Polynesian Narrative
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Polynesian Narrative
The Polynesian narrative or Polynesian mythology encompasses the oral traditions of the people of Polynesia (a grouping of Central and South Pacific Ocean island archipelagos in the Polynesian Triangle) together with those of the scattered cultures known as the Polynesian outliers. Polynesians speak languages that descend from a language reconstructed as Proto-Polynesian - probably spoken in the Tonga - Samoa area around 1000 BC. Description Prior to the 15th century AD, Polynesian peoples fanned out to the east, to the Cook Islands, and from there to other groups such as Tahiti and the Marquesas. Their descendants later discovered the islands from Tahiti to Rapa Nui, and later Hawai‘i and New Zealand. The latest research puts the settlement of New Zealand at about 1300 AD. The various Polynesian languages are all part of the Austronesian language family. Many are close enough in terms of vocabulary and grammar to permit communication between some other language speakers ...
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Hawaiian Islands
The Hawaiian Islands ( haw, Nā Mokupuni o Hawai‘i) are an archipelago of eight major islands, several atolls, and numerous smaller islets in the North Pacific Ocean, extending some from the island of Hawaii in the south to northernmost Kure Atoll. Formerly the group was known to Europeans and Americans as the Sandwich Islands, a name that James Cook chose in honor of the 4th Earl of Sandwich, the then First Lord of the Admiralty. Cook came across the islands by chance when crossing the Pacific Ocean on his Third Voyage in 1778, on board HMS ''Resolution''; he was later killed on the islands on a return visit. The contemporary name of the islands, dating from the 1840s, is derived from the name of the largest island, Hawaii Island. Hawaii sits on the Pacific Plate and is the only U.S. state that is not geographically connected to North America. It is part of the Polynesia subregion of Oceania. The state of Hawaii occupies the archipelago almost in its entirety (includin ...
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Parable
A parable is a succinct, didactic story, in prose or verse, that illustrates one or more instructive lessons or principles. It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters. A parable is a type of metaphorical analogy. Some scholars of the canonical gospels and the New Testament apply the term "parable" only to the parables of Jesus, although that is not a common restriction of the term. Parables such as the parable of the Prodigal Son are important to Jesus's teaching method. Etymology The word ''parable'' comes from the Greek παραβολή (''parabolē''), literally "throwing" (''bolē'') "alongside" (''para-''), by extension meaning "comparison, illustration, analogy." It was the name given by Greek rhetoricians to an illustration in the form of a brief fictional narrative. History The Bible contains numerous parables in the Gospels of the New Testament ( Jesus' ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Atua
Atua are the gods and spirits of the Polynesian peoples such as the Māori mythology, Māori or the Hawaiian religion, Hawaiians (see also ); the Polynesian languages, Polynesian word literally means "power" or "strength" and so the concept is similar to that of ''mana''. Today, it is also used for the monotheistic conception of God. Especially powerful atua included: * ''Rongo, Rongo-mā-Tāne'' – god of agriculture and peace * ''Tāne, Tāne Mahuta'' – creator of all living things such as animals, birds and trees * ''Tangaroa'' – god of the sea * ''Tūmatauenga'' – a god of war * ''Whiro'' – god of darkness and evil In Samoa, where means "god" in the Samoan language, traditional pe'a, tattooing was based on the doctrine of tutelary spirits. There is also a district on the island of Upolu in Samoa called Atua (district), Atua. Atua or gods were also the center of Māori mythology, Māori religion. In Māori mythology, Māori's belief, there was no such word as "reli ...
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Hina (goddess)
Hina is the name assigned to a number of Polynesian deities. The name Hina usually relates to a powerful female force (typically a goddess or queen) who has dominion over a specific entity. Some variations of the name Hina include Sina, Hanaiakamalama, and Ina. Even within a single culture, Hina could refer to multiple goddesses and the distinction between the different identities are not always clear. In Hawaiian mythology, the name is usually paired with words which explain or identify the goddess and her power such as Hina-puku-iʻa (Hina-gathering-seafood) the goddess of fishermen, and Hina-ʻopu-hala-koʻa who gave birth to all reef life. Hina continues to be a figure worshiped in many of the Polynesian religionsStokes, J. F. G., Heiau of Molokai. 1909 in MS. ''The Ancient Worship of the Hawaiian Islanders'', edited by W. T. Bringham. Archives, B.P. Bishop Museum, Honolulu. and her stories serve as traditions that unite Polynesia, specifically the Hawaiian Islands. New Zea ...
