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Quinteto (em Forma De Chôros)
The ''Quinteto (em forma de chôros)'' (French: Quintette (''en forme de chôros'') = Quintet (in the Form of a Chôros)) is a chamber-music composition by the Brazilian composer Heitor Villa-Lobos, written in 1928. Originally scored for five woodwind instruments (flute, oboe, cor anglais, clarinet, and bassoon), it is most often performed in an arrangement for the conventional wind quintet of flute, oboe, clarinet, horn, and bassoon. A performance lasts about eleven minutes. History Villa-Lobos composed the work in Paris in 1928, during the same period in which he was working on the series of fourteen ''Chôros''. The first manuscript fair-copy score is titled simply "Quintetto para flauta, oboé, corn'inglez, clarinete e fagote". The subtitle was added only after the premiere in 1930. Although it was not originally intended as part of the ''Chôros'' series, some writers (e.g. Neves, Wright, and Appleby have treated it as related. It was first performed on 14 March 1930 at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1928 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Heitor Villa-Lobos
Chamber or The Chamber may refer to: Organizations and government *Chamber of commerce, a form of business network *Legislative chamber, a deliberative assembly within a legislature *Debate chamber, a room for people to discuss and debate Arts and entertainment *Chamber (character), in Marvel comics * ''The Chamber'' (game show), an American TV show * ''The Chamber'' (novel), by John Grisham, 1994 ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film * , a German musical ensemble Business * Barristers' chamber - office used by Lawyers Other uses * Chamber (firearms), part of a weapon * Combustion chamber, part of an engine in which fuel is burned * Environmental chamber, used in testing environmental conditions * Execution chamber, where capital punishment is carried out * Gas chamber, apparatus for killing humans or animals * Chambar, or Chamber, a town in Pakistan See also * Chambers (other) * Chamber music (disam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quinteto Villa-Lobos
Quinteto Villa-Lobos is a Brazilian wind quintet, founded in 1962 with the intention of popularizing Brazilian chamber music, featuring the diverse compositions of Heitor Villa-Lobos. The founding original quintet were Celso Woltzenlogel, Paolo Nardi, Wilfried Berk, Carlos Gomes de Oliveira, and Airton Lima Barbosa. The Quinteto Villa-Lobos has celebrated over 50 years of performances and recordings, replenishing its membership with instrumentalists that are active as soloists in Brazil and internationally, featuring flute, oboe, clarinet, horn and bassoon. History Quinteto Villa-Lobos has played in towns and cities across Brazil. In 1987, they opened the commemorations for the Unesco "Year of Villa-Lobos" in Paris. In July 2010, the ensemble played with Egberto Gismonti in "Tocar la Vida" festival, in Argentina. In 2001, and again in 2009, the ensemble received the Carlos Gomes Award, as the best Brazilian chamber group, from the São Paulo state government. In March 2002, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eero Tarasti
Eero Aarne Pekka Tarasti (born 27 September 1948 in Helsinki) is a Finnish musicologist and semiotician, currently serving as Professor Emeritus of Musicology at the University of Helsinki. He has contributed significantly to the semiotics of music. He received his Ph.D. degree at the University of Helsinki in 1978, writing his dissertation ''Myth and Music'' on Richard Wagner, Jean Sibelius, and Igor Stravinsky. Then, Tarasti served at the University of Jyväskylä between 1979–1984, where he was appointed Professor of Arts Education in 1979 and Professor of Musicology in 1983. In 1984 he took the position of Professor of Musicology in Helsinki, succeeding Erik Tawaststjerna. Tarasti has held posts as Director or President in several semiotic and musical societies and since the 1970s has written and edited numerous books encompassing a semiotic approach to music. He has been the President of the International Association for Semiotic Studies (2004–2014), and the Direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Double Reed
The International Double Reed Society (IDRS), is an organization that promotes the interests of double reed players, instrument manufacturers and enthusiasts. Services provided by the IDRS include an international oboe and bassoon competition, an annual conference, member directory, a library, information about grants, and publications, such as the society's own journal, ''The Double Reed''. The IDRS Fernand Gillet-Hugo Fox International Competition for oboists and bassoonists takes place every year during the society's annual conference. History The IDRS grew out of a 1969 newsletter for bassoonists compiled by Gerald Corey. Professor Lewis Hugh Cooper at the University of Michigan and Alan Fox, president of bassoon manufacturer Fox Products, founded a “double reed club” to promote opportunities for double reed players. Together with Corey, they organized a meeting during the December 1971 meeting of the Mid-Western Band Masters convention, and the first annual conference o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Lorenzo Fernández
Oscar Lorenzo Fernández (4 November 1897 – 27 August 1948) was a Brazilian composer of Spanish descent. He was born and died in Rio de Janeiro. Life Fernández studied at the Instituto Nacional de Música with Francisco Braga, Frederico Nascimento, and Henrique Oswald. In 1923, Nascimento was taken seriously ill, and Fernández was designated his temporary substitute in the chair of upper-level harmony, an appointment which became permanent two years later. In 1936 he founded the Conservatório Brasileiro de Música in Rio de Janeiro, which he directed until his death. From 1939 onward, he also served as Professor of Choral Singing at the Conservatório Nacional de Canto Orfeônico. In 1930 Fernández composed the three-movement suite ''Reisado do Pastoreio'', the last movement of which, "Batuque" (an Afro-Brazilian folk dance), became very popular. He composed a three-act opera, ''Malazarte'' (1931–33), to a libretto by José Pereira Graça Aranha, who adapted it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfrid Mellers
Wilfrid Howard Mellers (26 April 1914 – 17 May 2008) was an English music critic, musicologist and composer. Early life Born in Leamington, Warwickshire, Mellers was educated at the local Leamington College and later won a scholarship to Downing College, Cambridge, where he read English under F. R. Leavis. He later lodged with the Leavises for three years while pursuing a Music degree. Mellers also took private composition lessons in Oxford from Egon Wellesz and Edmund Rubbra.East, Leslie, revised Gordon Rumson. 'Mellers, Wilfrid (Howard)', in ''Grove Music Online'' (2001) From 1938 he taught at Dartington Hall, and in September 1940 he married Vera Muriel Hobbs. He spent the Second World War working on the land as a conscientious objector.Dickinson, Peter.Mellers, Wilfrid Howard in ''The Oxford Dictionary of National Biography'' (2013) Career After writing many articles for Leavis's journal '' Scrutiny'' since the September 1936 issue, he appeared on the editorial board o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros Bis
''Chôros bis'', or ''Dois Chôros (bis)'' (Two Chôros encores), first published with the title in French, ''Deux Chôros (bis)'', is a two-movement duo for violin and cello by the Brazilian composer Heitor Villa-Lobos, peripherally related to his numbered series of fourteen ''Chôros''. A performance typically lasts between eight and nine minutes. History Villa-Lobos composed the ''Chôros bis'' in Paris in 1928–29, and they were first given a private reading on 29 June 1929 at the residence of Mme Frédéric Moreau in Paris, performed by Tony Close (violin) and André Asselin (cello) under the provisional title ''Duo (Chôros bis)''. The public premiere was given by the same performers on 14 March 1930 at the Salle Chopin, Paris, as part of the Festival de Musique Moderne, in a concert that also included the world premieres of the '' Quinteto (em forma de chôros)'', the ''Cirandas'' for piano, and the ''Chansons typiques brésiliennes''. The manuscript scores of the two mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
