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Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the Classicism, classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Et In Arcadia Ego (Poussin)
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Classical painter Nicolas Poussin. It depicts a pastoral scene with idealized Shepherd, shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes the Latin inscription "Et in Arcadia ego", which is translated to "Even in Arcadia (utopia), Arcadia, there am I"; "Also in Arcadia am I"; or "I too was in Arcadia". Poussin also painted another version of the subject in 1627 under the same title. The 1630s version is held in the Musée du Louvre, Paris, while the 1627 version is held at Chatsworth House, England. An earlier treatment of the theme was painted by Guercino –1622, also titled ''Et in Arcadia ego (Guercino), Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia (region), Arcadia is first described in Virgil's ''Eclogues'' Eclog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Germanicus
The Death of Germanicus is a painting made in 1627 by Nicolas Poussin for Francesco Barberini. It is kept at the Minneapolis Institute of Art. History The painting was commissioned by Cardinal Francesco Barberini (1597–1679), nephew of Pope Urban VIII and legate in France. The order was probably placed in October 1626, returning from a diplomatic visit to Spain. He called on Nicolas Poussin, then a young painter who had recently settled in Rome since 1624, whom he may have known thanks to the poet Giambattista Marino, perhaps through the intermediary of the banker and patron Marcello Sacchetti. Barberini had already commissioned a Capture of Jerusalem (Israel Museum) from Poussin, painted around 1625-1626 and given as a gift to Cardinal Richelieu. The painting was delivered on January 21, 1628, and a receipt signed by the painter's hand indicates that he obtained the sum of 60 crowns for this work. The painting very quickly obtained a great echo because from the following Februa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Sacraments (Poussin)
''The Seven Sacraments'' refers to two series of paintings of the Sacraments of the Catholic Church, seven sacraments by the French painter Nicolas Poussin. First series Painted between 1637 and 1640, the first series was commissioned by Cassiano dal Pozzo in the second half of the 1630s and was sold to the Dukes of Rutland in 1784. One of the seven, ''Penance'', was destroyed in a fire at the Rutlands' Belvoir Castle in 1816, and ''Baptism'' was acquired by the National Gallery of Art in Washington DC in 1939, where it still resides. The remaining five were still at Belvoir Castle at the time when Anthony Blunt wrote his catalogue in 1966, and then were on loan to the National Gallery in London until November 2010, when all five of these paintings were taken off show prior to the attempted sale of ''Ordination'' on 8 December that year. ''Ordination'' was ultimately purchased by the Kimbell Art Museum for US$24.3 million and was displayed for the first time there on Septembe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Painting
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation from '''', latest edition, full-article. but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape With Hercules And Cacus
''Landscape with Hercules and Cacus'' is an oil on canvas painting by French painter Nicolas Poussin, created ''c.'' 1660. It is held in the Pushkin Museum, in Moscow. It depicts a scene from lines 190-275 of Book VIII of Virgil's ''Aeneid''. Its early history is unknown. It and the same artist's '' Landscape with Polyphemus'' were bought by Denis Diderot for Catherine the Great for the Hermitage Museum. Diderot gave them both to Prince Dmitri Alekseyevich Gallitzin, who transported them to The Hague and thence to Saint Petersburg. ''Polyphemus'' remains in the Hermitage, whilst ''Hercules and Cacus'' was moved to its present home in 1930.Кузнецова И. А., Шарнова Е. Б. Франция XVI — первой половины XIX века : собрание живописи : каталог / Ирина Кузнецова, Елена Шарнова; Государственный музей изобразительных искусств имени А. С. Пушк ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassiano Dal Pozzo
Cassiano dal Pozzo (1588 – 22 October 1657) was an Italian scholar and patron of arts. The secretary of Cardinal Francesco Barberini, he was an antiquary in the classicizing circle of Rome, and a long-term friend and patron of Nicolas Poussin, whom he supported from his earliest arrival in Rome: Poussin in a letter declared that he was "a disciple of the house and the museum of cavaliere dal Pozzo." A doctor with interests in the proto-science of alchemy, a correspondent of major figures like Galileo, a collector of books and master drawings, dal Pozzo was a node in the network of European scientific figures. Biography Dal Pozzo was born in Turin, to a noble family originating from Vercelli, the grandson of the first minister of the Grand Duke of Tuscany. He was raised in Florence and educated at the University of Pisa. In 1612 he moved to Rome, where with deft diplomacy he moved among influential and cultivated patrons. After taking up a position as secretary in Cardinal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Massacre Of The Innocents (Poussin)
