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Persian Miniature
A Persian miniature (Persian language, Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ''muraqqa''. The techniques are broadly comparable to the Medieval art, Western Medieval and Byzantine art, Byzantine traditions of Miniature (illuminated manuscript), miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese art, Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yusef Zuleykha
Yusuf (, ) is a prophet and messenger of God mentioned in the Qur'an and corresponds to Joseph, a person from the Hebrew and Christian Bible who was said to have lived in Egypt before the New Kingdom. Amongst Jacob's children, Yusuf reportedly had the gift of prophecy through dreams. Although the narratives of other prophets are presented in a number of ''surah'', Joseph's complete narrative appears in only one: Yusuf. Said to be the most detailed narrative in the Quran, it mentions details that do not appear in its biblical counterpart. Yusuf is believed to have been the eleventh son of Ya'qub () and, according to a number of scholars, his favorite. Ibn Kathir wrote, "Jacob had twelve sons who were the eponymous ancestors of the tribes of the Israelites. The noblest, the most exalted, the greatest of them was Joseph." The narrative begins with Joseph revealing a dream to his father, which Jacob recognizes. In addition to the role of God in his life, the story of Yusuf and Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconism In Islam
In some forms of Islamic art, aniconism (the avoidance of images of sentient beings) stems in part from the prohibition of idolatry and in part from the belief that the creation of living forms is God's prerogative. The Quran itself does not prohibit visual representation of any living being. The ''hadith'' collection of Sahih Bukhari explicitly prohibits the making of images of living beings, challenging painters who "breathe life" into their images and threatening them with punishment on the Day of Judgment. Muslims have interpreted these prohibitions in different ways in different times and places. Religious Islamic art has been typically characterized by the absence of figures and extensive use of calligraphic, geometric and abstract floral patterns. However, representations of Muhammad (in some cases, with his face concealed) and other religious figures are found in some manuscripts from lands to the east of Anatolia, such as Persia and India. Other forms of figurative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humayun
Nasir al-Din Muhammad (6 March 1508 – 27 January 1556), commonly known by his regnal name Humayun (), was the second Mughal emperor, who ruled over territory in what is now Eastern Afghanistan, Bangladesh, Northern India, and Pakistan from 1530 to 1540 and again from 1555 to his death in 1556. At the time of his death, the Mughal Empire spanned almost one million square kilometers. On 26 December 1530, Humayun succeeded his father Babur to the throne of Delhi as ruler of the Mughal territories in the Indian subcontinent. Humayun was an inexperienced ruler when he came to power at the age of 22. His half-brother Kamran Mirza inherited Kabul and Kandahar, the northernmost parts of their father's empire; the two half-brothers became bitter rivals. Early in his reign, Humayun lost his entire empire to Sher Shah Suri but regained it 15 years later with Safavid aid. His return from Persia was accompanied by a large retinue of Persian noblemen, signaling an important change in M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isfahan
Isfahan or Esfahan ( ) is a city in the Central District (Isfahan County), Central District of Isfahan County, Isfahan province, Iran. It is the capital of the province, the county, and the district. It is located south of Tehran. The city has a population of approximately 2,220,000, making it the third-most populous city in Iran, after Tehran and Mashhad, and the second-largest metropolitan area. Isfahan is located at the intersection of the two principal routes that traverse Iran, north–south and east–west. Isfahan flourished between the 9th and 18th centuries. Under the Safavid Iran, Safavid Empire, Isfahan became the capital of Iran, for the second time in its history, under Abbas the Great. It is known for its Persian architecture, Persian–Islamic architecture, Muslim architecture, grand boulevards, covered bridges, palaces, tiled mosques, and minarets. Isfahan also has many historical buildings, monuments, paintings, and artifacts. The fame of Isfahan led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahmasp I
Tahmasp I ( or ; 22 February 1514 – 14 May 1576) was the second shah of Safavid Iran from 1524 until his death in 1576. He was the eldest son of Shah Ismail I and his principal consort, Tajlu Khanum. Tahmasp ascended the throne after the death of his father on 23 May 1524. The first years of Tahmasp's reign were marked by civil wars between the Qizilbash leaders until 1532, when he asserted his authority and began an absolute monarchy. He soon faced a long-lasting war with the Ottoman Empire, which was divided into three phases. The Ottoman sultan, Suleiman the Magnificent, tried to install his own candidates on the Safavid throne. The war ended with the Peace of Amasya in 1555, with the Ottomans gaining sovereignty over Iraq, much of Kurdistan, and western Georgia. Tahmasp also had conflicts with the Uzbeks of Bukhara over Khorasan, with them repeatedly raiding Herat. In 1528, at the age of fourteen, he defeated the Uzbeks in the Battle of Jam by using artillery. Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; , from ''gris'' 'grey') means in general any European painting that is painted in grey. History Giotto used grisaille in the lower registers of his frescoes in the Scrovegni Chapel in Padua () and Robert Campin, Jan van Eyck and their successors painted grisaille figures on the outsides of the wings of triptychs, including the ''Ghent Altarpiece''. Originally these were the sides on display for most of the time, as the doors were normally kept closed except on feast days or at the (paid) request of tourists. However, today these images are typically unseen in museums, the triptych displayed in its open state, flat against a wall. In these cases, imitation of sculpture was intended, as sculpture remained more expensive than a painting, even one by an acknowledged master. Limners often produced illuminated manuscripts in pen and watercolour, wash with a very limited colour range, and many artists such as Jean Pucelle (active 1320–1350) and Matthew Paris sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saki - Reza Abbasi - Moraqqa’-e Golshan 1609 Golestan Palace
Hector Hugh Munro (18 December 1870 – 14 November 1916), popularly known by his pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirise Edwardian society and culture. He is considered by English teachers and scholars a master of the short story and is often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, Munro himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse. Besides his short stories (which were first published in newspapers, as was customary at the time, and then collected into several volumes), Munro wrote a full-length play, ''The Watched Pot'', in collaboration with Charles Maude; two one-act plays; a historical study, ''The Rise of the Russian Empire'' (the only book published under his own name); a short novel, ''The Unbearable Bassington''; the episodic ''The Westminster Alice'' (a parliamentary parody of ''Alice in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
In art, chiaroscuro ( , ; ) is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Taken to its extreme, the use of shadow and contrast to focus strongly on the subject of a painting is called tenebrism. Further specialized uses of the term include chiaroscuro woodcut for colour woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pigment
A pigment is a powder used to add or alter color or change visual appearance. Pigments are completely or nearly solubility, insoluble and reactivity (chemistry), chemically unreactive in water or another medium; in contrast, dyes are colored substances which are soluble or go into solution at some stage in their use. Dyes are often organic compounds whereas pigments are often inorganic compound, inorganic. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic chemistry, inorganic, organic chemistry, organic, and special pigments were marketed worldwide. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Carpet
A Persian carpet ( ), Persian rug ( ),Savory, R., ''Carpets'',(Encyclopaedia Iranica); accessed 30 January 2007. or Iranian carpet is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran (historically known as Name of Iran, Persia), for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the "rug belt", the Persian carpet stands out by the variety and elaborateness of its manifold designs. Persian rugs and carpets of various types were woven in parallel by nomadic tribes in village and town workshops, and by royal court manufactories alike. As such, they represent miscellaneous, simultaneous lines of tradition, and reflect the history of Iran, Culture of Iran, Persian culture, and its various peoples. The carpets woven in the Safavid Empire, Safavid court manufactories of Isfahan during the sixteenth century are f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
