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Petrushka
Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy, they were soon transformed by the addition of material from the Russian 'lubki' and 'intermedii.' Petrushkas are traditionally marionettes, as well as hand puppets. The character is a kind of a jester distinguished by his red dress, a red '' kolpak'', and often a long nose. Word origin Although the Russian word "petrushka" has a homonym meaning "parsley", in this context the word is actually a hypocoristic (diminutive) for "Pyotr" (Пётр), which is Peter in Russian. Despite this, the character has little or nothing in common with the ''commedia dell'arte'' stock characters of Petruccio or Pierrot, but is instead a Russian version of Punch or Pulcinella. History Pietro-Mira Pedrillo of Italy, the court jester of the Empress Anna Io ...
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Petrushka (ballet)
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ...
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