Pinacoteca Comunale, Città Di Castello
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Pinacoteca Comunale, Città Di Castello
The Pinacoteca Comunale of Città di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form. History The Città di Castello Municipal gallery is housed in the renaissance-style Vitelli alla Cannoniera Palace, home to the condottiere Alessandro Vitelli, grandson of Niccolò Vitelli, and wife Angela Paola de’ Rossi, nephew of Giovanni delle Bande Nere. It is among the main public art galleries in Italy, and documents art from the 13th to 20th centuries, focusing on Renaissance art, and the very early works by Raphael and Luca Signorelli. The collection is composed mainly by paintings derived from religious institutions suppressed in the 19th century after Italian unification, and also reflects the patronage of Vitelli family, prominent allies of Medici. Donations to the collection of later works, up to the 20th century, expanded the co ...
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Art Museum
An art museum or art gallery is a building or space for the display of art, usually from the museum's own Collection (artwork), collection. It might be in public or private ownership, be accessible to all, or have restrictions in place. Although primarily concerned with Visual arts, visual art, art museums are often used as a venue for other cultural exchanges and artistic activities, such as lectures, jewelry, performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions, which often include items on loan from other collections. Terminology An institution dedicated to the display of art can be called an art museum or an art gallery, and the two terms may be used interchangeably. This is reflected in the names of institutions around the world, some of which are considered art galleries, such as the National Gallery in London and Neue Nationalgalerie in Berlin, and some of which are considered museums, including the Metropo ...
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Cristoforo Gherardi
Cristofano or Cristoforo Gherardi, also known as il Doceno, (November 25, 1508 – April 1556) was an Italian painter of the late-Renaissance or Mannerist Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ... period, active mainly in Florence and Tuscany. Biography He was born in Borgo San Sepolcro and also called ''il Doceno dal Borgo''. He was the pupil of the painter Raffaellino del Colle, in whose shop he encountered Rosso Fiorentino and Giorgio Vasari. He painted under Vasari's direction, the one assistant of Vasari's whom Freedberg singles out. In 1536 Vasari invited him to Florence to assist in producing the decorations for the Joyous Entry, ceremonial entry of Charles V, Holy Roman Emperor, Charles V into Florence. The following year, in the reaction after Duke Alessandro's ...
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