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Palazzo Carpegna
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guercino
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenichino
Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Life Domenichino was born in Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including ''A Virgin with a Unicorn'' (c. 1604–05), he painted three of his own frescoes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Massei
Girolamo Massei (c. 1530 – c. 1614) was an Italian Mannerist painter active mostly in Rome. Born in Lucca, Massei moved to Rome as a young man. Massei was one of the large team of painters engaged during the papacy of Gregory XIII in painting the ceiling of the Galleria Geografica. He also painted frescoes of the ''Life and Miracles of San Francis of Paola'' for the cloister of Trinità dei Monti in the Pincio. He painted an oil altarpiece for the chapel of the Compagnia del Carmine in the church of San Martino ai Monti. He painted an altarpiece with ''St Sebastian with Saints'' for the church of San Luigi de' Francesi. He painted life of ''Galla'' for Santa Maria in Portico. He painted a Virgin with Child and Saints in oil for Sant'Andrea delle Fratte. He painted a ''Jesus before Caiphas'' for Santa Prassede The Basilica of Saint Praxedes ( la, Basilica Sanctae Praxedis, it, Basilica di Santa Prassede all’Esquillino), commonly known in Italian as Santa Prassede, is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalier D'Arpino
Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome. Biography Cesari's father, Muzio Cesari, had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Luigi Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline.) Cesari's first major work, done in his twenties, was the painting of the right counterfacade of San Lorenzo in Damaso, completed from 1588 to 1589. On 28 June 1589, he received the commission for the murals of the choir vault in the Certosa di San M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flaminio Vacca
Flaminio Vacca or Vacchi (Caravaggio or Rome, 1538 – Rome, 1605) was an Italian sculptor. Biography His sculptural work can be seen in Rome in the grandiose funeral chapel of Pope Pius V designed by Domenico Fontana at the Basilica di Santa Maria Maggiore (''Saint Francis''), in the Church of the Gesù (one of four marble angels in the third chapel on the right) and in the right transept of the Chiesa Nuova (''Saint John the Evangelist'' and ''Saint John the Baptist'', both signed). At the notoriously awkward fountain that marked the terminus of the Acqua Felice, Vacca contributed one of the angels (documented 1588–89,) supporting Sixtus V's coat-of-arms that crown the attic, and a bas-relief ''Joshua Leading His People across the Jordan River''; in these commissions for the fountain his partner in the documented payments was Pietro Paolo Olivieri. His self-portrait (1599) is conserved in the ''Protomoteca Capitolina'' on the Campidoglio. At the Villa Medici the two m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durante Alberti
Durante Alberti (c. 1556 – 1623) was an Italian painter of the late-Renaissance period. He was born in Borgo San Sepolcro. He was active mainly in his native town and Rome, where he arrived during the papacy of Gregory XIII. He was also called ''Durante del Nero''. His father was Romano Alberti. His son Pierfrancesco was also a painter and engraver. His brother, Cosimo, was a sculptor, engraver, and painter who died in Rome in 1580. His daughter Chiara was a painter. He was related to the sculptor Alberto, and the painters Alessandro, Giovanni, and Cherubino Alberti. He is said to have collaborated with Leonardo Cugni, also from San Sepolcro. He painted for the church of San Girolamo della Carità, one of the chapels in fresco and an altar-piece in oil, representing the ''Virgin and child with Saints Bartolomeo and Alessandro''. For Santa Maria dei Monti, he painted an ''Annunciation''. He also painted the 'Martyr's Painting' in the Main Chapel of the Venerable English Colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Nebbia
