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Paul Boos (répétiteur)
Paul Boos (born June 2, 1958 in Sioux Falls, South Dakota) is an American dancer, ballet master, archivist, and répétiteur. He danced with New York City Ballet from 1977 until 1990 before becoming a guest teacher for the Royal Danish Ballet. In addition to teaching internationally, he is part of a select group of répétiteurs sanctioned by the Balanchine Trust to set the ballets of George Balanchine. Having previously served as Project Associate since 2016, in 2021, Boos was appointed to Director of the Video Archives for the George Balanchine Foundation. Early life and career Boos was born and raised in Sioux Falls, South Dakota. In a variation on the "Billy Elliot story", he started studying dance when his mother enrolled his two sisters in ballet class and was persuaded to sign him up as well. At 15, while attending a dance convention in Chicago, Boos was invited by David Howard to study at the Harkness House on full scholarship. Following that summer intensive, he auditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sioux Falls, South Dakota
Sioux Falls () is the most populous city in the U.S. state of South Dakota and the 130th-most populous city in the United States. It is the county seat of Minnehaha County and also extends into Lincoln County to the south, which continues up to the Iowa state line. As of 2020, Sioux Falls had a population of 192,517, which was estimated in 2022 to have increased to 202,600. The Sioux Falls metro area accounts for more than 30% of the state's population. Chartered in 1856 on the banks of the Big Sioux River, the city is situated in the rolling hills at the junction of interstates 29 and 90. History The history of Sioux Falls revolves around the cascades of the Big Sioux River. The falls were created about 14,000 years ago during the last ice age. The lure of the falls has been a powerful influence. Ho-Chunk, Ioway, Otoe, Missouri, Omaha (and Ponca at the time), Quapaw, Kansa, Osage, Arikira, Dakota, and Cheyenne people inhabited and settled the region previous to Europea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Robbins
Jerome Robbins (born Jerome Wilson Rabinowitz; October 11, 1918 – July 29, 1998) was an American dancer, choreographer, film director, theatre director and producer who worked in classical ballet, on stage, film, and television. Among his numerous stage productions were '' On the Town'', ''Peter Pan'', ''High Button Shoes'', ''The King and I'', ''The Pajama Game'', '' Bells Are Ringing'', ''West Side Story'', ''Gypsy'', and '' Fiddler on the Roof''. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for ''West Side Story'' and a special Academy Honorary Award for his choreographic achievements on film. A documentary about Robbins's life and work, ''Something to Dance About'', featuring excerpts from his journals, archival performance and rehearsal footage, and interviews with Robbins and his colleagues, premiered on PBS in 2009 and won both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Goldberg Variations (ballet)
''The Goldberg Variations'' is a ballet choreographed by Jerome Robbins to Bach's ''Goldberg Variations''. A plotless ballet, it starts with two performers dancing to the Theme, followed by the variations divided into two parts, with variations repeated as Bach had intended in the score. Robbins made the ballet for the New York City Ballet, and premiered on May 27, 1971, at the New York State Theater. Choreography The ballet starts with the Theme, with two dancers in Baroque costumes. It is followed by the variations that are divided in two parts, with two sets of dancers. The variations consist of solos, duets, trios, quartets, quintets, sextets and group numbers. Author Deborah Jowitt wrote this part is "more playful and experimental" It features dancers in jewel tone practice clothes. Jowitt described Part II as "more formal, classical and mature." In Part II, the dancers add bits to their costumes, at first shirts for men, and breeches and short skirts for women, and later tutu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stars And Stripes (ballet)
''Stars and Stripes'' is a neoclassical ballet choreographed by George Balanchine to music by John Philip Sousa, orchestrated by Hershy Kay. The ballet was made as a tribute to the United States, Balanchine's adopted country. It premiered on January 17, 1958, at the City Center of Music and Drama, danced by the New York City Ballet. It is dedicated to Fiorello La Guardia, former mayor of New York City. The ballet had been revived by multiple ballet companies, and at different special occasions. Background and production Choreographer and New York City Ballet co-founder George Balanchine, who was raised in Imperial Russia and worked in Europe during his early career, moved to the United States in 1933 and became an American citizen in 1940. He later conceived the idea of ''Stars and Stripes'', as a tribute to his adopted country. Balanchine chose to use music by John Philip Sousa, who was best known for writing military marches. When asked about the unusual choice of music, Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaconne (ballet)
