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Palazzo Mercadillo, Chieri
The Palazzo Mercadillo is a late-Baroque architecture, Baroque style palace in the historic center of Chieri, region of Piedmont, Italy. It is located on Via Giacomo Nel where it intersects with Via San Giorgio. Formerly the city hall of the town for nearly four centuries, since 1847 it has housed a private elementary school. It rises adjacent to the Church of San Guglielmo, Chieri, San Guglielmo with the main facade on Via Nel facing the palaces of the Opesso and Valfrè. History This small palace was formed by the joining of two medieval houses on the site, and served as a meeting place for the city council as well as housing the town prison. Prior council meetings were held at the church of San Guglielmo. In 1772, the palace was refurbished and the facade built to the design by the architect Mario Quarini, whose more sober and classic design supplanted a prior designs by his mentor, Bernardo Vittone.
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PALAZZO MERCADILLO
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of '' quadratura ...
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San Guglielmo, Chieri
San Guglielmo is a Roman Catholic church located in the town of Chieri, in the metropolitan city of Turin, in the region of Piedmont, Italy. It stands adjacent to the Palazzo Mercadillo. History Built in the 15th century, the church has since the 16th century been affiliated with the Confraternity of the Holy Spirit. The Baroque-style bell tower was designed by Giovanni Battista Feroggio. In the 18th-century, the interior was decorated with rococo stucco. The main altar was sculpted by Francesco Riva. The chapel to the right of the main altar has a canvas depicting the ''Adoration of the Magi'' by Francesco Fea Francesco Fea (Active 1607circa 1652) was an Italian painter active in a Mannerist style, who painted in Piedmont. Biography He was born in Chieri. He was the grandfather of the painters Giovan Francesco and Antonio Cerutti Fea, born to his daug .... The relics of St Theodore Martyr are housed in a niche. At one time, one of the aims of the confraternity was the ...
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Mario Quarini
Mario Ludovico Quarini (1736 – 1808) was an Italian architect. He was active in the Piedmont, and completed unfinished projects of Bernardo Antonio Vittone. He began his career in the exuberant baroque of Vittone, but moved into more neoclassical styles. He was born in Chieri. He completed (1776) the work of Vittone for the Abbey of Fruttuaria di San Benigno Canavese. He enlarged (1772) the Palazzo Mercadillo in Chieri. He completed the facade (1792) of the church of San Bernardino in Chieri; the belltowers are older. He designed the scenographic church San Giacomo Maggiore of Balangero (1774). He designed an altar for the church of monastery of the Annunziata in Turin Turin ( , Piedmontese language, Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the capital city of Piedmont and of the Metropolitan City of Turin, and was the first Italian capital ..., moved to the parish church of San Maurizio Canavese. He de ...
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Bernardo Vittone
Parish Church of Grignasco Bernardo Antonio Vittone (19 August 1704 – 19 October 1770) was an Italian architect and writer. He was one of the three most important Baroque architects active in the Piedmont region of Northern Italy; the other two were Filippo Juvarra and Guarino Guarini. The youngest of the three, Vittone was the only one who was born in Piedmont. He achieved a synthesis of the spatial inventiveness of Juvarra and the engineering ingenuity of Guarini, particularly in the design of his churches, the buildings for which he is best known. Life and works Vittone was born in Turin into a mercantile family. He may have been introduced to architecture by his uncle, the architect Gian Giacomo Plantery and might have worked under Juvarra before departing for Rome. In Rome, Vittone won a first prize in the Accademia di San Luca in 1732. His architectural studies in Rome included works by Carlo Fontana and he was elected to the Academy in 1733 just prior to his return to ...
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Houses Completed In The 18th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or lock (security device), locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, Li ...
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Chieri
Chieri (; pms, Cher) is a town and '' comune'' in the Metropolitan City of Turin, Piedmont ( Italy), located about southeast of Turin, by rail and by road. It borders the following municipalities: Baldissero Torinese, Pavarolo, Montaldo Torinese, Pino Torinese, Arignano, Andezeno, Pecetto Torinese, Riva presso Chieri, Cambiano, Santena, and Poirino. History Pre-Roman Between the Neolithic and the Iron Age, the original inhabitants of this part of the Italian peninsula were the Ligures. The Ligures living in this area of the Po river plain belonged specifically to the Taurini tribe. The location of Chieri is within the Taurini tribe's territory, in the belt of hills which surround Turin. The original settlement was most likely founded by them, being sited on a prominent hill (on which the church of San Giorgio currently stands) and growing to be the geographical focus of the city centre. Its original name would have been Karreum or a variant thereof (e.g. Ka ...
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Baroque Architecture In Piedmont
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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18th-century Architecture In Italy
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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