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Prometheus Unbound (Aeschylus)
''Prometheus Unbound'' ( grc, Προμηθεὺς Λυόμενος, ''Promētheus Lyomenos'') is a fragmentary play in the ''Prometheia'' trilogy attributed to the 5th-century BC Ancient Greece, Greek tragedian Aeschylus, thought to have followed ''Prometheus Bound''. ''Prometheus Unbound'' was probably followed by ''Prometheus the Fire-Bringer''. It is concerned with the torments of the Greek mythological figure Prometheus who defies the gods and proceeds to give fire to humanity (theft of fire), for which he is subjected to eternal punishment and suffering at the hands of Zeus. The text of the ''Unbound'' survives only in eleven fragments preserved by later authors. Nevertheless, these fragments, combined with prophetic statements made in the first play of the trilogy, allow the reconstruction of a broad outline. A lengthy fragment translated into Latin by the Ancient Rome, Roman statesman Cicero indicates that the play would have opened with Prometheus visited by a chorus of ...
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Prometheia
The ''Prometheia'' ( grc, Προμήθεια) is a trilogy of plays about the titan Prometheus. It was attributed in Antiquity to the 5th-century BC Greek tragedian Aeschylus. Though an Alexandrian catalogue of Aeschylean play titles designates the trilogy ''Hoi Prometheis'' ("the Prometheuses"), in modern scholarship the trilogy has been designated the ''Prometheia'' to mirror the title of Aeschylus' only extant trilogy, the ''Oresteia''. Unlike the ''Oresteia'', only one play from this trilogy—''Prometheus Bound''—survives. Inasmuch as the authorship of ''Prometheus Bound'' continues to be debated, the very existence of a Prometheus trilogy is uncertain. To the extent that modern scholars postulate the existence of such a trilogy by a single author, the consensus holds that it comprised ''Prometheus Bound'', '' Prometheus Unbound'', and ''Prometheus the Fire-Bringer'', in that order. ''Prometheus Bound'' The ''dramatis personae'' are Prometheus, Cratus (Power), Bia (V ...
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Tartarus
In Greek mythology, Tartarus (; grc, , }) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's ''Gorgias'' (), souls are judged after death and where the wicked received divine punishment. Tartarus is also considered to be a primordial force or deity alongside entities such as the Earth, Night, and Time. Greek Mythology In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the light and the cosmos are born. As a deity In the Greek poet Hesiod's ''Theogony'' ( late 8th century BC), Tartarus was the third of the primordial deities, following after Chaos and Gaia (Earth), and preceding Eros, and was the father, by Gaia, of the monster Typhon. According to Hyginus, Tartarus was the offspring of Aether and Gaia. ...
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Plays By Aeschylus
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Time ...
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Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 17928 July 1822) was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death and he became an important influence on subsequent generations of poets including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelly's reputation fluctuated during the 20th century, but in recent decades he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his best-known works are "Ozymandias" (1818), "Ode ...
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Prometheus Unbound (Shelley)
''Prometheus Unbound'' is a four-act lyrical drama by Percy Bysshe Shelley, first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus, who defies the gods and gives fire to humanity, for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical ''Prometheia'', a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity, but unlike Aeschylus' version, there is no reconciliation between Prometheus and Jupiter (Zeus). Instead, Jupiter is abandoned by his supportive elements and falls from power, which allows Prometheus to be released. Shelley's play is a closet drama, meaning it was not intended to be produced on the stage. In the tradition of Romantic poetry, Shelley wrote for the imagination, intending his play's stage to reside in the imaginations of his readers. However, the play is filled with suspense, mystery and other dramatic effect ...
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Twelve Labours
The Labours of Hercules or Labours of Heracles ( grc-gre, wikt:ὁ, οἱ wikt:Ἡρακλῆς, Ἡρακλέους wikt:ἆθλος, ἆθλοι, ) are a series of episodes concerning a penance carried out by Heracles, the greatest of the Greek heroes, whose name was later romanization, romanised as Hercules. They were accomplished at the service of King Eurystheus. The episodes were later connected by a continuous narrative. The establishment of a fixed cycle of twelve labours was attributed by the Greeks to an epic poem, now lost, written by Peisander, dated about 600 BC. Having tried to kill Heracles ever since he was born, Hera induced a madness in him that made him kill his wife and children. Afterwards, Heracles went to the Pythia, Oracle of Delphi to atone, where he prayed to the god Apollo for guidance. Heracles was told to serve Eurystheus, king of Mycenae, for ten years. During this time, he was sent to perform a series of difficult feats, called labours. His ...
