|
Qungua
(), also known as (), or (), or (), is one type of two-piece ceremonial traditional Chinese wedding set of attire, which is composed of a jacket called () and of a long Chinese skirt called (). The ' is a type of Hanfu worn by Han Chinese brides and originated in the 18th century during the Qing dynasty. It eventually became the traditional wedding attire of Cantonese brides in the Guangdong regions. It is traditionally handmade and is decorated with dragons and phoenixes embroideries. Nowadays, the ' is still popular as a wedding dress in China, including in Hong kong and Macau. Origins and tradition Back in Ming dynasty, the women wedding dress worn by nobles and commoners was known as ' () composed of the ' and '. The wedding dress worn in Ming dynasty continued to influence the wedding dress of the later centuries. What is known as ' only started to be worn in the 18th century during the Qing dynasty. The 'originated in Guangdong when Liang Zhu'','' a Guangdong Qin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruqun
(;) is a set of attire in which consists of a short jacket typically called () worn under a long Chinese skirt called (). However, when use as a general term, can broadly describe a set of attire which consists of a separated upper garment and a wrap-around lower skirt, or (), in which ' () means the "upper garment" and the ' () means the "lower garment". In a broad sense, can include the () and (; ) in its definition. As a set of attire, the was worn by both men and women; it was however primarily worn by women. It is the traditional for the Han Chinese women. The and/or is the most basic set of clothing of Han Chinese women in China and has been an established tradition for thousands of years. Various forms and style of Chinese trousers, referred broadly under the generic term , can also be worn under the . Terminology The generic term () can be applied to any style of clothing consisted of a pair of upper and lower garments. The term is composed of the Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skirt
A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards. At its simplest, a skirt can be a draped garment made out of a single piece of fabric (such as pareos). However, most skirts are fitted to the body at the waist or hips and fuller below, with the fullness introduced by means of darts, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. In modern times, skirts are very commonly worn by women and girls. Some exceptions include the izaar, worn by many Muslim cultures, and the kilt, a traditional men's garment in Scotland, Ireland, and sometimes England. Fashion designers such as Jean Paul Gaultier, Vivienne Westwood, Kenzo and Marc Jacobs have also shown men's skirts. Transgressing social codes, Gaultier fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xiuhefu
() is a two-piece garment set of attire which was designed to look like a style of traditional Chinese wedding dress and follows the traditional Chinese clothing system. The is a modern recreation version of the Qing dynasty wedding , a form of , which was worn by the Han Chinese women, composed of a as lower garment and an as an upper garment. It was developed in modern China and became popular in 2001 when it was popularized by when Zhou Xun, the actress who played the role of Xiu He, in the Chinese television drama 《》(), thus gaining its contemporary name from name of the television drama character. It is often confused with another traditional Chinese wedding dress known as due to their similarities in appearance. Origins The direct precursor of the originated from the Qing dynasty-style wedding which was worn by the Han Chinese women, composed of a ' (a specific type of ) as lower garment and an ' as an upper garment. In 2001, the prototype of the modern was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding Dress
A wedding dress or bridal gown is the dress worn by the bride during a wedding ceremony. The color, style and ceremonial importance of the gown can depend on the religion and culture of the wedding participants. In Western cultures and Anglo-Saxon cultural spheres, the wedding dress is most commonly white, a fashion made popular by Queen Victoria when she married in 1840. In Eastern cultures, brides often choose red to symbolize auspiciousness. Western culture Weddings performed during and immediately following the Middle Ages were often more than just a union between two people. They could be a union between two families, two businesses or even two countries. Many weddings were more a matter of politics than love, particularly among the nobility and the higher social classes. Brides were therefore expected to dress in a manner that cast their families in the most favorable light and befitted their social status, for they were not representing only themselves during the ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamianqun
Mamianqun (), also known as (), sometimes simply referred as 'apron' (), a generic term in English to refer to any Qun, Chinese-style skirt, or 'paired apron' in English although they are not aprons as defined in the dictionary, is a type of (), a List of Hanfu, traditional Chinese skirt worn by the Han Chinese women as lower garment item in and is one of the main representatives of ancient Chinese-style skirts. It originated in the Song dynasty, Song and Liao dynasty, Liao dynasties and became popular due to its functionality and its aesthetics style. It continued to be worn in the Yuan dynasty, Yuan, Ming dynasty, Ming, and Qing dynasty, Qing dynasties where it was a typical style of skirt for women and was favoured for its unique aesthetic style and functionality. Following the fall of the Qing dynasty, the continued to be worn in the Republic of China (1912–1949), Republic of China, and only disappeared in the 1920s and 1930s following the increased popularity of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloud Collar
