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POW-R
POW-R (Psychoacoustically Optimized Wordlength Reduction) is a set of commercial dithering and noise shaping algorithms used in digital audio bit-depth reduction. Developed by a consortium of four companies – ''The POW-R Consortium'' – the algorithms were first made available in 1999 in digital audio hardware products. POW-R is now licensed for use by many companies, particularly those in the digital audio workstation (DAW) arena, where it currently has significant market share. History POW-R was developed between 1997 and 1998 after an unfavorable change in the licensing terms of a leading bit-depth reduction algorithm of the time prompted some of its licensees to put together a consortium to develop a viable alternative algorithm. Formed by four audio engineering companies: Lake Technology (Dolby Labs), Weiss Engineering, Millennia Media and Z-Systems, the consortium set out with the goal to create 'the most sonically transparent dithering algorithm possible'. In 1999, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limited Liability Company
A limited liability company (LLC for short) is the US-specific form of a private limited company. It is a business structure that can combine the pass-through taxation of a partnership or sole proprietorship with the limited liability of a corporation. An LLC is not a corporation under state law; it is a legal form of a company that provides limited liability to its owners in many jurisdictions. LLCs are well known for the flexibility that they provide to business owners; depending on the situation, an LLC may elect to use corporate tax rules instead of being treated as a partnership, and, under certain circumstances, LLCs may be organized as not-for-profit. In certain U.S. states (for example, Texas), businesses that provide professional services requiring a state professional license, such as legal or medical services, may not be allowed to form an LLC but may be required to form a similar entity called a professional limited liability company (PLLC). An LLC is a hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digidesign
Avid Audio (formerly Digidesign) is an American digital audio technology company. It was founded in 1984 by Peter Gotcher and Evan Brooks. The company began as a project to raise money for the founders' band, selling EPROM chips for drum machines. It is a subsidiary of Avid Technology, and during 2010 the Digidesign brand was phased out. Avid Audio products will continue to be produced and will now carry the Avid brand name. Products Digidesign's flagship software product was Pro Tools, which came in three variants: Pro Tools, HD, Pro Tools LE, and Pro Tools M-Powered. Pro Tools, HD required a Digidesign TDM system and interface, and was intended for professional recording studios. Pro Tools LE was a complete package intended for home users and some post-production facilities. The package included the Pro Tools LE software and hardware such as the M-Box 2 or Digi 003. Pro Tools M-Powered was simply the Pro Tools application adapted to run on M-Audio hardware, and gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Shaping
Noise shaping is a technique typically used in digital audio, image, and video processing, usually in combination with dithering, as part of the process of quantization or bit-depth reduction of a digital signal. Its purpose is to increase the apparent signal-to-noise ratio of the resultant signal. It does this by altering the spectral shape of the error that is introduced by dithering and quantization; such that the noise power is at a lower level in frequency bands at which noise is considered to be less desirable and at a correspondingly higher level in bands where it is considered to be more desirable. A popular noise shaping algorithm used in image processing is known as ‘ Floyd Steinberg dithering’; and many noise shaping algorithms used in audio processing are based on an ‘Absolute threshold of hearing’ model. Operation Noise shaping works by putting the quantization error in a feedback loop. Any feedback loop functions as a filter, so by creating a feedback ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Filter
An audio filter is a frequency dependent circuit, working in the audio frequency range, 0 Hz to 20 kHz. Audio filters can amplify (boost), pass or attenuate (cut) some frequency ranges. Many types of filters exist for different audio applications including hi-fi stereo systems, musical synthesizers, effects units, sound reinforcement systems, instrument amplifiers and virtual reality systems. Types ;Low-pass : Low-pass filters pass through frequencies below their cutoff frequencies, and progressively attenuates frequencies above the cutoff frequency. Low-pass filters are used in audio crossovers to remove high-frequency content from signals being sent to a low-frequency subwoofer system. ;High-pass :A high-pass filter does the opposite, passing high frequencies above the cutoff frequency, and progressively attenuating frequencies below the cutoff frequency. A high-pass filter can be used in an audio crossover to remove low-frequency content from a signal being se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency Response
