Protest (The Dears EP)
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Protest (The Dears EP)
''Protest'' is an EP by The Dears, released in limited quantities in 2002. It was later re-released in a mass market version with different artwork in 2004. The EP was also included as a bonus disc in the Australian release of ''No Cities Left ''No Cities Left'' is the second album by The Dears, released in 2003 on MapleMusic Recordings. It was the band's second full-length album of new material and was so successful that it was re-released in Canada in 2005. The album features fellow ...''. Track listing (2002 release) # "Heaven, Have Mercy on Us" – 3:56 # "Summer of Protest" – 7:01 # "No Hope Before Destruction" – 6:33 (2004 release) # "Heaven, Have Mercy on Us" – 3:56 # "Summer of Protest" – 7:01 # "No Hope Before Destruction" – 6:33 # "Protest (Parallel)" – 11:50 (remix and additional production by chaonaut) 2002 EPs The Dears albums {{2000s-post-rock-album-stub ...
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The Dears
The Dears are a Canadian indie rock band from Montreal, Quebec. The band is led by the husband-and-wife duo of singer-guitarist Murray Lightburn and keyboardist Natalia Yanchak. History The band formed in 1995 and released their first album, '' End of a Hollywood Bedtime Story'', in 2000. Their orchestral, dark pop sound and dramatic live shows established The Dears as part of the then-emerging Canadian indie renaissance. The Dears performed in Toronto in October 2001 with Sloan. In 2001 and 2002, they released the EPs '' Orchestral Pop Noir Romantique'' and ''Protest,'' respectively, as well as a collection of unreleased songs, '' Nor the Dahlias''. In 2003 they released their second full-length album ''No Cities Left'', and a string of shows at SXSW '04 launched their international career. The Dears toured extensively across Canada, U.S., UK, Europe, Japan and Australia supporting the international release of ''No Cities Left'' and returned to the studio to record in 200 ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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MapleMusic Recordings
Cadence Recordings, formerly MapleMusic, is a Canadian independent record label founded by Andy Maize, Jeff Maize, Mike Alkier, Evan Hu, Lorique Mindel and Grant Dexter in 1999 and based in Toronto, Ontario. Other investors include Gary Slaight, Michael Burke and Universal Music. In 2016, its parent Company Maple Core changed its name to Cadence Music Group, and as a result, MapleMusic was renamed as Cadence Recordings. History The MapleMusic Recordings label is a project of Andy Maize from Canadian roots rock band Skydiggers and Maple CEO Grant Dexter. Other artists who have released albums on MapleMusic include David Usher, Colin James, Boy, The Dears, Jason Bajada, Martha Wainwright, Pilot Speed (formerly known as Pilate), Gordon Downie, Joel Plaskett, Spirit of the West, Ridley Bent, Kinnie Starr, Cookie Duster and the Hugh Dillon Redemption Choir. MapleMusic released three Radiohead albums ''In Rainbows'', ''The King of Limbs'' and ''TKOL RMX 1234567'' in Canada, along ...
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The Dears 1995-1998
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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No Cities Left
''No Cities Left'' is the second album by The Dears, released in 2003 on MapleMusic Recordings. It was the band's second full-length album of new material and was so successful that it was re-released in Canada in 2005. The album features fellow Canadian indie-rocker Sam Roberts playing violin on "Never Destroy Us". Track listing All songs written by Murray Lightburn. # "We Can Have It" – 5:42 # "Who Are You, Defenders of the Universe?" – 3:41 # "Lost in the Plot" – 4:48 # "The Second Part" – 5:42 # "Don't Lose the Faith" – 3:10 # "Expect the Worst/'Cos She's a Tourist" – 7:52 # "Pinned Together, Falling Apart" – 6:01 # "Never Destroy Us" – 4:29 # "Warm and Sunny Days" – 5:47 # "22: The Death of All the Romance" – 5:56 # "Postcard from Purgatory" – 7:57 # "No Cities Left" – 5:23 "Don't Lose the Faith" was omitted from the original American release. ''No Cities Left'' extended rerelease The 2005 re-release of ''No Cities Left'' included "Don't Lose the ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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