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''The Massacre of the Innocents'' () is a 1625-1632 painting by Nicolas Poussin, showing the Massacre of the Innocents. It was probably commissioned by the Roman collector Vincenzo Giustiniani, probably in memory of the tragic fate of the Giustiniani children taken hostage by the Ottoman Empire in 1564. It remained in the Palazzo Giustiniani until 1804, when it was bought by Lucien Bonaparte. It then passed through several other hands before being bought in London by Henri d'Orleans, Duke of Aumale. It is now in the Musée Condé in Chantilly, France. See also * List of paintings by Nicolas Poussin References Paintings in the Musée Condé 1620s paintings 1630s paintings Paintings by Nicolas Poussin Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the Classicism, classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; ; 19 January 1839 – 22 October 1906) was a French Post-Impressionism, Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism. While his early works were influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism (arts), Realism, Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression. He altered conventional approaches to Perspective (graphical), perspective and broke established rules of Academic Art, academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Félibien
André Félibien (May 161911 June 1695), ''sieur des Avaux et de Javercy'', was a French chronicler of the arts and official court historian to Louis XIV of France. Biography Félibien was born at Chartres. At the age of fourteen he went to Paris to continue his studies; and in May 1647 he was sent to Rome in the capacity of secretary in the embassy of the marquis de Fontenay-Mareuil. His residence at Rome he turned to good account by diligent study of its ancient monuments, by examination of the literary treasures of its libraries, and by cultivating the acquaintance of men eminent in literature and in art, with whom he was brought into contact through his translation of Francesco Cardinal Barberini's ''Life of Pius V''. Among his friends was Nicolas Poussin, whose counsels were of great value to him, and under whose guidance he even attempted to paint and whose biography Félibien wrote, which remains "the most persuasive guide to the work, as to the life" of Poussin, as the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pietro Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian art theorist, painter and antiquarian, who is best known for his work ''The Lives of the Artists (Bellori), Lives of the Artists'', considered the seventeenth-century equivalent to Giorgio Vasari, Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects, Vite''. His ''Vite de' Pittori, Scultori et Architetti Moderni'', published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. As an art historical biographer, he favoured classicising artists rather than Baroque artists to the extent of omitting some of the key artistic figures of 17th-century art altogether. Biography Bellori was born in Rome on 15 January 1613, the son of Giacomo, a farmer. He was reared and educated by his maternal uncle, Francesco Angeloni, who was an antiquarian, writer of Comedy, comedies, dialogue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Andelys
Les Andelys (; Norman language, Norman: ''Les Aundelys'') is a Communes of France, commune in the northern French Departments of France, department of Eure, in Normandy (administrative region), Normandy. Geography It lies on the Seine, about northeast of Évreux. The commune is divided into two parts, Grand-Andely (located about from the Seine) and Petit-Andely (situated on the right bank of the Seine). History Grand Andely, founded, according to tradition, in the 6th century, has a church (13th, 14th and 15th centuries) parts of which are of fine late Gothic and Renaissance architecture. The works of art in the interior include stained glass of the latter period. Other interesting buildings are the hôtel du Grand Cerf dating from the first half of the 16th century, and the chapel of Sainte-Clotilde, close by a spring which, owing to its supposed healing powers, is the object of a pilgrimage. Grand Andely has a statue of Nicolas Poussin, a native of the place. Petit Andely s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