''Chaconne'' is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to ballet music from Gluck's ''Orfeo ed Euridice'' (Vienna, 1762; Paris, 1774). The premiere took place Wednesday, 22 January 1976 at the New York State Theater, Lincoln Center, with lighting by Ronald Bates; Robert Irving conducted. ''Chaconne'' was danced in practice clothes at its premiere; Karinska's costumes were added in the spring season. The finale to ''Orfeo ed Euridice'' is a ''chaconne'', a dance form built on a short bass phrase and often used by 17th and 18th century opera composers to achieve a festive mood at the end. The choreography was first performed at the Hamburgische Staatsoper in their 1963 production of ''Orpheus und Eurydike'' and somewhat altered in ''Chaconne'', especially that for the principal dancers. Balanchine added the ''pas de deux'' for Suzanne Farrell and Peter Martins to the 1976 ballet and the opening ensemble (to the 1774 '' Dance of the Bles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker (Balanchine)
Choreographer George Balanchine's production of Tchaikovsky's 1892 ballet ''The Nutcracker'' has become the most famous stage production of the ballet performed in the U.S. ( Mikhail Baryshnikov's production is the most famous television version, although it too originated onstage.) It uses the plot of the Alexandre Dumas, ''père'', version of E.T.A. Hoffmann's tale, "The Nutcracker and the Mouse King" (1816). Its premiere took place on February 2, 1954, at City Center, New York, with costumes by Karinska and sets by Horace Armistead. It has been staged in New York every year since 1954, and many other productions throughout the United States either imitate it, or directly use the Balanchine staging. However, although it is often cited as being the production that made the ballet famous in the U.S., it was Willam Christensen's 1944 production for the San Francisco Ballet which first introduced the complete work to the United States. Staging In Balanchine's version, the lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Cares? (ballet)
''Who Cares?'' is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. ''Who Cares?'' premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet. Choreography On ''Who Cares?'', original cast member Karin von Aroldingen described, "You think it's so unlike Balanchine, it's so jazzy. One would think he'd just make a jazz ballet out of it, like everyone else, a dance like Broadway, but he put it on pointe – it's sort of like a tap dance on pointe." The ballet features seventeen songs by Gershwin. The first eight songs are danced by fifteen women and five men. Dance critic Zoe Anderson wrote that this half of the ballet is "staged as a suite of classical dances... with some hoofer steps and showgirl poses." The second half of the ballet focuses on three women and a man. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Temperaments (ballet)
''The Four Temperaments'' or Theme and Four Variations (''The Four Temperaments'') is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments. The music was premiered in Switzerland by the Stadtorchester Winterthur under the direction of Hermann Scherchen on March 10, 1943. However, Balanchine created the choreography a few years later. The ballet, ''The Four Temperaments'' was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was later acknowledged as a "masterpiece," and was reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Midsummer Night's Dream (ballet)
''A Midsummer Night's Dream'' is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. History ''A Midsummer Night's Dream'', Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens. Description In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to ''Athalie'', '' Son and Stranger'', and ''The Fair Melusine'', the "String Symphony No. 9 in C minor" and '' The First Walpurgis Night''. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi Malgré Lui
''Le roi malgré lui'' (''King in Spite of Himself'' or ''The reluctant king'') is an opéra-comique in three acts by Emmanuel Chabrier of 1887 with an original libretto by Emile de Najac and Paul Burani. The opera is revived occasionally, but has not yet found a place in repertory. Eric Blom wrote that the tragic fate of the opera was to be written a quarter of a century too soon.Blom, Eric. ''Stepchildren of Music''. G T Foulis & Company Ltd, London, 1923. XVI. The Tragedy of a Comic Opera, p173-179. However, the music has been greatly admired by composers including d'Indy, Ravel and Stravinsky. Composition history Around May 1883 Chabrier wrote to his publishers that for his next stage work he was hoping to create something like Offenbach's successful 'grand fantaisie' ''Le roi Carotte''. According to Victorin de Joncières, Chabrier had confided to him that he was looking for an amusing book to set. Joncières had been sent ''Le roi malgré lui'', an old vaudeville of 1836 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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