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Philémon Et Baucis (Gossec)
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden Baden-Baden () is a spa town in the states of Germany, state of Baden-Württemberg, south-western Germany, at the north-western border of the Black Forest mountain range on the small river Oos (river), Oos, ten kilometres (six miles) east of the ..., it was instead first performed at the Théâtre Lyrique, Paris, on 18 February 1860 because of Second Italian War of Independence, the political situation in 1859. The new version added a middle act w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his "Ave Maria (Bach/Gounod), Ave Maria" (an elaboration of a Johann Sebastian Bach, Bach piece) and "Funeral March of a Marionette". Born in Paris into an artistic and musical family, Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Caroline Miolan-Carvalho
Marie Caroline Miolan-Carvalho (31 December 1827 in Marseille – 10 July 1895 in Château-Puys, near Dieppe) was a famed French operatic soprano, particularly associated with light lyric and coloratura roles. Biography Born Marie Caroline Félix-Miolan, she studied first with her father, François Félix-Miolan, an oboist, and later at the Conservatoire of Paris with Gilbert Duprez. After winning the first prize at the Conservatorie, she began touring throughout France, making her stage debut in Brest, as Isabelle in ''Robert le Diable'', in 1849. Upon returning to Paris the following year, Marie Miolan made her debut in the title role in ''Lucia di Lammermoor'' at the Grand Opera on December 14, 1849. She went on to sing in ''Le Pré aux clercs'', ''Les Huguenots'', ''Der Freischütz'', ''Hamlet'', etc. From 1849 to 1855 and 1868 to 1885, Miolan-Carvalho sang in Paris at the Opéra-Comique as Caroline Carvalho. In 1853, she married Léon Carvalho, a French impresario and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretti By Jules Barbier
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. The Italian word (, ) is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by scene. The relationship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Charles Gounod
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1860 Operas
Year 186 ( CLXXXVI) was a common year starting on Saturday of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Glabrio (or, less frequently, year 939 ''Ab urbe condita''). The denomination 186 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Peasants in Gaul stage an anti-tax uprising under Maternus. * Roman governor Pertinax escapes an assassination attempt, by British usurpers. New Zealand * The Hatepe volcanic eruption extends Lake Taupō and makes skies red across the world. However, recent radiocarbon dating by R. Sparks has put the date at 233 AD ± 13 (95% confidence). Births * Ma Liang, Chinese official of the Shu Han state (d. 222) Deaths * April 21 – Apollonius the Apologist, Christian martyr * Bian Zhang, Chinese official and general (b. 133) * Paccia Marciana, Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Couture 003
Thomas may refer to: People * List of people with given name Thomas * Thomas (name) * Thomas (surname) * Saint Thomas (other) * Thomas Aquinas (1225–1274) Italian Dominican friar, philosopher, and Doctor of the Church * Thomas the Apostle * Thomas (bishop of the East Angles) (fl. 640s–650s), medieval Bishop of the East Angles * Thomas (Archdeacon of Barnstaple) (fl. 1203), Archdeacon of Barnstaple * Thomas, Count of Perche (1195–1217), Count of Perche * Thomas (bishop of Finland) (1248), first known Bishop of Finland * Thomas, Earl of Mar (1330–1377), 14th-century Earl, Aberdeen, Scotland Geography Places in the United States * Thomas, Idaho * Thomas, Illinois * Thomas, Oklahoma * Thomas, Oregon * Thomas, South Dakota * Thomas, Virginia * Thomas, Washington * Thomas, West Virginia * Thomas County (other) * Thomas Township (other) Elsewhere * Thomas Glacier (Greenland) Arts and entertainment * ''Thomas'' (Burton novel), a 1969 novel by Hes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Sax