Cesare Nebbia (c.1536–c.1614) was an Italian painter from Orvieto who painted in a Mannerism, Mannerist style. Biography Nebbia was born in Orvieto. He trained with Girolamo Muziano, and under this master, he helped complete a flurry of decoration that was added to the Cathedral of Orvieto in the 1560s. Almost all the remaining work in Orvieto is now in the Museo del Duomo. Nebbia and Muziano became active in many of the premier projects in late 16th-century Rome. Along with Muziano's other assistant, Giovanni Guerra, they decorated the ''Gregorian Chapel'' in the St Peter's Basilica during the pontificate of Gregory XIII (1572–1585). Other Mannerist painters that were involved in this enterprise were Taddeo Zuccari, Taddeo and Federico Zuccari, Niccolò Circignani, and Hendrick van den Broeck (known as ''Arrigo Fiammingo''). The fresco decorations in ''Palazzo Simonelli'' in Torre San Severo (near Orvieto) have been attributed to Nebbia. In 1576, he painted a ''Resurrec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni De Vecchi
Giovanni de' Vecchi (1536, Sansepolcro – 1614) was an Italian painter of the Renaissance period. Born in Borgo San Sepolcro, He first apprenticed with the painter Raffaello del Colle, then with Taddeo Zuccari, whom he assisted in the interior decoration of the Villa Farnese at Caprarola, a major work in the Mannerist aesthetics. He also has paintings of the ''Life of St. Jerome'' in Ara Coeli which he painted for the Delfin family, and in In the cupola of the Gesu, he painted the ''four doctors of the church (Gregory, Ambrose, Jerome, and Augustine)''. The mosaics for the tribune of St. Peter's basilica with St. John and St. Luke are based on his cartoons. He also contributed to the frescoes in the Roman Oratorio del Santissimo Crocifisso. One of his pupils was Cesare Torelli Cesare Torelli Romano was an Italian painter. He was born in Rome, and a pupil of Giovanni de' Vecchi. He flourished in the pontificate of Paul V, and was employed both as a painter and a mosa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommaso Laureti
Tommaso Laureti, often called Tommaso Laureti Siciliano (c. 1530 — 22 September 1602), was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism. Biography Laureti was born in Palermo, Sicily. After his first master's death in 1547, he settled in Bologna, introducing illusionistic perspective paintings on ceilings to the city, notably an ''Alexander the Great'' ceiling with a painted architectural setting in Palazzo Vizzani. He painted a ''Transportation of the Body of Saint Augustine'' for the church of San Giacomo Maggiore in Bologna. The Mannerist structural elements of the marble and bronze ''Fountain of Neptune'' in Bologna, which is surmounted by Giambologna's ''Neptune'', completed in 1566, were based on a 1563 drawing by Lauret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Benefial
Marco Benefial (25 April 1684 – 9 April 1764) "Marco Benefial (Getty Museum)" (history), The Getty Museum, 2006, webpage: GM-Benefial. was an Italian, proto- Neoclassical painter, mainly active in Rome. Benefial is best known for his repudiation of 18th century decorative Rococo styles pre-eminent in the Rome dominated by Carlo Maratta pupils. His paintings portrayed tangible human figures, with complex treatment of space, and luminous, warm colors. Along with the altarpieces and frescoes, he also painted many portraits. Because he partnered with some inferior artists who subsequently received credit, some of his paintings have been frequently misidentified. Life and work Marco Benefial was born in Rome in 1684, and died there in 1764. ''Rest of the Holy Family'' Musée des Beaux-Arts Carcassonne When at the age of 19 years, one of his paintings, an altarpiece with ''Apotheosis of San Filippo Neri'', was rejected for exhibition at the yearly Pantheon show in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboccianti
The ''Bamboccianti'' were genre painters active in Rome from about 1625 until the end of the seventeenth century. Most were Dutch and Flemish artists who brought existing traditions of depicting peasant subjects from sixteenth-century Netherlandish art with them to Italy, and generally created small cabinet paintings or etchings of the everyday life of the lower classes in Rome and its countryside.Haskell, pp. 132–134. Typical subjects include food and beverage sellers, farmers and milkmaids at work, soldiers at rest and play, and beggars, or, as Salvator Rosa lamented in the mid-seventeenth century, "rogues, cheats, pickpockets, bands of drunks and gluttons, scabby tobacconists, barbers, and other 'sordid' subjects."Levine, p. 569. Despite their lowly subject matter, the works found appreciation among elite collectors and fetched high prices. Artists Many of the artists associated with the Bamboccianti were members of the '' Bentvueghels'' (Dutch for 'birds of a feather'), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