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Io (mythology)
Io (; grc, Ἰώ ) was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus, Cadmus, Heracles, Minos, Lynceus, Cepheus, and Danaus. The astronomer Simon Marius named a moon of Jupiter after Io in 1614. Because her brother was Phoroneus, Io is also known as Phoronis (an adjective form of Phoroneus: "Phoronean"). She was sometimes compared to the egyptian goddess Isis, whereas her Egyptian husband Telegonus was "Osiris". Family In most versions of the legend, Io was the daughter of Inachus, though various other purported genealogies are also known. If her father was Inachus, then her mother would presumably have been Inachus' wife (and sister), the Oceanid nymph Melia, daughter of Oceanus. The 2nd century AD geographer Pausanias also suggests that she is the daughter of Inachus and retells the story of Zeus falling in love with Io, the legendary wrath of Hera, and the metamorphosis by whi ...
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Heracles
Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptive descent through Amphitryon, Heracles receives the epithet Alcides, as "of the line of Alcaeus", father of Amphitryon. Amphitryon's own, mortal son was Iphicles. He was a great-grandson and half-brother (as they are both sired by the god Zeus) of Perseus, and similarly a half-brother of Dionysus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (), and a champion of the Olympian order against chthonic monsters. In Rome and the modern West, he is known as Hercules, with whom the later Roman emperors, in particular Commodus and Maximian, often identified themselves. The Romans adopted the Greek version of his life and works essentially unchanged, but added anecdotal detail of their own, so ...
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Oceanus
In Greek mythology, Oceanus (; grc-gre, , Ancient Greek pronunciation: , also Ὠγενός , Ὤγενος , or Ὠγήν ) was a Titan son of Uranus and Gaia, the husband of his sister the Titan Tethys, and the father of the river gods and the Oceanids, as well as being the great river which encircled the entire world. Etymology According to M. L. West, the etymology of Oceanus is "obscure" and "cannot be explained from Greek". The use by Pherecydes of Syros of the form "Ogenos" (''Ὠγενός'') for the name lends support for the name being a loanword. However, according to West, no "very convincing" foreign models have been found. A Semitic derivation has been suggested by several scholars, while R. S. P. Beekes has suggested a loanword from the Aegean Pre-Greek non-Indo-European substrate. Nevertheless, Michael Janda sees possible Indo-European connections. Genealogy Oceanus was the eldest of the Titan offspring of Uranus (Sky) and Gaia (Earth). Hesiod lists hi ...
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Gaia (mythology)
In Greek mythology, Gaia (; from Ancient Greek , a poetical form of , 'land' or 'earth'),, , . also spelled Gaea , is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants; as well as of Pontus (the sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek name Γαῖα (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric (''Ga'' ), perhaps identical to (''Da'' ), both meaning "Earth". The word is of uncertain origin. Beekes suggested a Pre-Greek origin. Robert S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, pp. 269–270 (''s.v. ...
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Oceanids
In Greek mythology, the Oceanids or Oceanides (; grc, Ὠκεανίδες, Ōkeanídes, pl. of grc, Ὠκεανίς, Ōkeanís, label=none) are the nymphs who were the three thousand (a number interpreted as meaning "innumerable") daughters of the Titans Oceanus and Tethys. Description and function The Oceanids' father Oceanus was the great primordial world-encircling river, their mother Tethys was a sea goddess, and their brothers the Potamoi (also three thousand in number) were the personifications of the great rivers of the world. Like the rest of their family, the Oceanid nymphs were associated with water, as the personification of springs. Hesiod says they are "dispersed far and wide" and everywhere "serve the earth and the deep waters", while in Apollonius of Rhodes' ''Argonautica'', the Argonauts, stranded in the desert of Libya, beg the "nymphs, sacred of the race of Oceanus" to show them "some spring of water from the rock or some sacred flow gushing from the earth ...
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Titanomachy
In Greek mythology, the Titanomachy (; grc, , , Titan battle) was a ten-year series of battles fought in Ancient Thessaly, consisting of most of the Titans (the older generation of gods, based on Mount Othrys) fighting against the Twelve Olympians, Olympians (the younger generations, who would come to reign on Mount Olympus) and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just the Titan War. The war was fought to decide which generation of gods would have dominion over the universe; it ended in victory for the Olympian gods. Greeks of the Classical Age knew of several poems about the war between the gods and many of the Titans. The dominant one, and the only one that has survived, is the ''Theogony'' attributed to Hesiod. The Titans also played a prominent role in the poems attributed to Orpheus. Although only scraps of the Orphism (religion), Orphic narratives survive, they show differences from the Hesiodic trad ...
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