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Pierre-Louis Moreau-Desproux
Pierre-Louis Moreau-Desproux (Paris 1727 — Paris 1793) was a pioneering French Neoclassicism, neoclassical architect. Training Though he did not gain the Prix de Rome that was the dependable gateway to a prominent French career in architecture, his fellow-student Charles de Wailly invited him to share his prize. In Rome, from September 1754 to December 1756, half the customary three years, they were exposed to the ferment of the new neoclassical style and took part, with Marie-Joseph Peyre, in the archaeological excavations of the Baths of Diocletian; their speculative reconstructions of the complex attracted the attention of Giovanni Battista Piranesi, Piranesi. Career On his return to Paris, Moreau-Desproux’s first commission was the fully neoclassical Hôtel de Chavannes near the Porte du Temple, at that time on the outskirts of the city; the house was completed by May 1758 and was demolished in 1846 (Eriksen); it earned a critical analysis from the Marc-Antoine Laugier, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DSC00652 Conseil Etat
DSC may refer to: Academia * Doctor of Science (D.Sc.) * District Selection Committee, an entrance exam in India * Doctor of Surgical Chiropody, superseded in the 1960s by Doctor of Podiatric Medicine Educational institutions * Dalton State College, Georgia, United States * Daytona State College, Florida, United States * Deep Springs College, California, United States * Dixie State College, now Utah Tech University, Utah, United States * Dyal Singh College, Delhi, India * DSC International School, Hong Kong, China Science and technology * DECT Standard Cipher, an encryption algorithm used by wireless telephone systems * Dice similarity coefficient, a statistical measure * Differential scanning calorimetry, or the differential scanning calorimeter * Digital selective calling in marine telecommunications * Digital setting circles on telescopes * Digital signal controller, a hybrid microcontroller and digital signal processor * Digital still camera, a type of camera * Display Strea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavilion
In architecture, ''pavilion'' has several meanings: * It may be a subsidiary building that is either positioned separately or as an attachment to a main building. Often it is associated with pleasure. In palaces and traditional mansions of Asia, there may be pavilions that are either freestanding or connected by covered walkways, as in the Forbidden City ( Chinese pavilions), Topkapi Palace in Istanbul, and in Mughal buildings like the Red Fort. * As part of a large palace, pavilions may be symmetrically placed building ''blocks'' that flank (appear to join) a main building block or the outer ends of wings extending from both sides of a central building block, the ''corps de logis''. Such configurations provide an emphatic visual termination to the composition of a large building, akin to bookends. The word is from French (Old French ) and it meant a small palace, from Latin (accusative of ). In Late Latin and Old French, it meant both ‘butterfly’ and ‘tent’, becaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Logis
In architecture, a ''corps de logis'' () is the principal block of a large, (usually Classical architecture, classical), mansion or palace. It contains the principal rooms, state apartments and an entry.Curl, James Stevens (2006). ''Oxford Dictionary of Architecture and Landscape Architecture'', 2nd edition. Oxford and New York: Oxford University Press, p. 204. . The grandest and finest rooms are often on the first floor above the ground level: this floor is the ''piano nobile''. The ''corps de logis'' is usually flanked by lower secondary wings, such as the ''barchesse'' of Venetian villas. When the secondary wings form a three sided courtyard, the courtyard is known as the ''cour d'honneur''. Examples of a ''corps de logis'' can be found in many of the most notable Classical architecture, Classical Era buildings of Europe including the Palace of Versailles, Blenheim Palace, and the Palazzo Pitti. In France, the principal block of medieval castles and manor houses is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cour D'honneur
A ''cour d'honneur'' (; ; german: Ehrenhof) is the principal and formal approach and forecourt of a large building. It is usually defined by two secondary wings projecting forward from the main central block (''corps de logis''), sometimes with a fourth side, consisting of a low wing or a railing. The Palace of Versailles (''illustration'') and Blenheim Palace (''plan'') both feature such entrance courts. Definition Technically, the term ''cour d'honneur'' can be used of any large building whether public or residential, ancient or modern, which has a symmetrical courtyard laid out in this way. History Some 16th-century symmetrical Western European country houses built on U-shaped groundplans resulted in a sheltered central door in a main range that was embraced between projecting wings, but the formalized ''cour d'honneur'' is first found in the great palaces and mansions of 17th-century Europe, where it forms the principal approach and ceremonial entrance to the building. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal (rue Saint-Honoré)
