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Quartet (Pat Metheny Album)
''Quartet'' (1996) is the eighth album by the Pat Metheny Group. The album features Pat Metheny on guitar, Lyle Mays on keyboards, Steve Rodby on bass, and Paul Wertico on drums. The approach for the album was to not write lengthy compositions before recording but instead use merely sketches and rely mostly on improvisation in a setting with just acoustic instruments. A departure from the usual thoroughly orchestrated sound using synthesizers and sequencing the Group is usually known for. The result is experimental, moody, and loose, even dark in some moments. The instrumentation relies mostly on acoustic instruments including various keyboard instruments such as the spinet piano, Harmonium, Fender Rhodes, autoharp and various guitars including the 42-string Pikasso guitar. The Roland GR-303 makes appearances on "Oceania" and "Language of Time". With the exception of "When We Were Free" on the Group's final Songbook Tour, the Group itself never played these songs live. "When We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Metheny Group
The Pat Metheny Group was an American jazz band founded in 1977. The core members of the group were guitarist, composer and bandleader Pat Metheny; and keyboardist and composer Lyle Mays, who was in the group at its inception. Other long-standing members included bassist and producer Steve Rodby, from 1981 to 2010, and drummer Antonio Sanchez, from 2002 to 2010. Vocalist Pedro Aznar and drummer Paul Wertico were also long-time members. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians. History 1970s Founder Pat Metheny first emerged on the jazz scene in the mid-1970s with a pair of solo albums. First was '' Bright Size Life,'' released in 1976, a trio album with bass guitarist Jaco Pastorius and drummer Bob Moses. The next album, released in 1977, was ''Watercolors,'' featuring Eberhard Weber on bass, pianist Lyle Mays, and drummer Danny Gottlieb. In 1977, bassist Mark Egan joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autoharp
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer. History Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. He called a zither-sized instrument using this mechanism an “autoharp.” Unlike later designs, the instrument shown in the patent was symmetrical, and the damping mechanism engaged with the strings laterally instead of from above. It is not known if Zimmermann ever produced such instruments commercially. Karl August Gütter of Markneukirchen, Germany, built a model that he called a ''Volkszither'', which was more clearly the prototype of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Bass
A piccolo bass is either an electric bass or acoustic double bass which has been tuned to a higher frequency, usually one octave higher than conventional bass tuning. This allows bass players to use higher registers during soloing while retaining a familiar scale length and string spacing. History In the early 1970s, Ron Carter and Stanley Clarke were independently exploring the possibilities of stringing their instruments in a higher, or piccolo, tuning. Clarke’s idea for piccolo bass originally came from luthier Carl Thompson. The earliest recording of Carter playing piccolo bass is on the 1973 album '' Blues Farm''. Design considerations Acoustic piccolo bass The acoustic piccolo bass is constructed in the same way as a double bass, allowing the player to use the same arco and pizzicato techniques. The scale length will usually be similar to that of standard upright bass, with thinner strings to allow a higher-pitched tuning. The acoustic piccolo bass is usually tuned in fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavichord
The clavichord is a stringed rectangular keyboard instrument that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. The clavichord produces sound by striking brass or iron strings with small metal blades called tangents. Vibrations are transmitted through the bridge(s) to the soundboard. Etymology The name is derived from the Latin word ''clavis'', meaning "key" (associated with more common ''clavus'', meaning "nail, rod, etc.") and ''chorda'' (from Greek χορδή) meaning "string, especially of a musical instrument". An analogous name is used in other European languages (It. ''clavicordio'', ''clavicordo''; Fr. ''clavicorde''; Germ. ''Klavichord''; Lat. ''clavicordium''; Port. ''clavicórdio''; Sp. ''clavicordio''). Many languages also have another name derived from Latin ''manus'', meaning "hand" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celesta
The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave). The keys connect to hammers that strike a graduated set of metal (usually steel) plates or bars suspended over wooden resonators. Four- or five-octave models usually have a damper pedal that sustains or damps the sound. The three-octave instruments do not have a pedal because of their small "table-top" design. One of the best-known works that uses the celesta is Pyotr Ilyich Tchaikovskys "Dance of the Sugar Plum Fairy" from ''The Nutcracker''. The sound of the celesta is similar to that of the glockenspiel, but with a much softer and more subtle timbre. This quality gave the instrument its name, ''celeste'', meaning "heavenly" in French. The celesta is often used to enhance a melody line played by another instrument or s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Synthesizer
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar ( lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12 String Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ballad Book
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Is Of The Essence
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events or the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Time has long been an important subject of study in religion, philosophy, and science, but defining it in a manner applicable to all fields without circularity has consistently eluded scholars. Nevertheless, diverse fields such as business, industry, sports, the sciences, and the performing arts all incorporate some notion of time into their respective measuring systems. 108 pages. Time in physics is operationally defined as "what a clock reads". The physical nature of time is addres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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