(), also known as Cloud collar in English and sometimes referred as châr-qâb, is a Chinese term which can either to a four-lobed motif (more rarely an 8-lobed motif), or to a traditional Chinese garment accessory item in , the Traditional clothing of the Han Chinese, which is typically found in the form of a detachable collar with cloud patterns and is worn over the shoulders area, similar to a shawl. As an garment accessory, the is also typically found in four-lobed design although multi-lobed design also existed throughout history. The could also be applied directly on garments, where it would fall around the collar of robes onto the chest and shoulder region,or as a clothing appliqué. In China, the has both ceremonial and practical uses when used in clothing. As a garment item, the was an important clothing element for Chinese women, especially in the Ming and Qing dynasties; its usage was spread across China where it became associated with the Han Chinese's wedding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fenghuang
''Fènghuáng'' (, ) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called ''fèng'' and the females ''huáng'', but such a distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages ( Japanese: ; vi, phượng hoàng, italics=no or ; Korean: ). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. Appearance A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the '' Erya'''s chapter 17 ''Shiniao'', fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuanlingshan
Yuanlingshan () is a form of round-collared upper garment (called ) in ; it is also referred as () or () when used as a robe (called ). The and were both developed under the influence of from the Donghu people in the early Han dynasty and later on by the (including the Xianbei people) in the Six dynasties period. The is a formal attire usually worn by men, though it was also fashionable for women to wear it in some dynasties, such as in the Tang dynasty. In the Tang dynasty, the could also transform into the . There are also specific forms of and which are named based on its decorations and construction; for example, the (), also called () for short, , (), (), and (). Terminology The term is literally translated as "round collar shirt", being composed of the Chinese characters (), which literally translates to round collar and (), literally translated as "shirt". The term is literally translated as "round collar robe (or gown)", being composed of the Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mangfu
(), also known as (), (), and , sometimes referred as dragon robe although they are different garments, in English, is a type of , a robe, in . The falls under the broad category of (), where the is considered as being the classic form of . The was characterized by the use of a python embroidery called () although the python embroidery is not a python snake as defined in the English dictionary but a four-clawed Chinese dragon-like creature. The was derived from the ' () in order to differentiate monarchs and subjects; i.e. only the Emperor is allowed to wear the , five-clawed dragon, while his subjects wears '. The ' was worn in the Ming and Qing dynasties. They had special status among the Chinese court clothing as they were only second to the '. Moreover, their use were restricted, and they were part of a special category of clothing known as ' (), which could only be awarded by the Chinese Emperor (or by the Empress Dowager on the behalf of the Emperor) in the Ming and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yunjian
(), also known as Cloud collar in English and sometimes referred as châr-qâb, is a Chinese term which can either to a four-lobed motif (more rarely an 8-lobed motif), or to a traditional Chinese garment accessory item in , the Traditional clothing of the Han Chinese, which is typically found in the form of a detachable collar with cloud patterns and is worn over the shoulders area, similar to a shawl. As an garment accessory, the is also typically found in four-lobed design although multi-lobed design also existed throughout history. The could also be applied directly on garments, where it would fall around the collar of robes onto the chest and shoulder region,or as a clothing appliqué. In China, the has both ceremonial and practical uses when used in clothing. As a garment item, the was an important clothing element for Chinese women, especially in the Ming and Qing dynasties; its usage was spread across China where it became associated with the Han Chinese's wedding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Auspicious Ornaments In Textile And Clothing
Chinese auspicious ornaments in textile and clothing refers to any form of Chinese auspicious ornaments, which are used to decorate various forms of Chinese textile and clothing (including and ), fashion accessories, and footwear in China since the ancient times. Chinese auspicious ornaments form part of Chinese culture and hold symbolic meanings. In ancient China, auspicious ornaments were often either embroidered or woven into textile and clothing. They are also used on religious and ritual clothing (e.g. which is Taoist clothing and Chinese Buddhist clothing) and in , Chinese opera costumes. Auspicious symbols and motifs continue to be used in present day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. Some of these Chinese auspicious ornaments were also culturally appropriated by European countries during the era of Chinoiserie, where they became decorative patterns on fashionable chinoiserie fashio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Indonesia
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures. Examples of the fusion of Islam with Hinduism include Javanese Abangan belief. Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, especially in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in a martial art form called Pencak Silat. The Western world has influenced Indonesia in science, technology and modern entertainment su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Xiuhefu")
.jpg "Click for more on -> Yunjian")
