Pietà (Cosmè Tura)
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Pietà (Cosmè Tura)
''Pietà'' is a tempera on panel painting by Cosmè Tura, measuring 47.7 cm by 33.5 cm. It is now in the Museo Correr in Venice, to which it was bequeathed with the rest of the collection of Teodoro Correr on 1 January 1830. It was attributed to Luca d'Olanda until 1859, when Vincenzo Lazari recognised it as a work by Tura. By comparison with Tura's Studiolo of the Palazzo Belfiore, ''Calliope'' and his Roverella Altarpiece, it has been dated to around 1460. Description and style The work represents traditional iconography, that of Vesperbild, slightly revisited, where the dimension of pain is sublimated. Mary is seen seated on the edge of the vault, in the center of the composition, holding the body of her dead son; the Calvary is in the background. The pictorial quality is very high, in some points the underlying drawing made directly on the plaster layer is visible, it can be admired a wise use of lacquers and oil glazing. The work is rich in symbols and meanings, among these, ...
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Cosmè Tura
Cosmè Tura (; 1495), also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara (Painting), School of Ferrara. He provided a great contribution to the Renaissance in Ferrara. Biography Formation Born in Ferrara, of humble origins, he was the son of a shoemaker named Domenico. There is no record of Cosmè's apprenticeship, which Vasari linked to the mysterious artist Galasso Galassi of Ferrara, an elusive and thinly documented figure, linked by friendship to Piero della Francesca. The first historical documents concerning him are dated to the years 1451–1452, when he decorated some objects for the court of the ruling House of Este , Este family, Dukes of Ferrara, such as flags bearing coats of arms of the family destined for display at the Castle, or a helmet to be awarded as a tournament prize. Such works as these were a staple among the commissions received by an artist's worksh ...
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Museo Correr
The Museo Correr () is a museum in Venice, northern Italy. Located in Piazza San Marco, St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice. History The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal (Venice), Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in m ...
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Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ...
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Studiolo Of The Palazzo Belfiore
The Studiolo of the Palazzo Belfiore was a former study, or room for intellectual pursuits, that was once found in a razed Renaissance palace in Ferrara, region of Emilia-Romagna, Italy. While the palace has disappeared, records do list the paintings, consisting of depictions of muses, that hung in the room. These secular works are now dispersed across museums, but their collective presences recall the renewed attention of Renaissance patrons to symbols from classic mythology. The palace, like the Palazzo Schifanoia, is described now a ''delizia'' of the Este dynasty, which are now considered semi-rural palaces for the enjoyment of ''delights''. The palace was commissioned in 1447 by Leonello d'Este but completed by Borso d'Este around 1463. The exact layout of the palace, located near the church of Santa Maria degli Angeli is unknown, since in 1483, it was severely damaged by the besieging Venetian armies, and a fire in 1683 completed the destruction. Domenico da Piacenza is re ...
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Roverella Altarpiece
The Roverella Altarpiece was a religious painting by Cosmè Tura completed during 1470–1474 using oil and egg-tempera on poplar panel work, commissioned by abbot and cardinal Bartolomeo Roverella for San Giorgio fuori le mura in Ferrara in memory of his brother bishop Lorenzo Roverella. It was one of the most significant works of the artist and of the Ferrara Renaissance in general. It was damaged in an explosion in 1709 and moved out of the church. It is now dismembered and their panels split up between several museums. Description An 18th century description of the altarpiece was made by Girolamo Baruffaldi. Based on that information Maurizio Bonora created a reconstruction with the technique of graphite on paper. The altarpiece was composed of six main panels, with a large ''Madonna and Child Enthroned'' in the center and on the sides two lower panels, with saints and characters of the Roverella family, surmounted by a panel with a kneeling saint each. Above was the large l ...
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Andrea Mantegna
Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of Old master print, prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola Mantegna, Isola di Carturo, Republic of Venice, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous c ...
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Padua
Padua ( ) is a city and ''comune'' (municipality) in Veneto, northern Italy, and the capital of the province of Padua. The city lies on the banks of the river Bacchiglione, west of Venice and southeast of Vicenza, and has a population of 207,694 as of 2025. It is also the economic and communications hub of the area. Padua is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Besides the Bacchiglione, the Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain. To the city's south west lies the Euganean Hills, Euganaean Hills, which feature in poems by Lucan, Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley. Padua has two UNESCO World Heritage List entries: its Botanical Garden of Padua, Botanical Garden, which is the world's oldest, and its 14th-century frescoes, situated in Padua's fourteenth-centu ...
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Paintings Of The Pietà
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1460s Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers *146 Lucina, a main-belt asteroid *Alfa Romeo 146 The Alfa Romeo 145 (Type 930A) and the Alfa Romeo 146 (Type 930B) are small family cars produced by Italian automobile manufacturer Alfa Romeo between 1994 and 2000. The 145 is a three-door hatchback and was launched at the 1994 Turin Motor Show ..., a 5-door hatchback See also * List of highways numbered 146 * {{Number disambiguation ...
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Paintings By Cosmè Tura
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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