Marie Constance Sasse [Sax, Saxe, Sass] (26 January 1834 – 8 November 1907) was a Belgian operatic soprano. "Her voice was powerful, flexible, and appealing",Warrack, p. 632. "Sass, Marie Constance". and she was one of the leading sopranos at the Paris Opéra from 1860 to 1870. She created the roles of Elisabeth in the Paris premiere of Wagner's ''Tannhäuser (opera), Tannhäuser'', Sélika in the world premiere of Meyerbeer's ''L'Africaine'', Elisabeth de Valois in the world premiere of Verdi's ''Don Carlos,'' and Cecilia in the world premiere of Gomes’ Il Guarany. Biography Born Marie Constance Sasse in Oudenaarde, to a father who was a military band-master,Walsh, p. 114. she studied music at the Ghent Conservatory with François-Auguste Gevaert and in Milan with Francesco Lamperti,Kuhn, p. 692. "Sass, Marie Constance". and made her debut in Venice as Gilda in Verdi's ''Rigoletto'' in 1852.Chrichton, Ronald; Forbes, Elizabeth. "Sasse [Sax, Saxe, Sass], Marie (Constance)" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred-Auguste Giraudet
Alfred-Auguste Giraudet (28 March 1845, Seine-et-Oise – 18 October 1911, New York City) was a French operatic bass, voice teacher, and writer on singing. He was one of the earliest exponents of the role of Méphistophélès in Charles Gounod's ''Faust''; a role he portrayed many times at the Paris Opera where he was a principal artist for over two decades. He was also a regular performer at the Opéra-Comique and taught singing at the Conservatoire de Paris for 15 years. On 10 May 1869 he portrayed the title role in the world premiere of Ernest Boulanger's ''Don Quichotte'' at the Théâtre Lyrique. In 1876 he created the role of Vulcan in the world premiere of the revised version of Gounod's ''Philémon et Baucis''. In the Fall of 1908 he joined the voice faculty of the Institute of Musical Art (now the Juilliard School) where he taught for two school years. He died suddenly of pulmonary edema at his home on Claremont Avenue in Manhattan on 18 October 1911, shortly after begi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Bouhy
Jacques-Joseph-André Bouhy (18 June 1848 – 29 January 1929) was a Belgian baritone, most famous for being the first to sing the "Toreador Song" in the role of Escamillo in the opera ''Carmen''. Bouhy was born in Pepinster. After studying at the Liège Conservatory of Music, he made his début at the Paris Opéra as Méphistophélès (''Faust'') in 1871. He performed at the Opéra-Comique as Figaro (''Le Nozze di Figaro''), Escamillo (''Carmen'') in 1875. At the Comique he also created the role of '' Don César de Bazan'' in 1872. In 1882 he appeared at Covent Garden singing in ''Faust'' and ''Carmen''. He spent time in the United States as the first director of the National Conservatory of Music of America in New York City before returning to Paris to sing the High Priest in ''Samson et Dalila'' (1890). He was extremely popular with audiences, and counted Massenet among his admirers. Singers taught by him or who received instruction from him include Gervase Elwes, Clara Butt, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Amable Battaille
Charles-Amable Battaille (30 September 1822 – 2 May 1872) was a French operatic bass. Appreciated both for his voice and his acting skills, he premiered the main bass roles for the works represented at the Opéra-Comique between 1848 and 1857, and is especially notable as the first singer of the role of Peter the Great in Meyerbeer's ''L'Étoile du nord'' (1854). Life Born in Nantes, son of a doctor, he studied medicine in Caen where he was admitted as a doctor. He returned to Nantes, but decided to enter the Conservatoire de Paris in 1845 where he was a student of Manuel Garcia. François-Joseph Fétis and Arthur Pougin, « Charles-Amable Battaille », ''Biographie universelle des musiciens et bibliographie générale de la musique : Supplément et complément'', vol. 1, Paris, Firmin-Didot, 1878, p. 53-5Read online He won first prizes in singing, opera and opéra comique in 1847 Andrew Gann, « Charles-Amable Battaille », ''Dictionnaire de la musique en France au XIXe si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
