties. The ty ...
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Arthur Charles Fox-Davies
Arthur Charles Fox-Davies (28 February 1871 – 19 May 1928) was a British expert on heraldry. His ''Complete Guide to Heraldry'', published in 1909, has become a standard work on heraldry in England. A barrister by profession, Fox-Davies worked on several notable cases involving the peerage, and also worked as a journalist and novelist. Biography Arthur Charles Davies (known as Charlie) was born in Bristol, the second son of Thomas Edmond Davies (1839–1908) and his wife Maria Jane Fox, the daughter and co-heiress of alderman John Fox, JP. Fox-Davies was brought up from the early 1880s at Coalbrookdale in Shropshire, where his father worked for the Coalbrookdale Iron Company and had a house called "Paradise" which became his home in much of his adult life; his grandfather, Charles Davies of Cardigan in Wales, had been an ironmonger. He added his mother's maiden name to his own by deed poll on his nineteenth birthday in 1890, thereby changing his surname from Davies to Fox- ...
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Crest (heraldry)
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry"). A normal heraldic achievement consists of the shield, above which is set the helm, on which sits the crest, its base encircled by a circlet of twisted cloth known as a torse. The use of the crest and torse independently from the rest of the achievement, a practice which became common in the era of paper heraldry, has led the term "crest" to be frequently but erroneously used to refer to the arms displayed on the shield, or to the achievement as a whole. Origin The word "crest" derives from the Latin ''crista'', meaning "tuft" or "plume", perhaps related to ''crinis'', "hair". Crests had existed in various forms since ancient times: Roman officers wore fan ...
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