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Peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together.Ancient Greek Dress ''Heilbrunn Timeline of Art History'', , 2000-2013. Retrieved 7 October 2013. In Latin and in a Roman context, it could be called a '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peplos Kore
The Peplos Kore is one of the most well-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portray a young woman with a stiff posture looking straight forward. Although this statue is one of the most famous examples of a kore, it is actually not considered as typical one. The statue is not completely straight, her face is leaned slightly to the side, and she is standing with her weight shifted to one leg. The other part of the statues name, peplos, is based on the popular archaic Greek gown for women. When the statue was found it was initially thought that she was wearing a peplos, although it is now known that she is not. The high white marble statue was made around 530 BC and originally was colourfully painted. The statue was found, in three pieces, in an 1886 excavation north-west of the Erechtheion on the Acropolis of Athens and is now in the Acropolis Museum in Athens. The statue stands at approximately high. It is carved from fine grained P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphos Gown
The Delphos gown is a finely pleated silk dress first created in about 1907 by French designer Henriette Negrin and her husband, Mariano Fortuny y Madrazo (1871–1949). They produced the gowns until about 1950. It was inspired by, and named after, a classical Greek statue, the ''Charioteer of Delphi''. Since the 1970s, these gowns have been desirable and collectable pieces of vintage clothing, with one selling for a world record price of $10,000 in December 2001. History Working out of a 13th-century Venetian palazzo, Fortuny, a Spanish-born artist turned textile designer, produced garments that the novelist Marcel Proust declared "faithfully antique but markedly original". The "Delphos" was a deliberate reference to the chiton of ancient Greece and meant to be worn without undergarments, since the chiton was itself a form of underwear, a radical suggestion during the early years of the 20th century. Fortuny became famous for his pleated dresses, the "Delphos" and the relat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalceia
The Chalkeia festival (also spelled Chalceia), the festival of Bronze-workers, was a religious festival devoted to the goddess Athena and the god Hephaestus. It was celebrated on the last day of Pyanepsion (October or November in the Attic calendar). The festival celebrated Athena and Hephaestus, in honor of both gods as patron deities of Athens, and as deities of handicrafts.Erika Simon, Festivals of Attica, pg. 38-39, University of Wisconsin Press. 1983 Each year, preparations were begun for a specialized peplos (a robed garment worn by Greek women), which was made to be offered to the goddess at another festival, the Panathenaea. Traditions Though Hephaestus was involved, the festival's main focus was Athena, specifically under the epithet Athena Hephaistia and Athena Ergane. The offerings recorded for each day were always for Athena, not her male counterpart. Also, the main focus of the festival (the sacred peplos) was for Athena, while Hephaestus wasn't given any gifts. 'At ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaea
The Panathenaea (or Panathenaia) was a multi-day ancient Greek festival held annually in Athens that would always conclude on 28 Hekatombaion, the first month of the Attic calendar.Shear, Julia L. “Hadrian, the Panathenaia, and the Athenian Calendar.” ''Zeitschrift Für Papyrologie Und Epigraphik'' 180 (2012): 159. http://www.jstor.org/stable/41616930. The main purpose of the festival was for Athenians and non-Athenians to celebrate the goddess Athena. Every four years, the festival was celebrated in a larger manner over a longer time period with increased festivities and was known as the Great (or Greater) Panathenaea. In the years that the festival occurred that were not considered the Great Panathenaea, the festival was known as the Lesser Panathenaea. The festival consisted of various competitions and ceremonies, culminating with a religious procession that ended in the Acropolis of Athens.Shear, Julia L. Serving Athena: The Festival of the Panathenaia and the Construction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Polias
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clothing In The Ancient World
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society. The development of attire and fashion is an exclusively human characteristic and is a feature of most human societies. Clothing made of materials such as animal skins and vegetation was initially used by early humans to protect their bodies from the elements. The usage of clothing and textiles across the ages reflects the varying development of civilizations and technologies. Sources available for the study of clothing and textiles include material remains discovered via archaeology; representation of textiles and their manufacture in art; and documents concerning the manufacture, acquisition, use, and trade of fabrics, tools, and finished garments. Ancient Egyptian clothing Textile materials ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clothing In Ancient Greece
