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Préludes (Chopin)
Frédéric Chopin wrote a number of preludes for piano solo. His cycle of 24 Preludes, Op. 28, covers all major and minor keys. In addition, Chopin wrote three other preludes: a prelude in C minor, Op. 45; a piece in A major from 1834; and an unfinished piece in E minor. These are sometimes referred to as Nos. 25, 26, and 27, respectively. 24 Preludes, Op. 28 Chopin's 24 Preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, mostly in Paris, but partially at Valldemossa, Mallorca, where he spent the winter of 1838–39 and where he, George Sand, and her children went to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's ''The Well-Tempered Clavier'', and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. Most of his préludes were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full Page, Chopin Prelude 15
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Full may refer to: * People with the surname Full, including: ** Mr. Full (given name unknown), acting Governor of German Cameroon, 1913 to 1914 * A property in the mathematical field of topology; see Full set * A property of functors in the mathematical field of category theory; see Full and faithful functors * Satiety, the absence of hunger * A standard bed size, see Bed * Full house (poker), a type of poker hand * Fulling, also known as tucking or walking ("waulking" in Scotland), term for a step in woollen clothmaking (verb: ''to full'') * Full-Reuenthal, a municipality in the district of Zurzach in the canton of Aargau in Switzerland See also *"Fullest", a song by the rapper Cupcakke *Ful (other) Ful or FUL may refer to: * Fula language * Fula people * Ful medames, a fava bean dish of Sudan and Egypt * Fullerton Municipal Airport, California, United States; IATA code FUL * Fullerton Transportation Center The Fullerton Transportation Ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Taruskin
Richard Filler Taruskin (April 2, 1945 – July 1, 2022) was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including ''The New York Times''. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume '' Oxford History of Western Music''. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano in the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk Hummel
Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Wolfgang Amadeus Mozart, Antonio Salieri, and Joseph Haydn. Hummel significantly influenced later piano music of the nineteenth century, particularly in the works of Frédéric Chopin, Franz Liszt, and Felix Mendelssohn. Life Early life Hummel was born in Pressburg, Kingdom of Hungary (now Bratislava, Slovakia). Unusually for that period, he was an only child. He was named after the Czech patron saint John of Nepomuk. His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. The couple married just four months before his birth. Hummel was a child prodigy. At the age of eight, he was offered music lessons by the classical composer Wolfgang Amadeus Mozart, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian-British composer, virtuoso pianist, pedagogue, conductor (music), conductor, music publisher, editor, and piano manufacturer, who was mostly active in England. Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford (hunter), Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart. Influenced by Domenico Scarlatti's harpsichord school and Joseph Haydn's classical period (music), classical school and by the Galant music, ''stile Galante'' of Johann Christian Bach and Ignazio Cirri, Clementi developed a fluent and technical legato style, which he passed on to a generation of pianists, including John Field (composer), John Field, Johann Baptist C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
