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Première (Katherine Jenkins Album)
''Premiere'' is the debut album by Welsh mezzo-soprano Katherine Jenkins, released on 5 April 2004, in the UK. It charted at number 31 on the UK Albums Chart,UK Top 40 database . everyhit.co.uk. Retrieved 4 December 2006. and at number 1 on the UK Classical Album Chart. Track listing # " Questo è per te" 3:39 # " Ash Grove" 3:09 # "Ave Maria
The Hail Mary or Ave Maria (from its first words in Latin), also known as the Angelic or Angelical Salutation, is a traditional Catholic pr ...
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Katherine Jenkins
Katherine Jenkins (born 29 June 1980) is a Welsh singer. She is a mezzo-soprano and performs operatic arias, popular songs, musical theatre, and hymns.Profile on Classical Crossover.co.uk . Retrieved 28 October 2009. . Retrieved 28 October 2009. After winning singing competitions in her youth, Jenkins studied at the Royal Academy of Music, modelled, and taught voice lessons. She came to wide public attention in 2003 when she sang at Westminster Cathedral in honour of Pope John Paul II's silver jubilee. Since 2004, she has released numerous albums that have performed well on British an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chants D'Auvergne
''Chants d'Auvergne'' (; ), by Joseph Canteloube, is a collection of folk songs from the Auvergne region of France, arranged for soprano voice and orchestra or piano between 1923 and 1930. The 27 songs, collected in five series, are in the local language, Auvergnat, a dialect of Occitan language, Occitan. The best-known of the songs is the "Baïlèro", which has been frequently recorded and performed, sometimes with slight variations of Canteloube's arrangement, such as for choir or instrumental performance, rather than the original soprano solo. The first recording, of eleven of the songs, was by Madeleine Grey in 1930, with an ensemble conducted by Élie Cohen (conductor), Élie Cohen. The songs are part of the standard repertoire and have been recorded by many singers. The melodic elements of two of these songs, "Baïlèro" and "Obal, din lou limouzi (La-bas dans le limousin)", were incorporated into William Walton's soundtrack for Laurence Olivier's 1944 film of Shakespeare's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Jenkins Albums
Katherine (), also spelled Catherine and Catherina, other variations, is a feminine given name. The name and its variants are popular in countries where large Christian populations exist, because of its associations with one of the earliest Christian saints, Catherine of Alexandria. In the early Christian era it came to be associated with the Greek adjective (), meaning 'pure'. This influenced the name's English spelling, giving rise to variants ''Katharine'' and ''Catharine''. The spelling with a middle 'a' was more common in the past. ''Katherine'', with a middle 'e', was first recorded in England in 1196 after being brought back from the Crusades. Popularity and variations Anglophone use In Britain and America, ''Catherine'' and its variants have been among the 100 most popular names since 1880. Amongst the most common variants are ''Katherine'' and ''Kathryn''. The spelling ''Catherine'' is common in both English and French language, French. Less-common variants in E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cwm Rhondda
Cwm Rhondda is a popular hymn tune written by John Hughes (1873–1932) in 1907. The name is taken from the Welsh name for the Rhondda Valley. It is usually used in English as a setting for William Williams' text "Guide Me, O Thou Great Redeemer" (or, in some traditions, "Guide Me, O Thou Great Jehovah"), originally ("Lord, lead me through the wilderness") in Welsh. The tune and hymn are often called "Bread of Heaven" because of a repeated line in this English translation. In Welsh the tune is most commonly used as a setting for a hymn by Ann Griffiths, ("Lo, between the myrtles standing"), and it was as a setting of those words that the tune was first published in 1907. Tune John Hughes wrote the first version of the tune, which he called "Rhondda", for the Cymanfa Ganu (hymn festival) in Pontypridd in 1905, when the enthusiasm of the 1904–1905 Welsh Revival still remained. The present form was developed for the inauguration of the organ at Capel Rhondda, in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 51
Psalm 51, one of the penitential psalms, is the 51st psalm of the Book of Psalms, beginning in English in the King James Version: "Have mercy upon me, O God". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 50. In Latin, it is known as , () in ), especially in musical settings. The introduction in the text says that it was composed by David as a confession to God after he sinned with Bathsheba. The psalm forms a regular part of Judaism, Jewish, Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox and Protestantism, Protestant liturgies. Background and themes Psalm 51 is based on the incident recorded in Books of Samuel, 2 Samuel, chapters 11–12. David's confession is regarded as a model for repentance in both Judaism and Christianity. The Midrash Tehillim states that one who acknowledges that they have sinned and is fearful and prays to God about it, as David did, will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lascia Ch'io Pianga
"" (; ), originally "" (; ), is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. History Its melody is first found in act 3 of Handel's 1705 opera ''Almira'' as a sarabande; the score for this can be seen on page 81 of Vol. 55 of Friedrich Chrysander. Handel then used the tune for the aria "Lascia la spina, cogli la rosa", or "Leave the Thorn, Take the Rose", for the character Piacere in part 2 of his 1707 oratorio '' Il trionfo del Tempo e del Disinganno'' (which was much later, in 1737, revised as ''Il trionfo del Tempo e della Verità''). Four years after that, in 1711, Handel used the music again, this time for his London opera '' Rinaldo'' and its act 2 aria "Lascia ch'io pianga" ("Let me weep"), a heartfelt plea for her liberty addressed by the character Almirena to her abductor Argante. ''Rinaldo'' was a triumph, and it is with this work that the aria is chiefly associated. The aria has since been recorded by ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caro Mio Ben
