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Philosophy Of Music
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it".Andrew Kania,The Philosophy of Music, ''The Stanford Encyclopedia of Philosophy'', Spring 2014 edition, edited by Edward N. Zalta. The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.Daniel Martín Sáez,The Expression »Philosophy of Music«. A Brief History and Some Philosophical Considerations, ''International Review of the Aesthetics and Sociology of Music'', vol. 52, nº 2 (December 2021), pp. 203-220. Some basic questions in the philosophy of music are: * What is the definition of music? (what are the necessary and sufficient conditions for classifying something as music?) * What is the relationship between music and mind? * What is the relationship between music and language? * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophy
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational and critical inquiry that reflects on its methods and assumptions. Historically, many of the individual sciences, such as physics and psychology, formed part of philosophy. However, they are considered separate academic disciplines in the modern sense of the term. Influential traditions in the history of philosophy include Western philosophy, Western, Islamic philosophy, Arabic–Persian, Indian philosophy, Indian, and Chinese philosophy. Western philosophy originated in Ancient Greece and covers a wide area of philosophical subfields. A central topic in Arabic–Persian philosophy is the relation between reason and revelation. Indian philosophy combines the Spirituality, spiritual problem of how to reach Enlightenment in Buddhism, enlighten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastic Symphony: Episode in the Life of an Artist … in Five Sections'') Opus number, Op. 14, is a program music, programmatic symphony written by Hector Berlioz in 1830. The first performance was at the Paris Conservatoire on 5 December 1830. Berlioz wrote semi-autobiographical programme notes for the piece that allude to the Romanticism, romantic sufferings of a gifted artist who has poisoned himself with opium because of his unrequited love for a beautiful and fascinating woman (in real life, the Shakespearean actress Harriet Smithson, who in 1833 became the composer's wife). The composer, who revered Beethoven, followed the latter's unusual addition in the Symphony No. 6 (Beethoven), ''Pastoral'' Symphony of a fifth movement to the normal four of a classical symphony. The artist's reveries take him to a ball and to a pastoral scene in a field, which is interrupted by a hallucinatory march to the Scaffold (execution site), scaffold, leading to a grotesque satanic dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlioz
Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic music, Romantic composer and conductor. His output includes orchestral works such as the ''Symphonie fantastique'' and ''Harold en Italie, Harold in Italy'', choral pieces including the Requiem (Berlioz), Requiem and ''L'Enfance du Christ'', his three operas ''Benvenuto Cellini (opera), Benvenuto Cellini'', ''Les Troyens'' and ''Béatrice et Bénédict'', and works of hybrid genres such as the "dramatic symphony" ''Roméo et Juliette (Berlioz), Roméo et Juliette'' and the "dramatic legend" ''La Damnation de Faust''. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Program Music
Program music or programmatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Friedrich Nietzsche's philosophy of the Übermensch, ''Also Sprach Zarathustra''. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Tieck
Johann Ludwig Tieck (; ; 31 May 177328 April 1853) was a German poet, fiction writer, translator, and critic. He was one of the founding fathers of the Romanticism, Romantic movement in the late 18th and early 19th centuries. Early life Tieck was born in Berlin, the son of a rope-maker. His siblings were the sculptor Christian Friedrich Tieck and the poet Sophie Tieck. He was educated at the , where he learned Greek and Latin, as required in most preparatory schools. He also began learning Italian at a very young age, from a grenadier with whom he became acquainted. Through this friendship, Tieck was given a first-hand look at the poor, which could be linked to his work as a Romanticist. He later attended the universities of University of Halle, Halle, University of Göttingen, Göttingen, and University of Erlangen-Nuremberg, Erlangen. At Göttingen, he studied Shakespeare and Elizabethan era, Elizabethan drama. On returning to Berlin in 1794, Tieck attempted to make a living b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Heinrich Wackenroder
Wilhelm Heinrich Wackenroder (13 July 1773 – 13 February 1798) was a German jurist and writer. With Ludwig Tieck and the Schlegel brothers, he co-founded German Romanticism. Life Wackenroder was born in Berlin. He was a close friend of Tieck from youth until his early death. They collaborated on virtually everything they wrote in this period. Wackenroder probably made substantial contributions to Tieck's novel ''Franz Sternbalds Wanderungen'' (''Franz Sternbald’s Wanderings,'' 1798), and Tieck to Wackenroder's influential collection of essays, ''Herzensergießungen eines kunstliebenden Klosterbruders'' (''Outpourings of an Art-Loving Friar,'' 1797). ''Outpourings'' is a tribute to Renaissance and medieval literature and art, attributing to them a sense of emotion Wackenroder and Tieck felt was missing in German Enlightenment thought. It was also the first work to claim for Northern Renaissance art a status equivalent to that of the Italian Renaissance, at least in the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Romanticism
German Romanticism () was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism. Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (1772–1805). The early period, roughly 1797 to 1802, is referred to as ''Frühromantik'' or Jena Romanticism. The philosophers and writers central to the movement were Wilhelm Heinrich Wackenroder (1773–1798), Friedrich Wilhelm Joseph Schelling (1775–1854), Friedrich Schleiermacher (1768–1834), Karl Wilhelm Friedrich Schlegel (1772–1829), August Wilhelm Schlegel (1767–1845), Ludwig Tieck (1773–1853), and Friedrich von Hardenberg (Novalis) (1772–1801). The early German Romantics strove to create a new synthesis of art, philosophy, and science, by viewing the Middle Ages as a simpler period of integrated culture; however, the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Representation (arts)
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chicago It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantics, semantic constructions and express relations. For many philosophers, both ancient and modern, man is regarded as the "representational animal" or ''animal symbolicum'', the creature whose distinct character is the creation and the manipulation of signs – things that "stand for" or "take the place of" something else. Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to Ulysses (novel), a novel representing the day in the life of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolute Music
Absolute music (sometimes abstract music) is music that is not explicitly "about" anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , Vol. 1, p. 5 The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony. The aesthetic ideas underlying absolute music derive from debates over the relative value of what was known in the early years of aesthetic theory as the fine arts. Kant, in his ''Critique of Judgment'', dismissed music as "more a matter of enjoyment than culture" and "less worth in the judgement of reason than any other of the fine arts" because of its lack of conceptual content, thus treating as a deficit the very feature of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes Musical tone, tone and atmosphere over traditional Musical form, musical structure or rhythm. Often "peaceful" sounding and lacking Musical composition, composition, beat, and/or structured melody,The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. ambient music uses textural layers of sound that can reward both passive and active listening, and encourage a sense of calm or contemplation. The genre evokes an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and some works use sustained or repetition (music), repeated notes, as in drone music. Bearing elements with new-age music, acoustic music, instruments such as the piano, string section, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
