|
Piano Quintet No. 1 (Fauré)
Gabriel Fauré's Piano Quintet in D minor, opus number, Op. 89 is the first of his two works in piano quintet, the genre. Dedicated to Eugène Ysaÿe, the quintet was given its premiere in Brussels by the Ysaÿe Quartet (1886), Quatuor Ysaÿe, with the composer at the piano, on 23 March 1906. The gestation of the work was long and effortful: Fauré started work on it in 1887 and repeatedly set it aside and returned to it until he completed it in 1905. Background In 1887, shortly after the premiere of his Piano Quartet No. 2 (Fauré), Second Piano Quartet, Fauré told a friend that he found himself "haunted by an idea for another work for piano and strings".Nectoux, pp. 95–98 He rarely kept sketches for his works once they were complete, but a sketchbook dating from mid-1887 survives, containing the theme that was to form the work's finale. Fauré's biographer Jean-Michel Nectoux speculates that the idea of incorporating the theme into a piano quintet may have been prompted by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré By Pierre Petit 1905 - Gallica 2010 (cropped)
In the Abrahamic religions (Judaism, Christianity, Islam), Gabriel ( ) is an archangel with the power to announce God's will to mankind, as the messenger of God. He is mentioned in the Hebrew Bible, the New Testament and the Quran. Many Christian traditions – including Eastern Orthodoxy, Catholicism, Lutheranism, and Anglicanism – revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel (biblical figure), Daniel to explain his visions (Daniel 8:15–26, Daniel 9, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Hebrew. Alongside the archangel Michael (archangel), Michael, Gabriel is described as the guardian angel of the Israelites, people of History of ancient Israel and Judah, Israel, defending it against the angels of the other peoples. In the New Testament, the Gospel of Luke relates the Annunciation, in which the angel Gabriel appears to Zechariah (New Testament figur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristina Ortiz
Cristina Ortiz (born April 17, 1950, in Bahia) is a Brazilian pianist. Biography Born in Bahia, Brazil, Cristina Ortiz began her studies in her home country before moving to France with Magda Tagliaferro. Soon after finishing her studies in Paris, she won the first prize of the third edition of the Van Cliburn International Piano Competition. She continued her study with Rudolf Serkin in Philadelphia at the Curtis Institute of Music and later moved to London, where she currently lives. Ortiz has performed in most of the major concert halls around the world, and has been invited to be a soloist by, the Berlin Philharmonic, Vienna Philharmonic Orchestra, Philharmonia, Chicago Symphony Orchestra, Sydney Symphony Orchestra, Philadelphia Orchestra, Royal Concertgebouw Orchestra, Cleveland Orchestra, WDR Symphony Orchestra Cologne, Deutsches Symphonie-Orchester Berlin, Valencia Orchestra, Iceland Symphony Orchestra and the NHK Symphony Orchestra. She has performed with conductors incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Orledge
Robert Orledge (born 5 January 1948) is a British musicologist who specialises in French music from the late 19th to early 20th centuries. A Professor Emeritus at the University of Liverpool, Orledge has published book-length studies on the composers Claude Debussy, Gabriel Fauré, Charles Koechlin and Erik Satie. Life and career Robert Orledge was born on 5 January 1948 in Bath, Somerset. After attending City of Bath Boys' School, he received a Bachelor of Arts (1968) and Master of Arts (1972) from Clare College, Cambridge. He received a PhD thesis from there with a study on Charles Koechlin, ''A Study of the Composer Charles Koechlin (1867–1950)''. Orledge became a professor of music at the University of Liverpool in 1991, having previously been a lecturer and senior lecturer there. Orledge specialises in French music from the late 19th to early 20th centuries, particularly that of Claude Debussy, Gabriel Fauré, Charles Koechlin, Erik Satie and Germaine Tailleferre Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Note
A quarter note ( AmE) or crotchet ( BrE) () is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem. The stem usually points upwards if it is below the middle line of the staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (). A quarter rest (or crotchet rest) denotes a silence of the same duration as a quarter note or crotchet. It is notated with the symbol . In some older music it was notated with symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK up until at least 1975. The "old" form was taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and Gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their medieval/modern counterparts. Previously, in the Middle Ages the term modus was used to describe intervals, individual notes, and rhythms (see ). Modal rhythm was an essential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Nichols (musical Scholar)
Roger David Edward Nichols (born 6 April 1939) is an English musicologist, critic, translator and author. After an early career as a university lecturer he became a full-time freelance writer in 1980. He is particularly known for his works on French music, including books about Claude Debussy, Olivier Messiaen, Maurice Ravel, Francis Poulenc and the Parisian musical scene of the years after the First World War. Among his translations are the English versions of the standard biography of Gabriel Fauré by Jean-Michel Nectoux and of Harry Halbreich's study of Arthur Honegger. Life and career Nichols was born in the English city of Ely, Cambridgeshire, the son of Edward Nichols and his wife Dorothy, ''née'' West, who were respectively a lawyer and an accountant."Nichols, Roger"Gale Contemporary Authors online retrieved 14 July 2016 He was educated at Harrow, where he read classics, and Worcester College, Oxford, where he studied under Edmund Rubbra. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wihan Quartet
The Wihan Quartet () is a Czech string quartet currently in residence at the Trinity College of Music, London. The quartet was founded at the Prague Academy of Musical Arts in 1985 by Leoš Čepický (violin), Jan Schulmeister (violin), Jiří Žigmund (viola) and Aleš Kaspřík (cello). The group's teacher was Antonín Kohout of the Smetana Quartet and it took its name of Hanuš Wihan (1855–1920), cellist and spiritus rector of the Bohemian Quartet. The quartet won the Prague Spring International Music Competition (1988), the chamber music competition at Trapani, Sicily (1990), and the London International String Quartet Competition (1991). Since then it has toured extensively, including appearances at major festivals in Europe and the Far East, several tours to the United States, Japan, Australia, and New Zealand. The group has drawn particular acclaim for their performances and recordings of the works of Dvořák and Janáček. They have also had success with the Beetho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germaine Thyssens-Valentin
Germaine Thyssens-Valentin (27 July 1902 – 7 July 1987) was a Dutch-born classical pianist of Franco-Dutch parentage, noted for her performances of French music. She studied under Gabriel Fauré at the Paris Conservatoire, and in the 1950s, after a long absence from performing while she raised a family of five children, she recorded a series of discs of Fauré's music that have been reissued on compact disc to considerable acclaim. Life and career She was born as Germaine Suzanna Jeanne Thyssens in Maastricht in the Netherlands, the eldest of the three children of a Dutch father, born Joannes Jacobus Thijssen but known as Jean-Jacques Thyssens, and his wife Jeanne Caroline Schmidt, who was from Alsace. Jean-Jacques, who was director of Peugeot in Belgium, died in July 1907, when his eldest child was not quite five years old. Encouraged by her mother, she began to study the piano when she was about five years old, and later also studied the harpsichord. At the age of eight she mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ysaÿe Quartet (1984)
The Ysaÿe Quartet (Quatuor Ysaÿe) was a French string quartet that was founded in 1984 by students at the Conservatoire de Paris named after the original Ysaÿe Quartet. It ended its existence in January 2014. Its members as of the time they disbanded were: * Guillaume Sutre (violin) (previously Christophe Giovaninetti) * Luc-Marie Aguera (violin) (previously Romano Tommasini) * Miguel da Silva (viola) * Yovan Markovitch (cello) (previously Carlos Dourthe, then Michel Poulet, then Marc Coppey, then François Salque) The ensemble undertook studies with members of the Amadeus Quartet in Cologne from 1986 to 1989. It won prizes at competitions in Trapani (2nd), Portsmouth (2nd) and Evian (1st). The quartet won admiration for its recordings of the quartets of Debussy and Ravel, and, with pianist Pascal Rogé, of the quintets of Fauré. They also performed a set of Mozart's "Haydn" Quartets for the Decca label to much acclaim. They taught at CNR in Paris and gave masterclasses in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Rogé
Pascal Rogé (born 6 April 1951) is a French pianist. His playing includes the works of compatriot composers Saint-Saëns, Fauré, Debussy, Ravel, Satie, and Poulenc, among others. However, his repertoire also covers the German and Austrian masters Haydn, Mozart, Brahms, and Beethoven. Biography Rogé first appearance in public was in 1960 with a performance of Claude Debussy's Préludes. He won the piano prize at the Paris Conservatory and worked for several years with Julius Katchen. At seventeen, he gave his first recitals in major European cities, landing an exclusive contract with Decca in the process. He has a particular affinity with French composers such as Claude Debussy, Gabriel Fauré, Maurice Ravel and Francis Poulenc. He also performs chamber works, with the Pasquier Trio, and with musicians such as Pierre Amoyal or Michel Portal, with whom he recorded Poulenc and Tchaikovsky. He gives recitals worldwide,Jean-Pierre Thiollet, ''88 notes pour piano solo'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
