Pavle Merkù
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Pavle Merkù
Pavle Merkù () (12 July 1927 – 20 October 2014) was an Italian-Slovene composer, ethnomusicologist, Slovene specialist, and etymologist. Life Merkù was born in Trieste on 12 July 1927. He received a bachelor's degree in Slavic studies at the University of Ljubljana in 1950, and he obtained his doctorate in Rome in 1960. He studied composition in Trieste. As a composer, he primarily wrote chamber music and works for choral ensembles. He wrote the opera ''Kačji pastir'' (The Dragonfly). His professional work involved both music and Slovene studies. In the mid-1960s he started collecting folk songs among ethnic Slovenes living in Italy; this eventually grew into a collection of stories, customs, superstitions, and other folk material that he published in 1976 under the title ''Ljudsko izročilo Slovencev v Italiji'' (Slovene Folk Heritage in Italy). In 2004 he published the book ''1300 primorskih priimkov'' (1,300 Littoral Surnames), which complemented the etymological research ...
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Pavle Merku
Pavle ( Macedonian and sr-cyr, Павле; ka, პავლე) is a Serbian, Macedonian, Croatian and Georgian male given name corresponding to English Paul; the name is of biblical origin (cf. Saint Paul). People known mononymously as Pavle include: * Pavle I, Serbian Patriarch (c. 1526–1541), Serbian Orthodox bishop * Pavle, Serbian Patriarch (1914–2009), Serbian Orthodox Patriarch People with this name include: * Pavle Abramidze (1901–1989), Georgian Soviet general * Pavle Dešpalj (born 1934), Croatian composer and conductor * Pavle Đurišić (1909–1945), Montenegrin Serb Chetnik army commander * Pavle Gregorić (1892–1989), Croatian communist politician * Pavle Ingorokva (1893–1983), Georgian historian * Pavle Ivić (1924–1999), Serbian linguist * Pavle "Paja" Jovanović (1859–1957), Serbian painter * Pavle Jurina (1954–2011), Croatian handball player * Pavle Kalinić (born 1959), Croatian politician and writer * Pavle Karađorđević (1893–1976), ...
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Ethnomusicologists
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance. Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the Second World War. The term ''ethnomusicology'' is said to have been coined by Jaap Kunst from the Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.Seeger, Anthony. 1983. ''Why Suyá Sing''. London: Oxford University Press. pp. xiii-xvii. Dur ...
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