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Patrick Fournillier
Patrick Fournillier (born 26 December 1954 in Neuilly-sur-Seine) is a French people, French Conducting, conductor, particularly associated with opera and with the works of Jules Massenet. He studied in Paris with Louis Fourestier and Pierre Dervaux, then in Strasbourg Conservatoire and Salzburg Mozarteum. Between 1983 and 1986 he was assistant conductor in l'Orchestre National de Lille, then become Artistic Director there. Since 1988 he is Music Director of the Nouvel Orchestre de Saint-Étienne and, since 1990, co-founder and Music Director of Massenet Festival at Saint Étienne, bringing many and the most neglected operatic and vocal works of Jules Massenet back to light again. He was a recipient of many international rewards and prizes of conducting, including such as: the Hans Haring First International Prize (Salzburg 1982); Second Prize in the International Besançon Competition for Young Conductors in 1984; Václav Talich Competition Prague, Prize Winner in 1985; and Second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Fournillier
Patrick Fournillier (born 26 December 1954 in Neuilly-sur-Seine) is a French people, French Conducting, conductor, particularly associated with opera and with the works of Jules Massenet. He studied in Paris with Louis Fourestier and Pierre Dervaux, then in Strasbourg Conservatoire and Salzburg Mozarteum. Between 1983 and 1986 he was assistant conductor in l'Orchestre National de Lille, then become Artistic Director there. Since 1988 he is Music Director of the Nouvel Orchestre de Saint-Étienne and, since 1990, co-founder and Music Director of Massenet Festival at Saint Étienne, bringing many and the most neglected operatic and vocal works of Jules Massenet back to light again. He was a recipient of many international rewards and prizes of conducting, including such as: the Hans Haring First International Prize (Salzburg 1982); Second Prize in the International Besançon Competition for Young Conductors in 1984; Václav Talich Competition Prague, Prize Winner in 1985; and Second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katowice
Katowice ( , , ; szl, Katowicy; german: Kattowitz, yi, קאַטעוויץ, Kattevitz) is the capital city of the Silesian Voivodeship in southern Poland and the central city of the Upper Silesian metropolitan area. It is the 11th most populous city in Poland, while its urban area is the most populous in the country and one of the most populous in the European Union. Katowice has a population of 286,960 according to a 31 December 2021 estimate. Katowice is a central part of the Metropolis GZM, with a population of 2.3 million, and a part of a larger Upper Silesian metropolitan area that extends into the Czech Republic and has a population of 5-5.3 million people."''Study on Urban Functions (Project 1.4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Seven Wind Instruments, Timpani, Percussion, And String Orchestra
Concerto for seven wind instruments, timpani, percussion, and string orchestra (published as ''Concerto pour sept instruments à vent, timbales, batterie et orchestre à cordes'') is a composition by the Swiss composer Frank Martin. Composed in 1949 for the Bern Musikgesellschaft, the first movement, ''Allegro'', opens with the string players only, with the percussion only gradually coming to the forefront. The haunting second movement ''Adagietto'' is marked "mysterious and elegant", and is hallmarked by an ostinato figure on the strings, initially pizzicato before being taken up by the ensemble. Martin himself characterised the slow movement as being: based entirely on a steady two-time beat, which serves as an accompaniment to the melodic elements: sometimes serene, sometimes dark and violent. A lyrical phrase first heard in the bassoon's upper register is repeated by the trombone with a gentle nobility at the conclusion. The conductor Ernest Ansermet remarked that this move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisélidis
''Grisélidis'' is an opera (described as a ' conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished. Massenet began composition in 1894, completing it by the end of that year, but revising it in the autumn 1898 prior to discussing a potential production with Albert Carré. It was first performed at the Opéra-Comique in Paris on 20 November 1901, with Lucienne Bréval in the title role. The piece achieved 50 performances in the first six months at the Opéra-Comique, was withdrawn from the repertory in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sapho (Gounod)
''Sapho'' is a 3-act opera by Charles Gounod to a libretto by Émile Augier which was premiered by the Paris Opera at the Salle Le Peletier on 16 April 1851. It was presented only 9 times in its initial production, Lajarte 1878p. 208 but was a ''succès d'estime'' for the young composer, with the critics praising Act 3 in particular.Huebner 1992, p. 176. It was later revived in 2-act (1858) and 4-act (1884) versions, achieving a total of 48 performances.Wolff 1962, pp. 198–199. Background The impetus for the composition of Gounod's first opera, and its acceptance for performance at France's premiere opera house, was primarily due to the influence of Pauline Viardot, who met the young composer in January or February 1850, shortly after her triumph there in Meyerbeer's ''Le prophète''.Huebner 1990, p. 26. In his memoirs Gounod relates that the violinist François Seghers, who at that time was the leader of the Concerts de la Société Sainte-Cécile on the Rue Chaussée-d'Antin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esclarmonde
