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Peşrev
''Peşrev'' or Peshrev ( Turkish, "prelude"; pronounced ) is an instrumental form in Ottoman music. It is the name of the first piece of music played during a group performance called a fasıl (). It also serves as the penultimate piece of the ''Mevlevi ayini'', a ritual music of the Mevlevi Order, under the name ''son peşrev'' (final peşrev), preceding ''son semai''. It usually uses long rhythm cycles, stretching over many measures as opposed to the simpler usul the other major form of instrumental music uses, ''saz semai''. Along with the saz semai, called in Arabic the sama'i, it was introduced into Arabic music in the 19th century and became particularly popular in Egypt. Etymology In Ottoman Turkish, ''peşrev'' combines a New Persian loanword, ''piš'' "before, ahead" and the native term ''rev'', "that which goes". coming to mean "that which comes first". Structure Peşrevs are composed of movements called ''hane'' (lit. "house"), at the end of which there is always ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', '' dastgah'' or '' echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respectively. A wide variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanburi Büyük Osman Bey
Tanburi Büyük Osman Bey or Tamburi Büyük Osman Bey (1816–1885) was an Ottoman composer and Turkish tambur player. He is considered one of the most outstanding peşrev compositors in Ottoman classical music. Life Tanburi Büyük Osman Bey was born in 1816 in the Tophane district of Istanbul. Most of the information we have on him originates from an oral tradition amongst his pupils and the pupils of those who knew him. His father, Zeki Mehmed Ağa as well as his grandfather Tanburi Numan Ağa were musicians of renown. At the age of eight, he was accepted to the Imperial School of Enderun, where he began his education among the foregoing masters of Turkish classical music, from whom he acquired a firm theoretical basis. His acquaintance with the tanbur also dates back to those years. As his father Zeki Mehmed Ağa is said to have refused to pass on to his son his knowledge of the tambur, most of the work must have come to be incumbent on Osman Bey himself. He is also sai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasıl
The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' yürük semâ'î'', '' gazel'', ''şarkı'' and '' saz semâ'î'', played continuously without interludes and interconnected through aranağme arrangements. A modern ''fasıl'' typically includes movements such as '' taksim'', '' peşrev'', ''şarkı (ağır aksak)'', '' yürük semâ'î'', ''Türk aksağı'', '' taksim'', ''şarkı (a few with increasing tempo)'' and '' saz semâ'î''. Traditional Fasıl (both classical and modern) is a musical act distinct from the performance of "oriental" or "arabesque" pop and folk songs found at meyhanes and taverns, which have come to be sometimes referred to by the same name. Şarkı A ''şarkı'' is an art song in Ottoman classical music which forms one of the movements of a ''fasıl'' (sui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teslim
A ''teslīm'' (; also spelled ''taslim'' or ''tasleem'') is a refrain in classical Arabic music and Ottoman classical music. It returns several times in the genres of ''sama'i'', '' peşrev'', and '' saz semaisi''. This term is the equivalent to the Ottoman term ''mülâzeme''. External links''Teslim'' - Turkish Musical Forms *Walter Zev Feldman (20 January 2001). Ottoman music. ''Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and t ...'' Arabic music Music of Turkey {{Arabic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamburi Cemil Bey
Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tanbur, Turkish tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Biography Cemil Bey was born in Istanbul, Ottoman Empire, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the violin and the kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the tanbur quite early in his youth and by the age of 20, his renown had already spread among the tamburis of Istanbul. Reforming the traditional playing technique of the tambur, he developed an energetic tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , , also known as 'Turkish of Turkey') is the most widely spoken of the Turkic languages, a member of Oghuz languages, Oghuz branch with around 90 million speakers. It is the national language of Turkey and one of two official languages of Cyprus. Significant smaller groups of Turkish speakers also exist in Germany, Austria, Bulgaria, North Macedonia, Greece, other parts of Europe, the South Caucasus, and some parts of Central Asia, Iraqi Turkmen, Iraq, and Syrian Turkmen, Syria. Turkish is the List of languages by total number of speakers, 18th-most spoken language in the world. To the west, the influence of Ottoman Turkish language, Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's reforms in the early years of the Republic of Turkey, the Persian alphabet, Perso-Arabic script-based Ottoman Turkish alphabet was repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical And Art Music Traditions
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 *Classical Indian dance, various codified art forms whose theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimitrie Cantemir
Dimitrie or Demetrius; Cantemir (; ; 26 October 1673 – 21 August 1723), also known by other spellings, was a Moldavian prince, statesman, and man of letters. He twice served as voivode of Moldavia (March–April 1693 and 1710–1711). During his second term, he allied his state with Russia in a war against Moldavia's Ottoman overlords; Russia's defeat forced Cantemir's family into exile and the replacement of the native voivodes by Greek phanariots. Cantemir was also a prolific writer, variously a: philosopher, historian, composer, musicologist, linguist, ethnographer and geographer. His son, Antioch, Russia's ambassador to Great Britain and France and a friend of Montesquieu and Voltaire, would become known as "the father of Russian poetry". Name Dimitrie is the Romanian form of the name Latinized as Demetrius and, less often, anglicized as Demeter. The Russian form of his name was (). He is also known as ''Dimitri Kantemiroğlu'' in Turkish contexts, ''Dymitr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aksak
In Ottoman musical theory, ''aksak'' () is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of rhythmic cells based on the alternation of binary and ternary quantities, as in , , , etc. The name literally means "limping", "stumbling", or "slumping", and has been borrowed by Western ethnomusicologists to refer generally to irregular, or additive meters. In Turkish folk music, these metres occur mainly in vocal and instrumental dance music, though they are found also in some folksongs. Strictly speaking, in Turkish music theory the term refers only to the grouping of nine pulses into a pattern of . Some examples are shown below. In jazz The ''aksak'' rhythm is prominently featured in the jazz standard "Blue Rondo à la Turk" by Dave Brubeck. In rock The Belgian experimental rock group Aksak Maboul take their name from this rhythm. See also *Additive rhythm an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
