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Paquita Más
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise-en-scène
(; or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also commonly used to refer to single scenes that are representative of a film. has been called film criticism's "grand undefined term". It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize tend to look at what is "put before the camera" rather than the story. The use of is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. allows the director to not only convey their message but also implement their aesthetic; as such, each director has their own unique . refers to everything in front of the camera, including the set design, lighting, and actors, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benefit Performance
A benefit performance is a type of live entertainment which is undertaken for a cause. In its original usage, benefit performances were opportunities for an actor to supplement his/her income. In its modern usage, benefit performances are given to raise money for or awareness of a humanitarian cause, or for the immediate benefit of an audience. As a benefit for performers The concept of a benefit performance originates in England where they were used from at least 1685 to about 1870. During this time, a theater performer would be hired with a contract typically stipulating at least one benefit performance a year. For this event, the actor's employer, the theater company, would offer the ''bénéficiaire'' (as the recipient was termed) 100% (in the case of a "clear" benefit) of the event's proceeds as a bonus pay. Other forms of the benefit were the "half-clear" benefit in which the artist was entitled to 50% of the proceeds. There were also instances of multiple actors appearin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gitanos
The Romani in Spain, generally known by the Endonym and exonym, endonym ''Calé'', or the Endonym and exonym, exonym (), belong to the Romani people#Romani subgroups, Iberian Romani subgroup known as Calé, with smaller populations in Portugal (known as ) and in Southern France (known as ). Their sense of identity and cohesion stems from their shared value system, expressed among as ('Gypsy laws'). Traditionally, they maintain their social circles strictly within their Endogamy, patrigroups, as interaction between patrigroups increases the risk of feuding, which may result in fatalities. The emergence of Pentecostalism has impacted this practice, as the lifestyle of Pentecostal ''gitanos'' involves frequent contact with Calé people from outside their own patrigroups during church services and meetings. Data on ethnicity are not collected in Spain, although the public pollster Centro de Investigaciones Sociológicas, CIS estimated in 2007 that the number of Calé present in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoleon
Napoleon Bonaparte (born Napoleone di Buonaparte; 15 August 1769 – 5 May 1821), later known by his regnal name Napoleon I, was a French general and statesman who rose to prominence during the French Revolution and led Military career of Napoleon, a series of military campaigns across Europe during the French Revolutionary and Napoleonic Wars from 1796 to 1815. He led the French First Republic, French Republic as French Consulate, First Consul from 1799 to 1804, then ruled the First French Empire, French Empire as Emperor of the French from 1804 to 1814, and briefly again in 1815. He was King of Italy, King of Kingdom of Italy (Napoleonic), Italy from 1805 to 1814 and Protector of the Confederation of the Rhine, Protector of the Confederation of the Rhine from 1806 to 1813. Born on the island of Corsica to a family of Italian origin, Napoleon moved to mainland France in 1779 and was commissioned as an officer in the French Royal Army in 1785. He supported the French Rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Europe and the fourth-most populous European Union member state. Spanning across the majority of the Iberian Peninsula, its territory also includes the Canary Islands, in the Eastern Atlantic Ocean, the Balearic Islands, in the Western Mediterranean Sea, and the Autonomous communities of Spain#Autonomous cities, autonomous cities of Ceuta and Melilla, in mainland Africa. Peninsular Spain is bordered to the north by France, Andorra, and the Bay of Biscay; to the east and south by the Mediterranean Sea and Gibraltar; and to the west by Portugal and the Atlantic Ocean. Spain's capital and List of largest cities in Spain, largest city is Madrid, and other major List of metropolitan areas in Spain, urban areas include Barcelona, Valencia, Seville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Gerdt
Pavel Andreyevich Gerdt (), also known as Paul Gerdt (22 November 1844, near Saint Petersburg, Russia – 12 August 1917, in Vamaloki, Finland, Russian Republic), was the ''Premier Danseur Noble'' of the Mariinsky Ballet, Imperial Ballet, the Bolshoi Theatre, Saint Petersburg, Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elizaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa (Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in ''The Sleeping B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Petipa
Lucien Petipa (22 December 1815 – 7 July 1898) was a French ballet dancer during the Romantic period, and the elder brother to Marius Petipa, the famous ballet master of the Russian Imperial Ballet. He was born in Marseille and died in Versailles. The son of Jean-Antoine Petipa, he was the original interpreter of many of the principal male roles during the Romantic era, working with choreographers such as Jean Coralli among others. Probably the most known role he created was Albert, Duke of Sliesa (later to be known as Count Albrecht) in the two-act ballet of '' Giselle'' in 1841, opposite the Italian-born ballerina Carlotta Grisi for whom the ballet was created. Between 1860 and 1868 he was '' maître de ballet'' at the Paris Opera and between 1872 and 1873 he ran the La Monnaie theater in Brussels.Ivor Guest. ''Petipa, (Joseph) Lucien'' oGrove Music Online Notable roles * Albert in '' Giselle'' (1841) * Achmed in '' La Péri'' (1843) Ballets * In 1857 Lucien Petipa stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekaterina Vazem
Yekaterina Ottovna Vazem (born Matilda Vazem; ; 25 January 1848, Moscow – 14 December 1937, Leningrad) aka Ekaterina Vazem was a Russian prima ballerina and instructor, whose most noted pupil was the legendary Anna Pavlova. Early life She was born Matilda Vazem in 1848 in Moscow, Russian Empire. She moved to Saint Petersburg, where In 1866, she was named the best student of the Imperial Theatre School (now the Mariinsky Ballet). She became famous for first dancing the role of Nikiya in 1877 Marius Petipa's ballet, ''La Bayadère''. She went on to become the teacher of legendary prima ballerina Anna Pavlova. La Bayadère During the mid- to late 19th century, Russian ballet was dominated by foreign artists, though during the late 1860s through the early 1880s the theatre administration encouraged the promotion of native talent. Vazem – a ''terre-à-terre'' virtuosa – climbed the ranks of the Imperial Ballet to become one of the company's most celebrated dancers. De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yelena Andreyanova
Elena Ivanovna Andreïanova , sometimes spelt Yelena Andreyanova (Russian Елена Ивановна Андреянова), 13 July 1819 St. Petersburg - 28 October 1857 Paris, was a Russian ballerina. She is considered to be the outstanding Russian ballerina of the romantic genre, but her life was one full of tragedy. Biography Little is known about her childhood. At ten-years of age she entered the St. Petersburg Drama school. Among her teachers were Philippe Taglioni and his daughter Marie Taglioni. She graduated in 1837, and joined the Mariinsky ballet troop where she was the first Russian dancer to interpret the title roles in Giselle (1842), La Peri (1844 ) and Paquita (1847). She became the mistress of the Director of the Imperial Theater, Alexander Guedeonov. Antagonism developed between Guedenov and Andreianova when guest French ballerinas Marie Taglioni and Fanny Elssler, were given some of her parts and got acclaim from audiences instead of her. To pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlotta Grisi
Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Vižinada, Visinada, Istria (present-day Vižinada, Croatia). Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of ''Giselle''. Biography At her 1836 debut in London, Grisi performed with the accomplished Ballet dancer, danseur Jules Perrot. She next appeared in Paris at the Théâtre de la Renaissance (1840) and a year later, toured with Perrot to other parts of Europe. Through Perrot's contacts, the pair worked in Paris, London, Vienna, Munich, and Milan where she sang and danced. Of her two talents, it was her dancing that was acclaimed. By dancing Perrot's choreography, which at that time was receiving great attention, she gained no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
