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Prud'hon
Pierre-Paul Prud'hon (, 4 April 1758 – 16 February 16, 1823) was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as '' Madame Georges Anthony and Her Two Sons'' (1796). He painted a portrait of each of Napoleon's two wives. He was an early influence on Théodore Géricault. Biography Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court. His painting of Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon's second wife Marie-Louise. Prud'hon was at time ...
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Madame Georges Anthony And Her Two Sons
''Madame Georges Anthony and Her Two Sons'' is a 1796 oil on canvas group portrait by Pierre-Paul Prud'hon, now in the Museum of Fine Arts of Lyon, which acquired it in 1892. Two years earlier the artist had fled Paris to escape the Thermidorian Reaction following Robespierre's fall. He took refuge in a family home at Rigny near Gray occupied by the postmaster Georges Anthony, his wife Louise (née Demandre) and their children. As a thank-you for their hospitality, Prud'hon painted this work and a portrait of Georges beside a horse (Musée des Beaux-Arts de Dijon), both completed in 1796, the year he left their home. During the restoration of the Musée des Beaux-Arts de Dijon in 2016 the paintings were briefly reunited in Lyon Lyon,, ; Occitan: ''Lion'', hist. ''Lionés'' also spelled in English as Lyons, is the third-largest city and second-largest metropolitan area of France. It is located at the confluence of the rivers Rhône and Saône, to the northwest of t ....Pa ...
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The Raft Of The Medusa
''The Raft of the Medusa'' (french: Le Radeau de la Méduse ) – originally titled ''Scène de Naufrage'' (''Shipwreck Scene'') – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). Completed when the artist was 27, the work has become an icon of French Romanticism. At , it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate ''Méduse'', which ran aground off the coast of today's Mauritania on 2 July 1816. On 5 July 1816, at least 147 people were set adrift on a hurriedly constructed raft; all but 15 died in the 13 days before their rescue, and those who survived endured starvation and dehydration and practiced cannibalism (the custom of the sea). The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain. Géricault chose to depict this event in order to launch his caree ...
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Louis De Saint-Just
Louis Antoine Léon de Saint-Just (; 25 August 17679 Thermidor, Year II 8 July 1794, was a French revolutionary, political philosopher, member and president of the French National Convention, a Jacobin club leader, and a major figure of the French Revolution. He was a close friend of Maximilien Robespierre and served as his most trusted ally during the period of Jacobin rule (1793–94) in the French First Republic. Saint-Just worked as a legislator and a military commissar, but he achieved a lasting reputation as the face of the Reign of Terror where he was named the Archangel of the Terror. He publicly delivered the condemnatory reports that emanated from Robespierre and the Committee of Public Safety and defended the use of violence against opponents of the government. He supervised the arrests of some of the most famous figures of the Revolution, many of whom ended up at the guillotine. From its beginning in 1789, the Revolution enthralled the young Saint-Just, who strove to ...
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Louise Antoinette Lannes, Duchess Of Montebello
Louise Antoinette Lannes, Duchess of Montebello (February 26, 1782 in Paris – July 3, 1856 in Paris) was a French courtier, ''dame d'honneur'' (Mistress of the Robes) to Empress Marie Louise of France, and the second wife of Jean Lannes, one of Napoléon's ablest Marshals, who was nicknamed the ''Roland of the Grand Armée''.. She was the daughter of senator and financier François Scholastique, Count of Guéhéneuc. She was the sister of general Charles Louis Joseph Olivier, Count of Guéhéneuc. Life On September 16, 1800, at the age of 18, she married general Brigadier General Jean Lannes (1769–1809) at Dornes, becoming his second spouse. According to Madame Junot, Madame Lannes's fine features resembled Raphael's or Corregio's most exquisite Madonnas. Louise had a very happy married life with Lannes even though it was an arranged-marriage. The couple had five children in quick succession: four sons (Napoléon, Alfred, Ernest and Gustave) born in 1801, 1802, 1803, an ...
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Neo-classicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation ...
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Drawing
Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instruments used to make a drawing are pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets or gamepads in VR drawing software. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, vellum, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most common artistic activities. In addition to its more artistic forms, drawing is frequentl ...
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Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamen ...
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Marie Louise, Duchess Of Parma
Marie Louise (12 December 1791 – 17 December 1847) was an Austrian archduchess who reigned as Duchess of Parma from 11 April 1814 until her death. She was Napoleon's second wife and as such Empress of the French and Queen of Italy from their marriage on 1 April 1810 until his abdication on 6 April 1814. As the eldest child of Francis II, Holy Roman Emperor and Emperor of Austria, and his second wife, Maria Theresa of Naples and Sicily, Marie Louise grew up during a period of continuous conflict between Austria and revolutionary France. A series of military defeats at the hands of Napoleon Bonaparte had inflicted a heavy human toll on Austria and led Francis to dissolve the Holy Roman Empire. The end of the War of the Fifth Coalition resulted in the marriage of Napoleon and Marie Louise in 1810, which ushered in a brief period of peace and friendship between Austria and the French Empire. Marie Louise agreed to the marriage despite being raised to despise France. She was ador ...
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Cathedral
A cathedral is a church that contains the ''cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic, Eastern Orthodox, Anglican, and some Lutheran churches.New Standard Encyclopedia, 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastic churches, and episcopal residences. The cathedral is more important in the hierarchy than the church because it is from the cathedral that the bishop governs the ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrast (vision), contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Johannes Vermeer, Vermeer and Francisco Goya, Goya, and Georges de La Tour. ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction, speculative and fantasy literature, supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist ...
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The Spectator
''The Spectator'' is a weekly British magazine on politics, culture, and current affairs. It was first published in July 1828, making it the oldest surviving weekly magazine in the world. It is owned by Frederick Barclay, who also owns ''The Daily Telegraph'' newspaper, via Press Holdings. Its principal subject areas are politics and culture. It is politically conservative. Alongside columns and features on current affairs, the magazine also contains arts pages on books, music, opera, film and TV reviews. Editorship of ''The Spectator'' has often been a step on the ladder to high office in the Conservative Party in the United Kingdom. Past editors include Boris Johnson (1999–2005) and other former cabinet members Ian Gilmour (1954–1959), Iain Macleod (1963–1965), and Nigel Lawson (1966–1970). Since 2009, the magazine's editor has been journalist Fraser Nelson. ''The Spectator Australia'' offers 12 pages on Australian politics and affairs as well as the full UK ...
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