The Théâtre du Palais-Royal (or Grande Salle du Palais-Royal) on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy ''Mirame''. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire.Coeyman 1998, pp. 60–71. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.Pitou 1983, pp. 26–30. First theatre Cardinal Richelieu The Palais-Royal was originally known as the Palais-Cardinal, since it was built in the 1630s as the principal residence of Cardinal Richelieu. The palace already had a small theatre, the Petite Salle des Comédies, located in the wing running north from the east end of the '' corps-de-logis''. On a 1673 plan it is marked "Petite Salle des Ballets". In 1637 Richelieu asked his architect Jac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Place De La Concorde
The Place de la Concorde () is one of the major public squares in Paris, France. Measuring in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées. It was the site of many notable public executions, including the executions of King Louis XVI, Marie Antoinette and Maximilien Robespierre in the course of the French Revolution, during which the square was temporarily renamed Place de la Révolution. History Design and construction The place was originally designed to be the site of an equestrian statue of King Louis XV, commissioned in 1748 by the merchants of Paris, to celebrate the recovery of King Louis XV from a serious illness. The site chosen for the statue was the large esplanade or space between the revolving gate the Tuileries Gardens and the Cour-la-Reine, a popular lane for horseback riding at the edge of the city. At the time the Concorde bridge and the Rue de Rivoli d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Du Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boulevard Raspail
Boulevard Raspail is a boulevard of Paris, in France. Its orientation is north–south, and joins boulevard Saint-Germain with place Denfert-Rochereau whilst traversing 7th, 6th and 14th arrondissements. The boulevard intersects major roadways: rue de Sèvres, rue de Rennes and boulevard du Montparnasse. The allée Claude-Cahun-Marcel-Moore is situated on the boulevard, in front of the Alliance française. Its former name was boulevard d'Enfer, of which the passage d'Enfer is a vestigial relic. Naming The boulevard was named after François-Vincent Raspail (1794–1878), French chemist, physician and politician. History The section between a point approximately 80 m beyond the rue de Varenne and rue de Sèvres was dug in 1869. The 90 m section from rue Stanislas was opened up by MM. Bernard frères. The section between boulevard Edgar-Quinet and place Denfert-Rochereau had incorporated the old boulevard d'Enfer and the external boulevard (part of boulevard de Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Chevreuse
The former Hôtel de Chevreuse (later known as the Hôtel de Luynes) was a Parisian ''hôtel particulier'' located at 33 Rue Saint-Dominique (on a site that now includes part of the Boulevard Saint-Germain), just south of the Église Saint-Thomas-d'Aquin. History The Hôtel de Chevreuse was constructed in 1660 for Marie de Rohan, Duchess of Chevreuse, by the architect Pierre Le Muet, whose designs were engraved by Jean Marot and published in the ''Grand Marot'' in 1686. Le Muet's ''hôtel'' was in the traditional French style, between court and garden. File:L'Architecture française (Marot) BnF RES-V-371 034r-f75 Hôtel de Chevreuse au faubourg Saint-Germain, Plan (adjusted).jpg, Plan of the ground floor File:L'Architecture française (Marot) BnF RES-V-371 035r-f77 Hôtel de Chevreuse au faubourg Saint-Germain, Plan du premier étage (adjusted).jpg, Plan of the main floor File:L'Architecture française (Marot) BnF RES-V-371 037r-f81 Hôtel de Chevreuse au faubourg Saint-Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Louveciennes
The Château de Louveciennes in Louveciennes, in the Yvelines département of France, is composed of the château itself, constructed at the end of the 17th century. It was then expanded and redecorated by Ange-Jacques Gabriel for Madame du Barry in the 18th century, and the music (or reception) pavilion was constructed by Claude Nicolas Ledoux (1770–71). The pavilion sits in the middle of a park that was designed in the 19th century. The Château The château is an approximately cubic construction, of average size and modest appearance, which borders the ''chemin de la Machine'' (n° 6), a favourite subject of the Impressionists Camille Pissarro and Alfred Sisley. History In 1684, Louis XIV ordered the construction of a château in the proximity of an aqueduct built to bring water drawn from the Seine by the Machine de Marly to the Château de Marly. The king gave the building to Baron Arnold de Ville, the engineer of Liège who had conceived the hydraulic installation. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
