|
Photo-Secession
The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular. A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 20th century, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve his or her subjective vision. The movement helped to raise standards and awareness of art photography. The group is the American counterpart to the Linked Ring, an invitation-only British group which seceded from the Royal Photographic Society. Context and history The group was formed in 1902 after Stieglitz was asked by the National Arts Club to put together an exhibition of the best in contemporary American photography. While organizing the show, Stieglitz had a disagreement with some of the more conservative members of the Club about which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Stieglitz
Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. Early life and education Stieglitz was born in Hoboken, New Jersey, the first son of German Jewish immigrants Edward Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922). His father was a lieutenant in the Union Army and worked as a wool merchant. He had five siblings, Flora (1865–1890), twins Julius (1867–1937) and Leopold (1867–1956), Agnes (1869–1952) and Selma (1871–1957). Alfred Stieglitz, seeing the close relationship of the twins, wished he had a soul mate of his own during his childhood. Stieglitz attended Charlier I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Hudson White
Clarence Hudson White (April 8, 1871 – July 8, 1925) was an American photographer, teacher and a founding member of the Photo-Secession movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America. After visiting the World's Columbian Exposition in Chicago in 1893, he took up photography. Although he was completely self-taught in the medium, within a few years he was internationally known for his pictorial photographs that captured the spirit and sentimentality of America in the early twentieth century. As he became well known for his images, White was sought out by other photographers who often traveled to Ohio to learn from him. He became friends with Alfred Stieglitz and helped advance the cause of photography as a true art form. In 1906 White and his family moved to New York City in order to be closer to Stieglitz and his circle and to further promote his own work. While there he became interested in teaching ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Steichen
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with transforming photography into an art form. His photographs appeared in Alfred Stieglitz's groundbreaking magazine ''Camera Work'' more often than anyone else during its publication run from 1903 to 1917. Stieglitz hailed him as "the greatest photographer that ever lived". As a pioneer of fashion photography, Steichen's gown images for the magazine ''Art et Décoration'' in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines ''Vogue'' and ''Vanity Fair'', while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brotherhood Of The Linked Ring
The Linked Ring (also known as "The Brotherhood of the Linked Ring") was a British photographic society created to propose and defend that photography was just as much an art as it was a science, motivated to propelling photography further into the fine art world. Members dedicated to the craft looked for new techniques that would cause the less knowledgeable to steer away, persuading photographers and enthusiasts to experiment with chemical processes, printing techniques and new styles. Motivation to create the Linked Ring Photography was interpreted in two ways: art photography and science photography. The science of photography requires practice that determines the outcome of the image, whereas the art aspect of photography concerns itself with the aesthetic experience and success of the photograph to the viewer. These differences created a tension in the craft that the Linked Ring sought to change. The group was founded in May 1892 by Henry Peach Robinson, former Photographic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Boughton
Alice Boughton (14 May 1866 – 21 June 1943) was an early 20th-century American photographer known for her photographs of many literary and theatrical figures of her time. She was a Fellow of Alfred Stieglitz's Photo-Secession, a circle of photographers whose artistic efforts succeeded in raising photography to a fine art form. Life Alice Boughton was born in Brooklyn, New York, on 14 May 1866. Her parents were Frances Ayres and William H. Boughton, a lawyer in New York. She studied photography and became a well known portrait photographer in New York by the early 1900s. Outside of her art production she was active in Feminist and Socialist causes utilizing photography as a form of personal expression. Being active in the Feminist scene Alice was a prominent member of the movement known as New Woman. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrude Käsebier
Gertrude Käsebier (née Stanton; May 18, 1852 – October 12, 1934) was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women. Biography Early life (1852–1873) Käsebier was born Gertrude Stanton on May 18, 1852 in Fort Des Moines (now Des Moines, Iowa). Her mother was Muncy Boone Stanton. and her father was John W. Stanton. He transported a saw mill to Golden, Colorado at the start of the Pike's Peak Gold Rush of 1859, and he prospered from the building boom that followed. In 1860, eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year, her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory. Her father died suddenly in 1864 and afterward the family moved to Brooklyn, New York, where her mother, Muncy Boone Stanton, opened a boarding house to support the family. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Devens
Mary Devens (17 May 1857 – 13 March 1920) was an American photographer who was considered one of the ten most prominent pictorial photographers of the early 20th century. She was listed as a founding member of Alfred Stieglitz’s famed Photo-Secession. Life Devens was born on 17 May 1857 in Ware, Massachusetts, the daughter of Arthur Lithgow Devens and Agnes Howard White Devens. She grew up in Cambridge, Massachusetts and developed an interest in photography sometime in early life. She had a strong interest in printing techniques that could be manipulated by the photographer, including ozotype, gum bichromate and platinum printing. She mastered the gum bichomate process so well that she gave a lecture on it to the Cambridge Photographic Club in 1896. At some point before her mid-30s, Devens met Boston photographer F. Holland Day, who influenced her career through encouragement and advocacy of her work. He personally submitted five of her prints to the London Photographic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Eugene
Frank Eugene (19 September 1865 – 16 December 1936) was an American-born photographer who was a founding member of the Photo-Secession and one of the first university-level professors of photography in the world. Early life Eugene was born in New York City as Frank Eugene Smith. His father was Frederick Smith, a German baker who changed his last name from Schmid after moving to America in the late 1850s. His mother was Hermine Selinger Smith, a singer who performed in local German beer halls and theaters. About 1880, Eugene began to photograph for amusement, possibly while he was attending the City College of New York. In 1886, he moved to Munich in order to attend the Bavarian Academy of Fine Arts, where he studied drawing and stage design. Career After graduating from the Bavarian Academy of Fine Arts, he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Watson-Schütze
Eva Watson-Schütze (1867–1935) was an American photographer who was one of the founding members of the Photo-Secession. Life She was born as Eva Lawrence Watson in Jersey City, New Jersey on September 16, 1867. Her parents were Dr. John and Mary Lawrence Watson, whose family had come from Scotland. She was the youngest of four children, but little else is known about her family or early childhood. In 1883, when she was sixteen, she enrolled in the Pennsylvania Academy of the Fine Arts in Philadelphia, where she studied under well-known painter and photographer Thomas Eakins. Her interests at that time were watercolor and oil painting, and it’s unknown if she took any interests in Eakins’ photography. Around the 1890s Watson began to develop a passion for photography, and soon she decided to make it her career. Between 1894 and 1896 she shared a photographic studio with Amelia Van Buren, another Academy alumna, in Philadelphia, and the following year she opened her own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Maurer
Oscar Maurer (17 July 1870–9 June 1965) was a nationally recognized Pictorialist photographer based in California. His photographs appeared in ''Camera Work'', ''Camera Craft'', '' The Camera,'' and other photography journals. His studio in Berkeley, designed by Bernard Maybeck and built in 1907, is an architectural landmark. Oscar Maurer was born in New York City and moved with his family to San Francisco in 1886. His uncle, the lithographer Louis Maurer, encouraged him to take up photography as an important new artistic medium. The teenaged Oscar got a box camera, set up a darkroom in the basement, and was soon selling a line of San Francisco scenes to local art stores. He studied chemistry and physics at the University of California but didn’t pursue a scientific career. Between 1891 and 1898, he worked as a salesman for Bass-Hueter Paint Company. By 1897 he had become a member of the California Camera Club. In 1898 Maurer traveled to Mexico, where he made his photograph “ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Brotherhood Of The Linked Ring")
.jpg "Click for more on -> Frank Eugene")