Clothing in ancient Greece primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment ( : chitōn or : péplos) and a cloak ( : himátion or : chlamýs). Ancient Greek clothing was mainly based on necessity, function, materials, and protection rather than identity. Thus, clothes were quite simple, draped, loose-fitting and free-flowing. Customarily, clothing was homemade and cut to various lengths of rectangular linen or wool fabric with minimal cutting or sewing, and secured with ornamental clasps or pins, and a belt, or girdle (: zōnē). Pieces were generally interchangeable between men and women.Adkins, Lesley, and Roy Adkins. ''Handbook to Life in Ancient Greece.'' New York: Facts On File, 1997. Print. However, women usually wore their robes to their ankles while men generally wore theirs to their knees depending on the occasion and circumstance. While no clothes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zone (vestment)
The zone ( el, ζώνη, ''zōnē'') is a form of girdle or belt common in the ancient eastern Mediterranean. The term occurs in Homer, for instance, as ( el, ζώνην, ''zonēn'') girdle and can also refer to the waist itself. Classical Greek had a verb ( el, ζώννυσθαι, ''zōnnysthai'') put a girdle around the loins, or "gird one's self." In modern Greek and Church Slavonic the zone or (Поясъ, ''poyas'' - ''belt'') is a liturgical belt worn as a vestment by priests and bishops of the Eastern Orthodox Church, Oriental Orthodox Churches and Eastern Catholic Churches. It is made of brocade with an embroidered or appliquéd cross in the center, with long ribbons at the ends for tying around the waist. It is worn over the sticharion and the epitrachelion and keeps them in place as the priest performs the Divine Liturgy. In this regard it is similar to the cincture of the Roman Catholic Church. The zone is not worn for services when the priest is not fully ves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giants (Greek Mythology)
In Greek and Roman mythology, the Giants, also called Gigantes (Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Gigantomachy (or Gigantomachia), their battle with the Olympian gods. According to Hesiod, the Giants were the offspring of Gaia (Earth), born from the blood that fell when Uranus (Sky) was castrated by his Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites (heavily armed ancient Greek foot soldiers) fully human in form. Later representations (after c. 380 BC) show Gigantes with snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titans, an earlier generation of large and powerful children of Gaia and Uranus. The vanquished Giants were said to be buried under volcanoes and to be the cause of volcanic eruptions and earthquakes. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Clothing
Clothing in ancient Greece primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment ( : chitōn or : péplos) and a cloak ( : himátion or : chlamýs). Ancient Greek clothing was mainly based on necessity, function, materials, and protection rather than identity. Thus, clothes were quite simple, draped, loose-fitting and free-flowing. Customarily, clothing was homemade and cut to various lengths of rectangular linen or wool fabric with minimal cutting or sewing, and secured with ornamental clasps or pins, and a belt, or girdle (: zōnē). Pieces were generally interchangeable between men and women.Adkins, Lesley, and Roy Adkins. ''Handbook to Life in Ancient Greece.'' New York: Facts On File, 1997. Print. However, women usually wore their robes to their ankles while men generally wore theirs to their knees depending on the occasion and circumstance. While no clothes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women In Ancient Sparta
Spartan women were famous in ancient Greece for having more freedom than women elsewhere in the Greek world. To contemporaries outside of Sparta, Spartan women had a reputation for promiscuity and controlling their husbands. Unlike their Athenian counterparts, Spartan women could legally own and inherit property and they were usually better educated. The surviving written sources are limited and largely from a non-Spartan viewpoint. Anton Powell wrote that to say the written sources are "'not without problems'... as an understatement would be hard to beat". Similar to other places in ancient Greece, in Sparta, far more is known about the elites than the lower classes, and ancient sources do not discuss gender in relation to the non-citizens who constituted the majority of the population of the Spartan state. Sources Sparta is one of only three states in ancient Greece, along with Athens and Gortyn, for which any detailed information about the role of women survives. This evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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