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Rafał Siwek
Rafał Siwek is a Polish opera singer (bass (voice type), bass). Education Rafał Siwek is a graduate of Fryderyk Chopin University of Music in Warsaw (Professor Jerzy Knetig's class). He mastered his voice under the supervision of Kaludi Kaludov and during the masterclasses taught by Alexandrina Milcheva and Ryszard Karczykowski. He received numerous awards at vocal competitions, e.g. Moniuszko Vocal Competition in Warsaw (2001), International Hans Gabor Belvedere Singing Competition in Vienna (2001), and Competizione dell'Opera in Dresden (2002). Operatic career Siwek made his opera debut in 2000 at Wrocław Opera (Ferrando in Verdi's ''Il trovatore''). For a few years since 2001 he was a soloist of Warsaw Chamber Opera, where he sang the parts of Sarastro (''The Magic Flute, Die Zauberflöte''), Basilio (''The Barber of Seville, Il barbiere di Siviglia''), Seneca (''L'incoronazione di Poppea'') and Il Commendatore ''(Don Giovanni''). In 2002, he made his debut at Grand Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Haunted Manor
''The Haunted Manor'' () is an opera in four acts composed by Polish composer Stanisław Moniuszko in 1861–1864. The libretto was written by . Despite being a romance and a comedy, it has strong Polish patriotic undertones, which made it both popular with the Polish public and unpopular – to the point of being banned – by the Russian authorities of Congress Poland. It is considered Moniuszko's best opera and the greatest 19th-century Polish opera score. However, it is mostly unknown outside Poland. Background and reception The story represents both an idyllic view of life in a Polish country manor house, and at the same time an idealistic preoccupation with the patriotic duties of the soldier, the military virtues of courage, bravery, and readiness to take up arms against any enemy of the nation, and the importance of family honor. It presents in its opening scenes the obvious conflict between those patriotic aspirations on the one hand, and every man's de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorin Maazel
Lorin Varencove Maazel (; March 6, 1930 – July 13, 2014) was an American conductor, violinist and composer. He began conducting at the age of eight and by 1953 had decided to pursue a career in music. He had established a reputation in the concert halls of Europe by 1960 but his career in the U.S. progressed far more slowly. He served as music director of The Cleveland Orchestra, Orchestre National de France, Pittsburgh Symphony Orchestra, Bavarian Radio Symphony Orchestra, and the New York Philharmonic, among other posts. Maazel was well regarded in baton technique and had a photographic memory for scores. Described as mercurial and forbidding in rehearsal, he mellowed in old age. Early life Maazel was born to American parents of Russian Jewish origin in Neuilly-sur-Seine, France. His grandfather Isaac Maazel (1873–1925), born in Poltava, Ukraine, then in the Russian Empire, was a violinist in the Metropolitan Opera orchestra. He and his wife Esther Glazer (1879� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is a music drama in three acts by Richard Wagner set to a German libretto by the composer, loosely based on the medieval 12th-century romance ''Tristan and Iseult'' by Gottfried von Strassburg. First conceived in 1854, the music was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. While performed by opera companies, Wagner preferred the term ''Handlung'' (German for "plot" or "action") for ''Tristan'' to distinguish its structure of continuous narrative flow (" endless melody") as distinct from that of conventional opera at the time which was constructed of mundane recitatives punctuated by showpiece arias, which Wagner had come to regard with great disdain. Wagner's composition of ''Tristan und Isolde'' was inspired in part by the philosophy of Arthur Schopenhauer, as well as by his relationship with his muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a '' lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, including '' Simon Boccanegra''. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Nazionale Di Santa Cecilia
The Accademia Nazionale di Santa Cecilia () is one of the oldest musical institutions in the world, founded by the papal bull ''Ratione congruit'', issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, for whom the Gregorian chant is named, and Saint Cecilia, the patron saint of music. Since 2005 it has been headquartered at the Renzo Piano designed Parco della Musica in Rome. It was founded as a "congregation", or "confraternity", and over the centuries has grown from a forum for local musicians and composers to an internationally acclaimed academy active in music scholarship (with 100 prominent music scholars forming the body of the Accademia), music education (in its role as a conservatory) and performance (with an active choir and a symphony orchestra, the Orchestra dell'Accademia Nazionale di Santa Cecilia). The category of alumni of the associated conservatory (which in 1919 succeeded a ''liceo'') includes many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Verdi)
The ''Messa da Requiem'' is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired, and therefore also referred to as the ''Manzoni Requiem''. The first performance, at the San Marco church in Milan on 22 May 1874, conducted by the composer, marked the first anniversary of Manzoni's death. It was followed three days later by the same performers at La Scala. Verdi conducted his work at major venues in Europe. Verdi composed the last part of the text, ''Libera me'', first, as his contribution to the '' Messa per Rossini'' that he had begun after Gioachino Rossini had died, already contained the music that later begins the ''Dies irae'' sequence. Considered too operatic to be performed in a liturgical setting, the Requiem is usually given in concert form; it takes around 90 minutes to perform. Musicologist David Rosen calls it "probably the most fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafał Siwek Podczas Koncertowego Wykonania Walkirii, Teatr Wielki 2005 (z Placido Domingo, Jackiem Kaspszykiem, Mladą Khudoley I Elżbietą Kaczmarzyk-Janczak), Fot
Rafał () is a Polish masculine given name. It is the Polish form of the name Raphael. Notable people with the name A-J * Rafał Adamczyk (born 1974), Polish politician * Rafał Ambrozik (born 1979), Polish politician * Rafał Andraszak (born 1978), Polish footballer * Rafał Antoniewski (born 1980), Polish chess grandmaster * Rafał Augustyn (composer) (born 1951), Polish composer, pianist and writer * Rafał Augustyn (racewalker) (born 1984), Polish race walker * Rafał Augustyniak (born 1993), Polish footballer * Rafał Berliński (born 1976), Polish footballer * Rafał Betlejewski (born 1969), Polish artist * Rafał Blechacz (born 1985), Polish classical pianist * Rafał Bochenek (born 1986), Polish lawyer and politician * Rafał Boguski (born 1984), Polish footballer * Rafał Bruski (born 1962), Polish politician * Rafał Brzoska (born 1977), Polish entrepreneur and investor * Rafał Brzozowski (born 1981), Polish singer and TV presenter, represented Poland in the Eurovisio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (, ; , ; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions to receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The façade dates from 1818 with major alterations made in 1856 and 1986. The foyer and auditorium date from 1856, but almost every other element of the presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertgebouw, Amsterdam
The Royal Concertgebouw (, ) is a concert hall in Amsterdam, Netherlands. The Dutch term "concertgebouw" translates into English as "concert building". Its superb Architectural acoustics, acoustics place it among the finest concert halls in the world, along with Boston's Symphony Hall, Boston, Symphony Hall and the Musikverein in Vienna. In celebration of the building's 125th anniversary, Beatrix of the Netherlands, Queen Beatrix bestowed the royal title "Koninklijk" upon the building on 11 April 2013, as she had on the Royal Concertgebouw Orchestra upon its 100th in 1988. History The architect of the building was , who was inspired by the Gewandhaus in Leipzig, built two years earlier (and destroyed in 1943). Construction began in 1883 in a pasture that was then outside the city, in Nieuwer-Amstel, a municipality that in 1964 became Amstelveen. A total of 2,186 wooden piles, 12 to 13 metres (40 to 43 ft) long, were emplaced in the soil. The Concertgebouw was completed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
