Palazzo Ferrari Sacchini, Piacenza
The Palazzo Ferrari Sacchini is a Baroque architecture-style aristocratic palace located at Via Giosuè Carducci #11 in central Piacenza, region of Emilia-Romagna in Italy. The palace also is referred to as the ''Palazzo Ferrari-Sacchini-Calciati-Costa'' referring to subsequent owners. The palace is now home to the local ministry of the treasury. History The palace was designed circa 1680 putatively by the architect Ferdinando Galli-Bibiena under the patronage of Count Corrado Ferrari. The facade has a rusticated stone base. At the piano nobile rises monumental pilasters. The window tympani are decorated playfully with various sculpted items including helms, scallops, and shields. The roofline frieze is bracketed densely. The central portal has an 18th-century wrought iron balcony. The grand staircase is richly decorated with stucco, work attributed to Provino Dalmazio della Porta, as well as quadratura frescoes. In the panels are depictions of an allegory of Apollo. The Interior ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of '' quadratura ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Piacenza
Piacenza (; egl, label= Piacentino, Piaṡëinsa ; ) is a city and in the Emilia-Romagna region of northern Italy, and the capital of the eponymous province. As of 2022, Piacenza is the ninth largest city in the region by population, with over 102,000 inhabitants. Westernmost major city of the region of Emilia-Romagna, it has strong relations with Lombardy, with which it borders, and in particular with Milan. It was once defined by Leonardo da Vinci as "Land of passage", in his Codex Atlanticus, by virtue of its crucial geographical location. Piacenza integrates characteristics of the nearby Ligurian and Piedmontese territories added to a prevalent Lombard influence, favored by communications with the nearby metropolis, which attenuate its Emilian footprint. Piacenza is located at a major crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Turin. Piacenza is also at the confluence of the Trebbia, draining the no ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Emilia-Romagna
egl, Emigliàn (man) egl, Emiglièna (woman) rgn, Rumagnòl (man) rgn, Rumagnòla (woman) it, Emiliano (man) it, Emiliana (woman) or it, Romagnolo (man) it, Romagnola (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-45 , blank_name_sec1 = GDP (nominal) , blank_info_s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ferdinando Galli-Bibiena
Ferdinando Galli-Bibiena (18 August 1657 – 3 January 1743),"Galli-Bibiena, Ferdinando" (dates, Farnese dynasty, to Barcelona for Karl VI),''Encyclopedia of Austria'', 2006, aeiou.iicm.tugraz.at webpag."Ferdinando Galli Bibiena Online" (overview), John Malyon, ''Artcyclopedia'', 2005, Artcyclopedia.com webpag surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter."Bibiena, Galli da, Family" (history),''Encyclopædia Britannica Online'', 18-November-2006, Britannica.com webpagEB-Bibienas Biography Bibiena was born on 18 August 1657 at Bologna. He was the son of painter Giovanni Maria Galli (1625–1665), and he studied painting under Carlo Cignani and architecture under Giulio Trogli, called ''il Paradosso''. On the recommendation of Cignani, Bibiena entered into the service of the duke of Parma and also worked for the Farnese dynasty at Piacenza over a period of 30 years. His main work during this time was the garden ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert De Longe
Robert de Longe (Brussels, 1646 – Piacenza, 1709) was a painter born in present-day Belgium, but active in Northern Italy including Cremona and Piacenza. Biography He is one of many painters known in Italy as ''il Fiammingo'' (the Flemish). De Longe had traveled throughout Italy. In 1680, in Rome he joined painter in the Papal court, and there met Agostino Bonisoli, who brought him to work for many years in Cremona. In 1685, de Longe was invited by the bishop of Piacenza, Giorgio Barni, to work in that city. While a Flemish influence in his work is noticeable, during his stay in Italy, he was influenced by works of Sebastiano Ricci and Giovanni Evangelista Draghi, such as their ''Fasti paintings in the Palazzo Farnese in Piacenza. He is said to have influenced “ Cavalier Tempesta”. One of his masterworks is considered the cupola (1705) of the Oratory of San Giovanni in Cortemaggiore Cortemaggiore ( Piacentino: ) is an Italian ''comune'' located in the Province of Piacenza. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marcantonio Rizzi
Marcantonio Raimondi, often called simply Marcantonio (c. 1470/82 – c. 1534), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael's works after the painter's death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasari's ''Lives of the Artists''. He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints ''I Modi'', and then, according to Vasari, lost all his money in t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Houses Completed In The 17th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palaces In Piacenza
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Palaces In Piacenza
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occ ... and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |