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Pietà With Saint Francis And Saint Mary Magdalene
''Pietà with Saint Francis and Saint Mary Magdalene'' is a 1602-1607 oil on canvas painting by Annibale Carraci. Now in the Louvre, it was Napoleonic looting, looted from the Mattei family chapel in San Francesco a Ripa in Rome by Napoleon's troops in 1797 and was not returned at the end of the Napoleonic Wars. It is thought to be the work referred to in a letter by Giovanni Battista Agucchi reproduced in Carlo Cesare Malvasia's ''Felsina Pittrice'' – other references in Malvasia date the letter to 1607.Donald Posner, ''Annibale Carracci: A Study in the reform of Italian Painting around 1590'', London, 1971, Vol. II, N. 136, pp. 60-61. Agucchi's words suggest he was referring to a recent work by Annibal and – though the letter does not refer explicitly to the work now in the Louvre – the context suggests that the Louvre work is the only one to which Agucchi could be referring. A second undated letter by Agucchi explicitly refers to the ''Pietà'' in the Mattei chapel, whils ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci - Pietà With Sts Francis And Mary Magdalen - WGA4443
Annibale is the Italian names, Italian masculine name, masculine given name and surname equivalent to Hannibal (given name), Hannibal. In English, it may refer to : Given name * Annibale Albani (1682–1751), Italian cardinal * Annibale I Bentivoglio, (died 1445), ruler of Bologna from 1443 * Annibale II Bentivoglio (died 1540), lord of Bologna in 1511–1512 * Annibale Bergonzoli (1884–1973), Italian lieutenant general * Annibale Bugnini (c.1912–1982), Roman Catholic prelate * Annibale Caccavello (1515–1595), Italian sculptor * Annibale Caro (1507–1566), Italian poet * Annibale Carracci (1560–1609), Italian painter * Annibale Ciarniello (1900–2007), one of the last surviving Italian veterans of the First World War * Annibale de Gasparis (1819–1892), Italian astronomer * Annibale della Genga (1760–1829), birth name of Pope Leo XII * Annibale di Ceccano (c.1282–1350), Italian cardinal * Annibale Fontana (1540–1587), Italian sculptor, medalist and crystal worker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Aquila (after Annibale Carracci),
Pietro Aquila (c. 1630–1692) was an Italian painter and printmaker of the Baroque period. He was born in Palermo. He mentored his nephew, the printmaker Francesco Faraone Aquila. Biography He trained at the school of Palermo painter and engraver Pietro del Po and worked, like a teacher, first at home, in Palermo, then in Naples and Rome, where he pursued the ecclesiastical career. For his paintings that he left in Palermo in the church of the Pietà (Parabola del Figlio Prodigo, Abraham and Melchizede) and in the cloister of S. Maria delle Vergini (S. Benedetto), as well as some frescoes in the Chapel of the Rosary in S. Cita, he gained the status of ''"respectable painter"'', loyal to the Raphaelesque tradition. But Aquila established himself first and foremost as a copper engraver, dedicating himself to the distribution and popularization of many of the most remarkable paintings with the help of which the sacred and profane buildings of Rome were adorned at that time. He mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Francis Of Assisi
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Louvre By Italian Artists
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà Con Due Angeli
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. However, in practice works called a ''Pietà'' may include angels, the other figures usual in ''Lamentations'', and even donor portraits. An image consisting only of a dead Christ with angels is also called a Pietà, at least in German, where ''Engelpietà'' (literally "Angel Pietà") is the term for what is usually called ''Dead Christ supported by angels'' in English. Several namesake images have merited a Pontifical decree of coronation, including the Pieta of Saint Peter's Basilica in Rome, in the Marienthal Basilica in France, the Franciscan church in Leuven, Belgium, at the Kamp-Bornhofen, Germany, and Our Lady of Charity in Cartagena, Spai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domine, Quo Vadis?
''Domine, quo vadis?'' is a 1602 painting by the Italian Baroque painter Annibale Carracci (1560–1609), depicting a scene from the apocryphal Acts of Peter. It is housed in the National Gallery, where it is given the title ''Christ appearing to Saint Peter on the Appian Way''. The subject is a rare representation in art of the theme ''Quo vadis''. Annibale Carracci was the founder of the Italian Baroque painting school, called Bolognese School. This painting is one of his best known works. Peter is depicted fleeing Rome to avoid crucifixion and has a vision of meeting Christ bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi" ("I am going to Rome to be crucified again"). Peter returns to Rome after this vision. Painting The work depicts a scene featured in the apocryphal Acts of Peter. Saint Peter, while fleeing Rome along the ancient Via Appia, meets Christ outside the city, who is walking in the opposite direction towards the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà Con Le Tre Marie
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. However, in practice works called a ''Pietà'' may include angels, the other figures usual in ''Lamentations'', and even donor portraits. An image consisting only of a dead Christ with angels is also called a Pietà, at least in German, where ''Engelpietà'' (literally "Angel Pietà") is the term for what is usually called ''Dead Christ supported by angels'' in English. Several namesake images have merited a Pontifical decree of coronation, including the Pieta of Saint Peter's Basilica in Rome, in the Marienthal Basilica in France, the Franciscan church in Leuven, Belgium, at the Kamp-Bornhofen, Germany, and Our Lady of Charity in Cartagena, Spai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà (Annibale Carracci)
''Pietà'' is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese (cardinal), Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to Pietà, the theme of the Pietà, and it is counted among Carracci's masterpieces. History The dating of this painting is owed to records of its commission by Odoardo Farnese (cardinal), Odoardo Farnese. It is unknown, however, what its original destination was or the date of its execution. For its location, the format of the painting indicates that it might have been intended for the private devotion of its commissioner. Therefore, it would have been kept at the chapel of the Palazzo Farnese in Rome or another Farnese mansion. There is a 16th century traveler's account that refers to an admirable P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci 1560-1609 Pieta
Annibale is the Italian masculine given name and surname equivalent to Hannibal. In English, it may refer to : Given name * Annibale Albani (1682–1751), Italian cardinal * Annibale I Bentivoglio, (died 1445), ruler of Bologna from 1443 * Annibale II Bentivoglio (died 1540), lord of Bologna in 1511–1512 * Annibale Bergonzoli (1884–1973), Italian lieutenant general * Annibale Bugnini (c.1912–1982), Roman Catholic prelate * Annibale Caccavello (1515–1595), Italian sculptor * Annibale Caro (1507–1566), Italian poet * Annibale Carracci (1560–1609), Italian painter * Annibale Ciarniello (1900–2007), one of the last surviving Italian veterans of the First World War * Annibale de Gasparis (1819–1892), Italian astronomer * Annibale della Genga (1760–1829), birth name of Pope Leo XII * Annibale di Ceccano (c.1282–1350), Italian cardinal * Annibale Fontana (1540–1587), Italian sculptor, medalist and crystal worker * Annibale Maria di Francia (1851–1927), founde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
