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Chiaroscuro
In art, chiaroscuro ( , ; ) is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Taken to its extreme, the use of shadow and contrast to focus strongly on the subject of a painting is called tenebrism. Further specialized uses of the term include chiaroscuro woodcut for colour woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges De La Tour
Georges de La Tour (13 March 1593 – 30 January 1652) was a French Baroque painter, who spent most of his working life in the Duchy of Lorraine, which was temporarily absorbed into France between 1641 and 1648. He painted mostly religious chiaroscuro scenes lit by candlelight. Personal life Georges de La Tour was born in the town of Vic-sur-Seille in the Diocese of Metz, which was technically part of the Holy Roman Empire, but had been ruled by France since 1552. Baptism documentation revealed that he was the son of Jean de La Tour, a baker, and Sybille de La Tour, née Molian. It has been suggested that Sybille came from a partly noble family. His parents had seven children in all, with Georges being the second-born. La Tour's educational background remains somewhat unclear, but it is assumed that he traveled either to Italy or the Netherlands early in his career. He may possibly have trained under Jacques Bellange in Nancy, the capital of Lorraine, although their style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Art
Renaissance art (1350 – 1620) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, including painting, sculpture, architecture, music and literature identified as "Renaissance art" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drawing
Drawing is a Visual arts, visual art that uses an instrument to mark paper or another two-dimensional surface, or a digital representation of such. Traditionally, the instruments used to make a drawing include pencils, crayons, and ink pens, sometimes in combination. More modern tools include Stylus (computing), computer styluses with graphics tablets and gamepads in Virtual reality, VR drawing software. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as Paperboard, cardboard, vellum, wood, plastic, leather, canvas, and Lumber, board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating ideas. The wide availability of drawing instruments makes drawing one of the most comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cangiante
Cangiante () is a painting technique where, when using relatively pure colors, one changes to a different, darker color to show shading, instead of dulling the original color by darkening it with black or a darker related hue. According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, this is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself is the present participle of the Italian verb ''cangiare'' ("to change"). This approach to the use of color is sometimes referred to as "cangiantismo". ''Cangiante'' is characterized by a change in color when a painted object changes from light to dark (value) due to variations in illumination (light and shadow). For example, when in a painting an object appears yellow in its illuminated area, the artist may use a red color for attached sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illumination (image)
Illumination is a concept in visual arts. By manipulating the lighting, an Artist can create a specific atmosphere for their work of art. Additionally, it can help the artist add depth to their work. The illumination of the subject of a drawing or painting is a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features. Caravaggio's early biographers, Giovanni Pietro Bellori and Joachim von Standrart both stated that Caravaggio worked in a dark room and illuminated his subjects with a single light source from above. Caravaggio's pioneering use of light and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watercolour
Watercolor (American English) or watercolour ( Commonwealth English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin 'water'), is a painting method"Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common support—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyrus, bark papers, plastics, vellum, leather, fabric, wood, and watercolor can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illuminated Manuscript
An illuminated manuscript is a formally prepared manuscript, document where the text is decorated with flourishes such as marginalia, borders and Miniature (illuminated manuscript), miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds. The earliest surviving illuminated manuscripts are a small number from late antiquity, and date from between 400 and 600 CE. Examples include the Vergilius Romanus, Vergilius Vaticanus, and the Rossano Gospels. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance. While Islamic manuscripts can also be called illuminated and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. Most manuscripts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purple Parchment
Purple parchment or purple vellum refers to parchment dyed purple; codex purpureus refers to manuscripts written entirely or mostly on such parchment. The lettering may be in gold or silver. Later the practice was revived for some especially grand illuminated manuscripts produced for the emperors in Carolingian art and Ottonian art, in Anglo-Saxon England and elsewhere. Some just use purple parchment for sections of the work; the 8th-century Anglo-Saxon Stockholm Codex Aureus alternates dyed and un-dyed pages. It was at one point supposedly restricted for the use of Roman or Byzantine emperors, although in a letter of Saint Jerome of 384, he "writes scornfully of the wealthy Christian women whose books are written in gold on purple vellum, and clothed with gems".Needham, 21 Examples The ''Purple Uncials'' or the ''Purple Codices'' is a well-known group of these manuscripts, all 6th-century New Testament Greek manuscripts: * Codex Purpureus Petropolitanus N (022) * Sinope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffael 045 Detail
Raffael may refer to: * Raffael or Raphael Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its cl ..., Italian painter * Raffael or Raphael (given name), given name * Raffael (footballer), Brazilian footballer * Joseph Raffael, American contemporary realist painter {{disambig, hndis, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; , from ''gris'' 'grey') means in general any European painting that is painted in grey. History Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua () and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the ''Ghent Altarpiece''. Originally these were the sides on display for most of the time, as the doors were normally kept closed except on feast days or at the (paid) request of tourists. However, today these images are typically unseen in museums, the triptych displayed in its open state, flat against a wall. In these cases, imitation of sculpture was intended, as sculpture remained more expensive than a painting, even one by an acknowledged master. Limners often produced illuminated manuscripts in pen and watercolour, wash with a very limited colour range, and many artists such as Jean Pucelle (active 1320–1350) and Matthew Paris sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
