Palazzo Celsi Pollini, Siena
The Palazzo Celsi Pollini, once also called the Palazzo del Vescovo, is a Renaissance style urban palace in Siena, Italy. It is located on Pian dei Mantellini #39-41, at the corner with Via San Quirico. A 19th-century source refers to the house as ''Casa Campioni''. Giulio della Taja, page 53. NB. It erroneously attributes the frescoes below to Baldassare Peruzzi. The main facade faces the campanile of San Niccolò del Carmine. History The polygonal palace built into the slope of the hill was built in 1525 using designs by[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pilasters and lintels, as well as the use of semici ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baldassarre Peruzzi
Baldassare Tommaso Peruzzi (7 March 1481 – 6 January 1536) was an Italian architect and painter, born in a small town near Siena (in Ancaiano, ''frazione'' of Sovicille) and died in Rome. He worked for many years with Bramante, Raphael, and later Sangallo during the erection of the new St. Peter's. He returned to his native Siena after the Sack of Rome (1527) where he was employed as architect to the Republic. For the Sienese he built new fortifications for the city and designed (though did not build) a remarkable dam on the Bruna River near Giuncarico. He seems to have moved back to Rome permanently by 1535. He died there the following year and was buried in the Rotunda of the Pantheon, near Raphael. He was a painter of frescoes in the ''Cappella San Giovanni'' (Chapel of St John the Baptist) in the Duomo of Siena. His son Giovanni Sallustio was also an architect. Another son, Onorio, learned painting from his father, then became a Dominican priest in the convent of San ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bartolomeo Neroni
Bartolomeo Neroni, also known as Il Riccio or Riccio Sanese (c.1505-1571) was an Italian painter, sculptor, architect and engineer of the Sienese School. He was born and died in Siena. Biography Neroni was influenced by Domenico Beccafumi and Baldassare Peruzzi. He is described as a pupil of Il Sodoma, and that he married this painter's daughter. He was a versatile artist who created in the course of his life numerous works in various fields, painting, sculpture, and manuscript illumination. He also enjoyed great fame in life as a military engineer and architect. He is mentioned as ''Riccio Sanese'', a pupil of Sodoma, by Vasari in his ''Vite'' Most of his works were either ephemeral or have been lost. He created the scenography for the comedy of l'Ortensio, presented for the Grand Duke Cosimo I, in the Salone delle Commedie of Florence. The work was engraved by Andrea Andreani of Mantua in 1579. His major work is the Mannerist ''Coronation of the Virgin'' at the Pinacotec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Susanna And The Elders
Susanna (; : "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches. It is one of the additions to Daniel, placed in the Apocrypha by Protestants, with Anabaptists, Lutherans, Anglicans and Methodists regarding it as non-canonical but useful for purposes of edification. The text is not included in the Jewish Tanakh and is not mentioned in early Jewish literature, although it does appear to have been part of the original Septuagint from the 2nd century BC, and was revised by Theodotion, a Hellenistic Jewish redactor of the Septuagint text ( 150 AD). Summary A fair Hebrew wife named Susanna was falsely accused by lecherous voyeurs. As she bathes in her garden, having sent her attendants away, two elders, having previously said goodbye to each other, bump into each other again when they spy on her bathing. The two men realize they both lust for Susann ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Continence Of Scipio
The Continence of Scipio, or The Clemency of Scipio, is an episode recounted by Livy of the Roman general Scipio Africanus during his campaign in Spain during the Second Punic War. He refused a generous ransom for a young female prisoner, returning her to her fiancé Allucius, who in return became a supporter of Rome. In recognition of his magnanimous treatment of a prisoner, he was taken as one of the prime examples of mercy during warfare in classical times. Interest in the story revived in the Renaissance and the episode figured widely thereafter in both the literary and visual arts, as well as opera. The classical story The story related by Livy in his history of Rome was followed by all later writers, although it is recorded that the earlier historian Valerius Antias took a dissenting view. According to Livy's account of the siege of the Carthaginian colony of New Carthage, the Celtiberian prince Allucius was betrothed to a beautiful virgin who was taken prisoner by Scipio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mino Celsi
Mino Cèlsi (1514 – c. 1576) was an Italian ambassador and scholar; he was forced to flee to Basel, Switzerland, for his defense of Protestant critics of Roman Catholicism. Born in Siena to an aristocratic family, he served in various roles in government, including as ambassador from the Republic to Milan (1545, 1555-1556) and as a representative (1563) of Siena in Florence. Suffering from financial difficulties, and in part because of his affiliation with others who fell to imprisonment by the Roman Inquisition, he fled from Siena and ended up in Basel. He traveled to Vienna and Frankfort in search of employment. After his death a manuscript was published in Latin under his name, includinDe haereticis coercendis quatenus progredi liceat disputatio, by Mini Celsi Senensis, and Lelio Sozzini, Christalingae, (1577). (Translation: ''Highlighting the Progress in the Restrictions of Heresy''). The work argues for tolerance of alternative religious beliefs. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Palaces In Siena
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Renaissance Architecture In Siena
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |