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Portrait Of Madame Cézanne With Loosened Hair
''Portrait of Madame Cézanne with Loosened Hair'' (or ''Madame Cézanne with Unbound Hair'') is an oil-on-canvas painting by French artist Paul Cézanne, variously dated from the mid-1870s to the early 1890s. Although the model, his wife Marie-Hortense Fiquet, Hortense Fiquet, was not supportive and did not understand or take an interest in her husband's work, this is one of forty-four portraits in which she sat for him from 1869, a period during which she progressed from mistress, to wife, to ex-wife. Something of a socialite, Cézanne latterly found Fiquet often fickle and shallow, and once remarked, "My wife only cares for Switzerland and lemonade". The sensitivity and depth ascribed to her in this work is likely drawn from his own personality and projected onto her image. While elements of the work show the influence of Impressionism, it lacks the characteristic extroverted charm of that movement and instead focuses on the subject's inner life. It departs from the artist's ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; ; 19 January 1839 – 22 October 1906) was a French Post-Impressionism, Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism. While his early works were influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism (arts), Realism, Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression. He altered conventional approaches to Perspective (graphical), perspective and broke established rules of Academic Art, academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionello Venturi
Lionello Venturi (25 April 1885 – 14 August 1961) was an Italian historian and critic of art. He edited the first catalogue raisonné of Paul Cézanne. His son was the historian Franco Venturi. Life Lionello Venturi was born in Modena in 1885, son of art historian Adolfo Venturi. He became a specialist in the art of the Italian Renaissance, but was also interested in late 19th and early 20th century art. In 1918, he met the financier and collector Riccardo Gualino, and advised him to buy work by Amedeo Modigliani. Gualino and Venturi supported Turin painters such as Felice Casorati and the ''Gruppo di Sei'' (Group of Six), which included Carlo Levi, Francesco Menzio, Jessie Boswell, Gigi Chessa, Enrico Paolucci and Nicola Galante. Venturi was appointed professor of art history at the University of Turin in 1919. One of his first students there was Mary Pittaluga, who wrote her thesis on Fromentin under Venturi. In 1930, Venturi organized a retrospective exhibition of Modigli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1880s Paintings
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomination 188 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Publius Helvius Pertinax becomes pro-consul of Africa from 188 to 189. Japan * Queen Himiko (or Shingi Waō) begins her reign in Japan (until 248). Births * April 4 – Caracalla (or Antoninus), Roman emperor (d. 217) * Lu Ji (or Gongji), Chinese official and politician (d. 219) * Sun Shao, Chinese general of the Eastern Wu state (d. 241) Deaths * March 17 – Julian, pope and patriarch of Alexandria * Fa Zhen (or Gaoqing), Chinese scholar (b. AD 100) * Lucius Antistius Burrus, Roman politician (executed) * Ma Xiang, Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garb, Tamar
Tamar Garb is Durning Lawrence Professor in the Department of History of Art at University College London. A researcher of French art of the late nineteenth and early twentieth centuries, Garb has published numerous catalogue essays and books that address feminism, the body, sexuality, and gender in cultural representations. Garb has also written essays about numerous contemporary artists, such as Christian Boltanski, Mona Hatoum, Nancy Spero, and Massimo Vitali. Garb has also organized several art exhibitions, including ''Reisemalheurs'' at the Freud Museum in London in 2007 (on South African painter Vivienne Koorland), and ''Figures and Fictions: Contemporary South African Photography'' at the Victoria and Albert Museum in London in 2011. More recently, she has been researching and publishing on the history of art and photography in post-apartheid South Africa, including curating exhibitions on this subject (including ''Land Marks/Home Lands: Contemporary Art from South Af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Françoise Cachin
Françoise Cachin (8 May 1936, Paris – 4 February 2011, Paris) was a French art historian and curator. She was the founding director of the Musée d’Orsay and the author of numerous books on 19th-century French painting. Life Françoise Cachin was born to the pediatrician Charles Cachin and his wife Ginette (née Signac).Cogeval, Guy"Homage to Françoise Cachin."Musée d'Orsay. Retrieved 16 February 2012. Her grandparents included the communist politician Marcel Cachin and the pointillist painters Paul Signac and Jeanne Selmersheim-Desgrange.Grimes, William"Françoise Cachin, a Director of French Museums, Dies at 74."''The New York Times.'' 9 February 2011. Retrieved 16 February 2012. Cachin studied art history under André Chastel at the Institut d'Art et d'Archéologie of the University of Paris. After training at the Louvre and the Galerie nationale du Jeu de Paume, she worked as a curator at the Musée National d'Art Moderne from 1969 to 1978, eventually becomin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rewald
John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His ''History of Impressionism'' is a standard work. Biography He was born Gustav Rewald at Berlin, of a middle-class, professional family. Rewald came from a Jewish background. He completed his ''Abitur'' in Hamburg, and studied thereafter at several German universities, going to the University of Paris, Sorbonne in Paris in 1932. At the Sorbonne he wrote his dissertation on the friendship of Émile Zola, Zola and Cézanne, having to persuade the academic authorities on this because Cézanne (died 1906) was considered too recent a figure. When France declared war on Germany in 1939, he was interned as an enemy alien. He emigrated to the United States in 1941 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogier Van Der Weyden
Rogier van der Weyden (; 1399 or 140018 June 1464), initially known as Roger de le Pasture (), was an Early Netherlandish painting, early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign aristocrats. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the 200 years that followed; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Netherlandish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting is the body of work by artists active in the Burgundian Netherlands, Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the beginning of the Dutch Revolt in 1566 or 1568 – Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Renaissance, High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
