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Rameau Traite De L’harmonie
Jean-Philippe Rameau (; ; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his '' Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pièces De Clavecin
The French Baroque composer Jean-Philippe Rameau wrote three books of ' for the harpsichord. The first, ', was published in 1706; the second, ', in 1724; and the third, ', in 1726 or 1727. They were followed in 1741 by ', in which the harpsichord can either be accompanied by violin (or flute) and viola da gamba or played alone. An isolated piece, "", survives from 1747. Premier Livre de Pièces de Clavecin (1706) Suite in A minor, RCT 1 # Prélude # Allemande I # Allemande II # Courante # Gigue # Sarabandes I – Sarabande II # Vénitienne # Gavotte # Menuet c. 22 mins Pièces de (1724) Suite in E minor, RCT 2 #Allemande #Courante #Gigue en Rondeau I #Gigue en Rondeau II #Le Rappel des Oiseaux #Rigaudon I – Rigaudon II et Double # Musette en rondeau. Tendrement # Tambourin #La Villageoise. Rondeau c. 22 mins Suite in D major, RCT 3 #Les Tendres Plaintes. Rondeau #Les Niais de Sologne – Premier Double des Niais – Deuxième Double des Niais #Les Soupirs. Tendrement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Pignolet De Montéclair
Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in his home town) to his name. Little is known of his life, and there are no known official portraits. He was the son of a weaver; his entrance into the choir school at the age of nine may have been the only chance of escaping the poverty of a weaver's life. In 1687, he went to Paris and joined the orchestra of the Opera, where he played the basse de violon. In Paris he studied with Jean-Baptiste Moreau. At some point between 1687 and the early years of the new century, he seems to have been ''maître de musique'' to the Prince de Vaudémont and to have followed him to Italy. It was probably from there that he brought the idea to add the double bass to the opera orchestra. All the time Montéclair must have worked as a music teacher of hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau By Jean-Jacques Caffieri - 20080203-03
Jean-Philippe may refer to: * ''Jean-Philippe'' (film) *Jean-Philippe (given name) See also * Jean Philippe Jean Philippe Gargantiel (, 27 November 1930 – 7 January 2022) was a French singer who represented France at the Eurovision Song Contest 1959. He returned to the contest in 1962 representing Switzerland. He was the first artist to compete fo ... (1930–2022), French singer * Jean Philip (1912–1983), French racing cyclist {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Piron
Alexis Piron (9 July 1689 – 21 January 1773) was a French epigrammatist and dramatist. Life Alexis Piron was born in Dijon, where his father, Aimé Piron, was an apothecary. Piron senior wrote verse in the Burgundian language. Alexis began life as clerk and secretary to a banker, and then studied law. In 1719, when nearly thirty years old, he went to Paris, where an accident brought him money and notoriety. The jealousy of the regular actors produced an edict restricting the Théâtre de la Foire, or licensed booths at fair times, to a single character on the stage. None of the ordinary writers for this theatre would attempt a monologue-drama for the purpose, and Piron made a great success with a piece called ''Arlequin Deucalion'', representing Deucalion immediately after the Deluge, amusing himself with recreating in succession the different types of man. In 1728 he produced ''Les Fils ingrats'' (known later as ''L'Ecole des pères'') at the Comédie-Française. He attempt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clermont-Ferrand
Clermont-Ferrand (, , ; or simply ; ) is a city and Communes of France, commune of France, in the Auvergne-Rhône-Alpes regions of France, region, with a population of 147,284 (2020). Its metropolitan area () had 504,157 inhabitants at the 2018 census.Comparateur de territoire: Aire d'attraction des villes 2020 de Clermont-Ferrand (022), Unité urbaine 2020 de Clermont-Ferrand (63701), Commune de Clermont-Ferrand (63113) INSEE It is the Prefectures in France, prefecture (capital) of the Puy-de-Dôme departments of France, département. Olivier Bianchi is its current List of mayors of Clermont-Ferrand, mayor. Clermont-Ferrand sits on the plai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