In signal processing and electronics, the frequency response of a system is the quantitative measure of the magnitude and phase of the output as a function of input frequency. The frequency response is widely used in the design and analysis of systems, such as audio and control systems, where they simplify mathematical analysis by converting governing differential equations into algebraic equations. In an audio system, it may be used to minimize audible distortion by designing components (such as microphones, amplifiers and loudspeakers) so that the overall response is as flat (uniform) as possible across the system's bandwidth. In control systems, such as a vehicle's cruise control, it may be used to assess system stability, often through the use of Bode plots. Systems with a specific frequency response can be designed using analog and digital filters. The frequency response characterizes systems in the frequency domain, just as the impulse response characterizes systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Music
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employed in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoken Word
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound. History Spoken word has existed for many years; long before writing, through a cycle of practicing, listening and memorizing, each language drew on its resources of sound structure for aural patterns that made spoken poetry very different from ordinary discourse and easier to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic Range
Dynamic range (abbreviated DR, DNR, or DYR) is the ratio between the largest and smallest values that a certain quantity can assume. It is often used in the context of signals, like sound and light. It is measured either as a ratio or as a base-10 ( decibel) or base-2 (doublings, bits or stops) logarithmic value of the difference between the smallest and largest signal values. Electronically reproduced audio and video is often processed to fit the original material with a wide dynamic range into a narrower recorded dynamic range that can more easily be stored and reproduced; this processing is called dynamic range compression. Human perception The human senses of sight and hearing have a relatively high dynamic range. However, a human cannot perform these feats of perception at both extremes of the scale at the same time. The human eye takes time to adjust to different light levels, and its dynamic range in a given scene is actually quite limited due to optical glare. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Threshold Of Hearing
The absolute threshold of hearing (ATH) is the minimum sound level of a pure tone that an average human ear with normal hearing can hear with no other sound present. The absolute threshold relates to the sound that can just be heard by the organism.Durrant J D., Lovrinic J H. 1984. ''Bases of Hearing Sciences''. Second Edition. United States of America: Williams & WilkinsGelfand S A., 2004. ''Hearing an Introduction to Psychological and Physiological Acoustics''. Fourth edition. United States of America: Marcel Dekker The absolute threshold is not a discrete point, and is therefore classed as the point at which a sound elicits a response a specified percentage of the time. This is also known as the auditory threshold. The threshold of hearing is generally reported as the RMS sound pressure of 20 micropascals, i.e. 0 dB SPL, corresponding to a sound intensity of 0.98 pW/m2 at 1 atmosphere and 25 °C. It is approximately the quietest sound a young human with undama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Katz
Bob Katz is an American audio mastering engineer and author of a popular book on audio mastering. Katz has mastered three Grammy Award–winning albums and one nominated album. Projects he has worked on have received Grammys and acclaim from audiophiles, and his book on mastering is considered by some to be the "definitive work on mastering". Career Katz taught at the Institute of Audio Research from 1978 to 1979. In 1988, Katz joined Chesky Records and began recording jazz and classical artists there, as well as producing oversampled commercial recordings. In 1990, he founded an audio-mastering company called Digital Domain Mastering, where he continues to work. In early 2015, Katz began a regular blog, Katz's Corner, on the headphone enthusiast site InnerFidelity. Grammy Award–winning albums Grammy Award–winning albums mastered by Bob Katz: * 1985: Ben Kingsley, ''The Words of Gandhi'' * 1997: Paquito D'Rivera, ''Portraits of Cuba'' * 2001: Olga Tañón, ''Olga Viva, Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonic Studio
Sonic Studio is an American company manufacturing digital audio production tools for engineering professionals. The company was created when Sonic Solutions divested itself of its audio product lines in order to concentrate on DVD and multimedia–oriented products. History Overview Under the auspices of Sonic Solutions, the Sonic Studio audio workstation has driven the professional production and delivery of commercial Compact Discs. The original “Sonic System” pioneered the desktop delivery of Red Book masters on recordable CD, in the same way that the original Macintosh and LaserWriter spawned the desktop publishing revolution. Prior to the introduction of the Sonic System, Compact Disc were assembled and premastered using bulky, expensive and unreliable U-matic videotape–based systems. Early years The Sonic System began life as research into real–time, computer–based audio production. The Audio Signal Processor (or ASP) hardware–based audio signal proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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