Plaza Bolívar (Valencia)
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Plaza Bolívar (Valencia)
The Plaza Bolívar is a square in Valencia, Venezuela. It occupies a central site, and is used for public meetings. Its origin was in the colonial period, when the city was laid out on a grid plan (see note). Some buildings in the vicinity, such as the Cathedral date from the colonial period. The square was renamed after Simón Bolívar in the 19th century as a consequence of Venezuela's independence. The centrepiece of the square is a monumental column. Inaugurated in 1889, the column commemorates Bolívar and specifically his victory at the battle of Carabobo in 1821. History In the 1880s, when Valencia's monument to Bolivar was constructed, Venezuela was an agricultural country. Despite having large amounts of iron ore, the country lacked industrial iron-making capacity. Antonio Guzmán Blanco, three times president of Venezuela, implemented plans to modernize infrastructure. His projects, which have been described as megalomaniac, had a strong impact on Valencia, the second ...
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Valencia, Carabobo
Valencia () is the capital city of Carabobo State and the third-largest city in Venezuela. The city is an economic hub that contains Venezuela's top industries and manufacturing companies. It is also the largest city in the Valencia-Maracay metropolitan region, which with a population of about 4.5 million is the country's second largest after that of Caracas. Caracas lies some away to the east. History The area was already inhabited in the fourth millennium BC. The inhabitants were mainly hunters and gatherers who might have already developed some elementary forms of agriculture. Between AD 200 and 1000 an important settlement was formed close to Lake Valencia. Around the year 1000, waves of migration started to come from the Orinoco river area, probably arriving along the Pao river. The fusion of previous settlements with these new populations gave rise to the Vacencioide culture. People in the area belonged mostly to Arawak groups. They were hunters and gatherers wh ...
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Simón Bolívar (Tadolini)
''Simon Bolivar'', also known as ''General Bolivar'', is a bronze equestrian statue of Simón Bolívar by Adamo Tadolini. There are three casts. The original is located in the Plaza Bolivar (Lima), Plaza Bolívar in Lima, the first copy is in the Plaza Bolívar (Caracas), Plaza Bolívar in Caracas and the second copy is in United Nations Plaza (San Francisco), United Nations Plaza in San Francisco, California. The statue in Lima, which was made in Italy in the 1850s, is the oldest of the three. It was cast in Munich and the replica in Caracas was cast by the same foundry after the sculptor's death. The copy in San Francisco was engineered by Miriam Gandica Mora, cast by Victor Hugo Barrenchea-Villegas and dedicated in December 1984. Description Adamo Tadolini's sculpture depicts Simón Bolívar atop his rearing horse. Bolívar is dressed in military attire, including a decorated coat and a flowing cape. Other accessories include tall boots, epaulets and a sash. He has a sheath ...
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Heraldic Shield
In heraldry, an escutcheon (, ) is a shield that forms the main or focal element in an achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a cartouche, or oval. Other shapes are also in use, such as the roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in African heraldry (likewise, Christian organisations and Masonic bodies tend to use the same shape, also kn ...
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Venezuelan War Of Independence
The Venezuelan War of Independence (, 1810–1823) was one of the Spanish American wars of independence of the early nineteenth century, when independence movements in South America fought a civil war for secession and against unity of the Spanish Empire, emboldened by Spain's troubles in the Napoleonic Wars. The establishment of the Supreme Caracas Junta following the forced deposition of Vicente Emparan as Captain General of the Captaincy General of Venezuela on 19 April 1810, marked the beginnings of the war. On 5 July 1811, seven of the ten provinces of the Captaincy General of Venezuela declared their independence in the Venezuelan Declaration of Independence. The First Republic of Venezuela was lost in 1812 following the 1812 Caracas earthquake and the 1812 Battle of La Victoria. Simón Bolívar led an " Admirable Campaign" to retake Venezuela, establishing the Second Republic of Venezuela in 1813; but this too did not last, falling to a combination of a local ...
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Bas-relief
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are ...
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Rafael De La Cova
Rafael de la Cova ( – ) was a Venezuelan sculptor active in the second half of the 19th century. De la Cova received some important commissions, but a number have not survived to the present day. Perhaps his best known work is a monument to Christopher Columbus which was commissioned to commemorate the explorer's arrival in what is now Venezuela. Its title, ''Monumento a Colón en el Golfo Triste'', refers to the Gulf of Paria where he reached the mainland of South America in 1498. The work is now largely destroyed having fallen victim to changing attitudes to the legacy of Columbus. It stood in Caracas for a hundred years before its central statue was torn down from its plinth in 2004 on Columbus Day, which had been renamed in Venezuela as the Day of Indigenous Resistance. Career De la Cova was awarded a government scholarship in 1875 which he used to study in Rome.Salvador, José María (2003). Actuación de Rafael de la Cova hasta 1888. '' ExtraMuros Nueva '' (18), (pp. 51-77) ...
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Napoleon III Style
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Institut National d'Histoire de l'Art, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Characteristics The Napoleon III ...
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Antonio Malaussena
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language–speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language, it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galic ...
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