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Précieuses
The ''Précieuses'' ( , i.e. "preciousness") was a 17th-century French literary style and movement. The main features of this style are the refined language of aristocratic salons, periphrases, hyperbole, and puns on the theme of gallant love. The movement was similar to the Italian marinism, Spanish '' culteranismo'', and English euphuism. History The movement arose in the 17th century from the lively conversations and playful word games of ''les précieuses'' (), the intellectual, witty and educated women who frequented the salon of Catherine de Vivonne, marquise de Rambouillet. Her ''Chambre bleue'' (the "blue room" of her ''hôtel particulier'') offered a Parisian refuge from the dangerous political factionalism and coarse manners of the royal court during the regency of Louis XIV. One of the central figures of the salon that gathered at the '' Hôtel de Rambouillet'' was Madeleine de Scudéry. She wrote voluminous romance novels that embodied the refinements of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Précieuses Ridicules
''Les Précieuses ridicules'' (, ''The Absurd Précieuses'' or ''The Affected Ladies'') is a one-act satire by Molière in prose. It takes aim at the ''précieuses'', the ultra-witty ladies who indulged in lively conversations, word games and, in a word, ''préciosité'' (preciousness). It was adapted into a lyric comedy and a film. ''Les Précieuses ridicules'' is a biting comedy of manners that brought Molière and his company to the attention of Parisians, after they had toured the provinces for years. The play received its Paris premiere on 18 November 1659 at the Théâtre du Petit-Bourbon. It seems not to have been staged before that in the provinces. It was highly successful and attracted the patronage of Louis XIV to Molière and company. ''Les Précieuses ridicules'' still plays well today. In the play, a man finds two eligible suitors for his daughter and his niece. The young women reject and ridicule them, because they view them as unrefined. In revenge, the men hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine De Vivonne, Marquise De Rambouillet
Catherine de Vivonne, marquise de Rambouillet ({{IPA, fr, katʁin də vivɔn maʁkiz də ʁɑ̃bujɛ; 1588 – 2 December 1665), known as Madame de Rambouillet ({{IPA, fr, madam də ʁɑ̃bujɛ), was a society hostess and a major figure in the literary history of 17th-century France. {{French literature sidebar Life Born in Rome, she was the daughter and heiress of Jean de Vivonne, marquis of Pisani, and Giulia Savelli, who belonged to a noble Roman family. She was married at the age of twelve to Charles d'Angennes, ''vidame du Mans'', and in 1612, ''marquis de Rambouillet''. They had seven children, two sons and five daughters. The young and witty marquise found the coarseness and intrigues of the French court little to her taste and, in 1620, she began to gather around her the circle that gave its renown to her salon. She and her husband had taken residence in Paris at the Hôtel Pisani, later renamed ''Hôtel de Rambouillet'', and which she restored between 1618 and 1620. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, Tragicomedy, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Rambouillet
The Hôtel de Rambouillet (), formerly the Hôtel de Pisani (), was the Paris residence of Catherine de Vivonne, marquise de Rambouillet, who ran a renowned literary Salon (gathering), salon there from 1620 until 1648. It was situated on the west side of the rue Saint-Thomas-du-Louvre, just north of Marie de Rohan's Hôtel de Chevreuse (rue Saint-Thomas-du-Louvre), Hôtel de Chevreuse, in a former quarter of Paris (demolished during the 19th century), located between the Louvre Palace, Louvre and Tuileries Palace, Tuileries palaces, near the then much smaller Place du Carrousel, in the area of what was to become the Pavillon Turgot of the Louvre Museum. Salon Members of her salon, received in the intimacy of her ''Chambre Bleue'', admitted to the ''ruelle''—the space between her daybed and the wall of the alcove— represented the flower of contemporary French literature, fashion, and wit, including Madame de Sévigné, Marie-Madeleine Pioche de la Vergne, comtesse de la Fay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madeleine De Scudéry
Madeleine de Scudéry (; 15 November 1607 – 2 June 1701), often known simply as Mademoiselle de Scudéry (), was a French writer. Her works demonstrate such comprehensive knowledge of ancient history that it is suspected she had received instruction in Greek and Latin. In 1637, following the death of her uncle, Scudéry established herself in Paris with her brother, Georges de Scudéry, who became a playwright. Madeleine often used her older brother's name, George, to publish her works. She was at once admitted to the Hôtel de Rambouillet coterie of préciosité, and afterwards established a salon of her own under the title of the ''Société du samedi'' (''Saturday Society''). For the last half of the 17th century, under the pseudonym of Sapho or her own name, she was acknowledged as the first bluestocking of France and of the world. She formed a close romantic relationship with Paul Pellisson which was only ended by his death in 1693. She never married. Biography Born a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame D'Aulnoy
Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy (September 1652 – 14 January 1705), also known as Countess d'Aulnoy, was a French author known for her literary fairy tales. Her 1697 collection ''Les Contes des Fées'' (Fairy Tales) coined the literary genre's name and included the first story to feature "Prince Charmant" or Prince Charming. She is considered to have been a member of '' les conteuses'' group of French female authors. Biography D'Aulnoy was born in Barneville-la-Bertran, in Normandy, as a member of the noble family of Le Jumel de Barneville. She was the niece of Marie Bruneau des Loges, the friend of François de Malherbe and of Jean-Louis Guez de Balzac. In 1666, she was given at the age of fifteen (by her father) in an arranged marriage to a Parisian thirty years older— François de la Motte, Baron d'Aulnoy, of the household of the Duke of Vendôme. The baron was a freethinker and a known gambler. In 1669, the Baron d'Aulnoy was accused of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Quinault
Philippe Quinault (; 3 June 1635 – 26 November 1688) was a French dramatist and librettist. Biography Quinault was born in Paris. He was educated by the liberality of François Tristan l'Hermite, the author of ''Marianne''. Quinault's first play was produced at the Hôtel de Bourgogne in 1653, when he was only eighteen. The piece succeeded, and Quinault followed it up, but he also read for the bar; and in 1660, when he married a widow with money, he bought himself a place in the ''Cour des Comptes''. Then he tried tragedies (''Agrippa'', etc.) with more success. He received one of the literary pensions then recently established, and was elected to the Académie française in 1670. Up to this time he had written some sixteen or seventeen comedies, tragedies, and tragi-comedies, which began at the ''Hôtel de Bourgogne'' in 1653, and of which the tragedies were mostly of very small value and the tragi-comedies of little more. But his comedies—especially his first piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Movement
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions. Because of these differences, literary movements are often a point of contention between scholars. Table This is a tablelist of modern literary movements: that is, movements after the Renaissance literature. Ordering is approximate, as there is considerable overlap. Notable authors ordering is predominantly by preced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marinism
Marinism (Italian: ''marinismo'', or ''secentismo'', "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular ''La Lira'' and ''L'Adone''. Features The critic James V. Mirollo, the author of the first monograph in English on the subject, distinguished the terms as follows:James V. Mirollo. ''The Poet of the Marvelous.'' Columbia University Press, New York, 1963. :''Marinismo'' first appeared in the last 9thcentury as a label for the themes and techniques of Marino and his followers. It continues to be used synonymously with ''secentismo'' and ''concettismo'', although the former has more pejorative connotations as well as wider cultural implications, while the latter embraces the European practice of the witty style. ''Marinista'' and ''Marinisti'' go back to the ''seicento'' 7th century Stigliani detractorrefers 1627] to Marino's followers as ''i Marinisti'' ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terri Windling
Terri Windling (born December 3, 1958, in Fort Dix, New Jersey) is an American editor, artist, essayist, and the author of books for both children and adults. She has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award, and her collection ''The Armless Maiden'' appeared on the short-list for the James Tiptree, Jr. Award. In 2010, Windling received the SFWA Solstice Award, which honors "individuals with a significant impact on the speculative fiction field". Her work has been translated into French, German, Spanish, Italian, Czech, Lithuanian, Turkish, Russian, Japanese, and Korean. Early life Terri Windling was born on December 3, 1958, in Fort Dix, New Jersey. She was raised in New Jersey and Pennsylvania. She attended Antioch College, graduating in 1979. After college, she moved to New York and worked in publishing as an editor and an artist. Career Writing In the American publishing field, Windling has been one of the primary c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Zipes
Jack David Zipes (born June 7, 1937) is a literary scholar and author. He is a professor emeritus in the Department of German, Nordic, Slavic and Dutch at the University of Minnesota. Zipes is known for his work on fairy tales, folklore, critical theory, 20th-century literature, German literature, German Jewish culture and the political and cultural significance of the Brothers Grimm tales. He has authored, co-authored and edited 69 books including ''The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm'', '' Buried Treasures: The Power of Political Fairy Tales'' and ''Don't Bet on the Prince''. Among his honors are the Guggenheim Fellowship (1988), the International Association for the Fantastic in the Arts Distinguished Scholar Award (1992), the National Endowment for the Humanities Fellowship (1998), the International Brothers Grimm Award from the International Institute for Children's Literature in Osaka, Japan (1999), the Folklore Society Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