Tommaso Giordani (c.1730 to 1733 – before 24 February 1806) was an Italian composer active in England and particularly in Ireland. Life Giordani was born in Naples between 1730 and 1733 and came from a musical family. His father was Giuseppe Giordani senior, born around 1695 in Naples, and died after 1762, probably in London (no relation to the Neapolitan organist Carmine Giordani, b. 1685). A possible younger brother was Giuseppe Giordani (1751–1798), called "Giordanello". Tommaso was trained in Naples and moved with his father and siblings (including singer Nicolina) via Graz (1747), Salzburg and Frankfurt (1750), Amsterdam (1752) and Paris (1753) to London, where they performed four burlettas at Covent Garden in the 1753–4 season. Although the family performed in London for the next two years, Tommaso is not mentioned in the newspaper reports of the time. However in British publications of his time, Giordani was often referred to as "Tomaso Giordani," with a single "m" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habanera (aria)
Habanera ("music or dance of Havana") is the popular name for "" (; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique ''Carmen''. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act. Background The score of the aria was adapted from the habanera "El Arreglito ou la Promesse de mariage", by the Spanish musician Sebastián Iradier, first published in 1863, which Bizet believed to be a folk song. When others told him he had used something written by a composer who had died ten years earlier,'' Grove's Dictionary of Music and Musicians'', 5th ed. 1954 he added a note about its derivation in the first edition of the vocal score which he himself prepared. Although the French libretto of the complete opéra comique was written by Henri Meilhac and Ludovic Halévy, the words of the habanera originated from Bizet. The Habanera was first performed by Galli-Marié at the Opéra-Comique on 3 March 1875. Bizet, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air On The G String
"Air on the G String", also known as "Air for G String" and "Celebrated Air", is August Wilhelmj's 1871 arrangement of the second movement of Johann Sebastian Bach's Orchestral Suite No. 3 in D major, BWV 1068. Contains several audio versions of this recording. The arrangement differs from the original in that the part of the first violins is transposed down so that the entire piece can be played on just the violin's lowest string (the G string, hence the name). In performance, that part is generally played by a single violin (instead of by the first violins as a group). Bach's original Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ar Lan Y Môr
is a traditional Welsh folk love song. A single verse was published by the Welsh Folk Song Society in 1937, and again (recorded from another singer) in 1948. A slightly different version was recorded by the BBC in 1953. Extra verses have been added, mostly from the 'Hen Benillion' (Old Stanzas). "Ar Lan y Môr" has been frequently recorded. Notably, the song features on the first Welsh-language concept album, Endaf Emlyn's ''Salem'' (1974). A rendition appears on the only comedy album to top the UK Albums Chart to date, Max Boyce's '' We All Had Doctors' Papers'' (1975). The song also appears on Ar Log's eponymous 1978 debut album, Bryn Terfel's album ''We'll Keep a Welcome'' (2000) and Katherine Jenkins' debut album ''Première A premiere, also spelled première, (from , ) is the wikt:debut, debut (first public presentation) of a work, i.e. Play (theatre), play, film, dance, musical composition, or even a Performing arts#Performers, performer in that work. History R ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 23
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd". In Latin, it is known by the incipit, "". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 22. Like many psalms, Psalm 23 is used in both Jewish and Christian liturgies. It has often been set to music. Interpretation of themes The theme of God as a shepherd was common in ancient Israel and Mesopotamia. For example, King Hammurabi, in the conclusion to his famous legal code, wrote: "I am the shepherd who brings well-being and abundant prosperity; my rule is just.... so that the strong might not oppress the weak, and that even the orphan and the widow might be treated with justice." This imagery and language were well known to the community that c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ave Maria (Vavilov)
"Ave Maria" is an aria composed by Vladimir Vavilov around 1970 and often misattributed to Italian composer Giulio Caccini. Vavilov published and recorded it himself in 1970 on the Melodiya label with the ascription "Anonymous". It is believed that organist Mark Shakhin, one of the performers on the original LP, first ascribed the work to Caccini after Vavilov's death, and gave the "newly-discovered" scores to other musicians. The organist then made an arrangement of the aria for a recording by Irina Arkhipova in 1987, after which the piece came to be famous worldwide. Selected recordings * 1970 – Vladimir Vavilov and , Melodiya * 1987 – Irina Arkhipova, arranged by * 1994 – Inese Galante, arranged for organ, on the live album ''Musica Sacra'', Campion * 1995 – Inese Galante, arranged by Georgs Brīnums, on the album ''Debut'', Campion * 1997 – Lesley Garrett, arranged by Nick Ingman, on the album ''A Soprano Inspired'' * 1998 – Charlotte Church, arranged by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
