Piano Sonata No. 32 (Beethoven)
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Piano Sonata No. 32 (Beethoven)
The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf. The sonata consists of only two contrasting movements. The second movement is marked as an ''arietta'' with variations. Thomas Mann called it "farewell to the sonata form". The work entered the repertoire of leading pianists only in the second half of the 19th century. Rhythmically visionary and technically demanding, it is one of the most discussed of Beethoven's works. History Beethoven conceived of the plan for his final three piano sonatas ( Op. 109, 110 and 111) during the summer of 1820, while he worked on his Missa solemnis. Although the work was only seriously outlined by 1819, the famous first theme of the ''allegro ed appassionato'' was found in a draft book dating from 1801 to 1802, contemporary to hi ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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String Quartet No
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * Strings (1991 film), ''Strings'' (1991 film), a Canadian animated short * Strings (2004 film), ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * Strings (2011 film), ''Strings'' (2011 film), an American dramatic thriller film * Strings (2012 film), ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, r ...
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Beethoven Pf Son 32 Opening
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taugh ...
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19th-Century Music
''19th-Century Music'' is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." The Journal is "interested equally in the music that belongs to the era and in the impact of the era's music on later times, media, and technologies." It is published by University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. Abstracting and indexing The journal is indexed in: *Scopus *Arts and Humanities Citation Index *Current Contents ''Current Contents'' is a rapid alerting service database from Clarivate Analytics, formerly the Institute for Scientific Information and Thomson Reuters. It is published online and in several different printed subject sections. History ''Cur .../Arts & Humanities * EBSCO databases * ProQuest databases References External links * Publications established in 1977 Triannual journals ...
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Seventh Chord
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added to a variety of triads, resulting in many different types of seventh chords. In its earliest usage, the seventh was introduced solely as an embellishing or nonchord tone. The seventh destabilized the triad, and allowed the composer to emphasize movement in a given direction. As time passed and the collective ear of the western world became more accustomed to dissonance, the seventh was allowed to become a part of the chord itself, and in some modern music, jazz in particular, nearly every chord is a seventh chord. Additionally, the general acceptance of equal temperament during the 19th century reduced the dissonance of some earlier forms of sevenths. Classification Most textboo ...
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Beethoven And C Minor
The compositions of Ludwig van Beethoven in the key of C minor carry special significance for many listeners. His works in this key have been said to be powerful and emotive, evoking dark and stormy sentiments. Background During the Classical era, C minor was used infrequently and always for works of a particularly turbulent cast. Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance). Beethoven chose to write a much larger proportion of his works in this key, especially traditionally "salon" (i.e. light and diverting) genres such as sonatas and trios, were a sort of conscious rejection of older aesthetics, valuing the "sublime" and "difficult" above music that is "merely" pleasing to the ear. The key is said to represent for Beethoven a "stormy, heroic tonalit ...
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Anatol Ugorski
Anatol Ugorski (in , born 28 September 1942 in Rubtsovsk, Altai Krai, Soviet Union) is a classical pianist of Russian origin who lives in Germany. Biography Anatol Ugorski was born into a poor background and is the eldest of five children. In 1945 his parents moved to Leningrad where he attended his first school, singing and playing the xylophone. At the age of six he passed selection for the Saint Petersburg Conservatory where he studied until 1960. He was subsequently admitted to the Conservatory of Leningrad in the piano class of Nadezhda Gouloubovskaia with whom he worked until 1965. As a student he attracted attention through the interpretation of avant-garde pieces; abandoning the repertoire traditionally devoted to Russian pianists, he played in the USSR some of the works of controversial Western composers such as Arnold Schönberg (''Pierrot Lunaire''), Alban Berg, Olivier Messiaen and Pierre Boulez, assisted by his wife, musicologist Maja Elik. In 1968, he won third ...
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Valery Afanassiev
Valery Afanassiev (russian: Валерий Павлович Афанасьев, ''Valerij Pavlovič Afanasiev''; born 8 September 1947) is a Russian pianist, writer and conductor. Life Valery Afanassiev was born in Moscow. He studied piano at the Academic Music College and Moscow Conservatory with Emil Gilels and Yakov Zak. He was the winner of the Bach Competition in Leipzig in 1968, as well as 1st prize recipient at the Concours Reine Elisabeth in Brussels in 1971. Shortly after, while touring around Belgium, he decided to seek political asylum, and was eventually granted Belgian citizenship. Afanassiev lives in Versailles. Work and critical reception Afanassiev become widely known in the 1980s due to his musical partnership with Gidon Kremer. Their joint recordings of chamber works by Mozart, Schubert, and Brahms were highly praised. His interpretations of solo piano works by Franz Schubert, Ludwig van Beethoven and the others have aroused controversy on account of Afa ...
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Daniel Barenboim
Daniel Barenboim (; in he, דניאל בארנבוים, born 15 November 1942) is an Argentine-born classical pianist and conductor based in Berlin. He has been since 1992 General Music Director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin. The current general music director of the Berlin State Opera and the Staatskapelle Berlin, Barenboim previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories. Barenboim has received many awards and prizes, including seven Grammy awards, an honorary Knight Commander of the Order of the British Empire, France's Légion d'honneur both as a Commander and Grand Officier, and the German Großes Bundesverdienstkreuz mit Stern ...
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Artur Schnabel
Artur Schnabel (17 April 1882 – 15 August 1951) was an Austrian-American classical pianist, composer and pedagogue. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century's most respected and important pianists, his playing displayed marked vitality, profundity and spirituality in the Austro-German classics, particularly the works of Beethoven and Schubert. Music critic Harold C. Schonberg described Schnabel as "the man who invented Beethoven". Between 1932 and 1935, he produced the first recording of the complete Beethoven piano sonatas. In 2018, the Library of Congress selected this recording to be placed in the National Recording Registry for its historical significance. Life and work Early years Born Aaron Schnabel in Lipnik (Kunzendorf) near Bielsko-Biała, Austro-Hungarian Empire (today a part of Poland), he was the youngest of three children born to Isidor Schnabel, a textile merchant, and hi ...
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Bagatelle (music)
A bagatelle is a short piece of music, typically for the piano, and usually of a light, mellow character. The name bagatelle literally means "a short unpretentious instrumental composition" as a reference to the light style of a piece. Although bagatelles are generally written for solo piano, they have also been written for piano four hands, harpsichord, harp, organ, classical guitar, vibraphone, unaccompanied oboe, clarinet, violin, viola, various chamber-music configurations, orchestra, band, voice and piano, and a cappella choir. Earliest known bagatelle The earliest use of the name "bagatelle" for a musical work was by François Couperin, in his tenth harpsichord ''ordre'' (1717), in which a rondeau is titled "Les bagatelles." Best-known bagatelles The best-known bagatelles are probably those by Ludwig van Beethoven, who published three sets, Op. 33, 119 and 126, and wrote a number of similar works that were unpublished in his lifetime including the piece that is popularly ...
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