''Esclarmonde'' () is an opéra (french: opéra romanesque) in four acts and eight tableaux, with prologue and epilogue, by Jules Massenet, to a French libretto by Alfred Blau and Louis Ferdinand de Gramont. It was first performed at the Exposition Universelle on 15 May 1889 by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris. ''Esclarmonde'' is perhaps Massenet's most ambitious work for the stage and is his most ''Wagnerian'' in style and scope. In orchestral coloring and structure of melody, however, it follows French traditions. The opera has been revived sporadically in the modern era, most notably during the 1970s with Joan Sutherland, conducted by Massenet champion Richard Bonynge. The role of Esclarmonde is notoriously difficult to sing, with stratospheric coloratura passages that are possible for only the most gifted of performers. Background The story of the opera is based on the medieval chivalric tale '' Parthénopéus de Blois'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vierge
''La Vierge'' is an oratorio (''légende sacrée'') in four scenes by Jules Massenet to a French libretto by Charles Grandmougin. It was first performed at the Opéra in Paris on May 22, 1880. The oratorio is a recounting of the story of the Virgin Mary from the Annunciation to her death. In the first scene, Mary is visited by the Angel Gabriel In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብር� ... and told that she will bear a son, Jesus. The second scene takes place at the Marriage at Cana where Jesus turns water to wine, and the third on Good Friday when Jesus is crucified. The fourth scene relates the Assumption of Mary, Assumption of Mary into heaven. Although never popular as a whole, the orchestral piece "Le dernier sommeil de la vierge" (''The Last Sleep of the Virgin'') re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon Lescaut (Auber)
''Manon Lescaut'' is an opera or opéra comique in three acts by Daniel Auber to a libretto by Eugène Scribe, and, like Puccini's ''Manon Lescaut'' and Massenet's '' Manon'', is based on the Abbé Prévost's novel ''Manon Lescaut'' (1731). Auber's version is nowadays the least-performed of the three. Performance history The opera was premiered on 23 February 1856 by the Opéra-Comique at the second Salle Favart in Paris. It was the first work to be staged by that company that did not have a happy ending. It was staged in Liège in 1875, revived at the Opéra-Comique in 1882,Loewenberg, col. 920 and regularly performed in Germany as well as France. However, since the dawn of the twentieth century stagings have become something of a rarity. In North America, the opera was performed in 2006 by the Lyric Opera of Los Angeles at the Los Angeles Theatre. In 1990, it was staged at the Opéra Comique de Paris with the Picardy Sinfonietta in Amiens conducted by Patrick Fournill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cléopâtre
''Cléopâtre'' is an opera in four acts by Jules Massenet to a French libretto by Louis Payen. It was first performed at the Opéra de Monte-Carlo on 23 February 1914, nearly two years after Massenet's death. ''Cléopâtre'' is one of three operas by Massenet to be premiered posthumously; the others are ''Panurge (opera), Panurge'' (1913) and ''Amadis (Massenet), Amadis'' (1922). The piece has seen limited revival since its premiere and has a modest modern recording history. Performance history Though the opera was written for the mezzo Lucy Arbell, the role of Cléopâtre was created by the soprano Maria Nikolaevna Kuznetsova. The Chicago Opera Association presented the first American performance on 10 January 1916 with Kuznetsova. The first New York City, New York performance was on 23 January 1919 with Mary Garden. It was revived at the Massenet Festival in Saint-Étienne in 1990 with Kathryn Harries in the title role. This production yielded a live recording (''Koch Schwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadis (Massenet)
''Amadis'' is an opera in three acts with prologue by Jules Massenet to a French libretto by Jules Arsène Arnaud Claretie, Jules Claretie based on the Spanish knight-errantry romance ''Amadis de Gaula'', originally of Portugal, Portuguese origin, by Garci Rodríguez de Montalvo. It was first performed at the Opéra de Monte-Carlo on 1 April 1922, nearly ten years after Massenet's death. Massenet had started to compose the piece in 1895 but shelved it and completed it clandestinely in the last years of his life. ''Amadis'' is one of three operas by Massenet to have been premiered posthumously; the others are ''Panurge (opera), Panurge'' (1913) and ''Cléopâtre'' (1914). ''Amadis'' has gained no lasting popularity but was revived (and recorded on the Koch Swann label) during the Massenet Festival in Saint-Étienne, France in 1988. Roles Synopsis The story takes place in ancient Brittany and concerns the brothers Amadis de Gaula, Amadis and Galaor, separated at birth. Amadis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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