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Māui (mythology)
Māui (Maui) is the great culture hero and trickster in Polynesian mythology. Very rarely was Māui actually worshipped, being less of a deity and more of a folk hero. His origins vary from culture to culture, but many of his main exploits remain relatively similar.Craighill Handy 1927: 118 Tales of Māui's exploits and adventures are told throughout most of Polynesia; they can be traced back as far west as islands off New Guinea. Some exploits common to most Polynesian traditions are stealing fire for humans from the underworld, fishing up islands with his magical hook, and capturing the Sun to lengthen the days. There is a great deal of variation in the representations of Māui from nation to nation, from being a handsome young man, to being an old wise wandering priest. Although Māui was said to be very rascally or "kolohe", many of his deeds were to better the lives of his fellow people. He was respected throughout most cultures of the Pacific and still is famous to this day. ...
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Heaven
Heaven or the heavens, is a common religious cosmological or transcendent supernatural place where beings such as deities, angels, souls, saints, or venerated ancestors are said to originate, be enthroned, or reside. According to the beliefs of some religions, heavenly beings can descend to Earth or incarnate and earthly beings can ascend to Heaven in the afterlife or, in exceptional cases, enter Heaven alive. Heaven is often described as a "highest place", the holiest place, a Paradise, in contrast to hell or the Underworld or the "low places" and universally or conditionally accessible by earthly beings according to various standards of divinity, goodness, piety, faith, or other virtues or right beliefs or simply divine will. Some believe in the possibility of a heaven on Earth in a ''world to come''. Another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, heaven is considered a ...
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Magic (paranormal)
Magic, sometimes spelled magick, is an ancient praxis rooted in sacred rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural, incarnate world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science. Although connotations have varied from positive to negative at times throughout history, magic continues to have an important religious and medicinal role in many cultures today. Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also commo ...
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Rangi And Papa
In Māori mythology the primal couple Rangi and Papa (or Ranginui and Papatūānuku) appear in a creation myth explaining the origin of the world (though there are many different versions). In some South Island dialects, Rangi is called Raki or Rakinui. Union and separation Ranginui first married Poharua Te Po where they bore 3 offspring including Aorangi (or Aoraki as given in South Island). He later married Papatūānuku together becoming the primordial sky father and earth mother bearing over 70 children including Tāwhirimātea, Tāne and Tangaroa, all of whom are male. Both Ranginui and Papatūānuku lie locked together in a tight embrace, and their sons forced to live in the cramped darkness between them. These children grow and discuss among themselves what it would be like to live in the light. Tūmatauenga, the fiercest of the children, proposes that the best solution to their predicament is to kill their parents. But his brother Tāne disagrees, suggesting that it is ...
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Tangaroa
Tangaroa (Takaroa in the South Island) is the great of the sea, lakes, rivers, and creatures that live within them, especially fish, in Māori mythology. As Tangaroa-whakamau-tai he exercises control over the tides. He is sometimes depicted as a whale. In some of the Cook Islands he has similar roles, though in Manihiki he is the fire deity that Māui steals from, which in Māori mythology is instead Mahuika, a goddess of fire. Māori traditions Tangaroa is a son of Ranginui and Papatūānuku, Sky and Earth. After he joins his brothers Rongo, Tū, Haumia, and Tāne in the forcible separation of their parents, he is attacked by his brother Tāwhirimātea, the of storms, and forced to hide in the sea. Tangaroa is the father of many sea creatures. Tangaroa's son, Punga, has two children, Ikatere, the ancestor of fish, and Tū-te-wehiwehi (or Tū-te-wanawana), the ancestor of reptiles. Terrified by Tāwhirimātea's onslaught, the fish seek shelter in the sea, and the reptil ...
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